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What if art holds solutions to the ecological crises of our time?For forty-six years, Peter Fend has argued that art premonitions material culture, therefore the means of production, ensuing changes in social relations. Hence, in his view, works by Marcel Duchamp, Carolee Schneemann, Mary Beth Edelson, Paul Sharits, and others, can prefigure ecological restoration and cohabitation. In the late 1970s, artists in New York initiated teams - first Colab, The Offices, and later Ocean Earth and Space Force—to move from critique into effecting real-world change. Initiatives came from Jenny Holzer, Coleen Fitzgibbon, Taro Suzuki, Joan Waltemath, and Eve Vaterlaus, among others, who linked up with scientists to produce reports and analyses with satellite imagery for news media. Africa-Arctic Flyway: Physiocratic States gathers documents of Peter Fend’s efforts through Ocean Earth for a planet organized according to hydrology—water basins—rather than national and colonial borders. It lays out tools and technologies derived from art, architecture, and science to replace fossil fuels, dams, nuclear industry, and industrial farming. The ensuing proposal for governance builds on what is identified as the first school of economic thought: physiocracy. Here, via satellite-aided eco-taxation, governance pursues an increase in the numbers of fish, marine mammals, migratory birds, and insects. For instance, ideas from Earth art are applied to restoring wetlands and flyways in three swaths—the Americas, East Asia, and Eurafrica—converging on the Arctic. This book focuses on the Eur­africa flyway and surveys four decades of work. It asks, “How do we go from visual art to reality?” Fend answers: “Through architecture.”

kunst --- kunstenaars --- 7.071 --- conceptuele kunst --- land art --- fysiocratisme --- ecologie --- hydrologie --- Ocean Earth --- Fend Peter --- cartografie --- activisme --- installaties --- Art --- ecology --- energy --- Nature --- political art --- globalization --- water [inorganic material] --- Fend, Peter --- Earth [Planet]

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Beuys, Joseph ; Smithson, Robert ; Matta-Clark, Gordon ; Fend, Peter ; Fitzgibbon, Colen ; Holzer, Jenny ; Nadin, Peter ; Prince, Richard ; Winters, Robin ; Jansen, Heather ; Mosher, Kärsten ; Oppenheim, Dennis ; Sharits, Paul ; Staehle, Wolfgang ; Günther, Ingo ; Lehmann, Gregory ; Vaterlaus, Eve ; Waltemath, Joan

museology --- Art --- Iconography --- Museology --- earthworks [sculpture] --- Art styles --- art [fine art] --- environments [object groupings] --- Conceptual --- Kim, Jee Won --- Knowlton, Win --- Nadin, Peter --- Holzer, Jenny --- Winters, Robin --- Waltemath, Joan --- Crary, Jonathan --- Dolson, Bill --- Lehmann, Gregory --- Sharits, Paul --- Mosher, Kirsten --- Jansen, Heather --- Fend, Peter --- Suzuki, Tara --- Steigelman, Glenn --- Fitzgibbon, Colen --- Vaterlaus, Eve --- Oppenheim, Dennis --- Staehle, Wolfgang --- Sanfilippo, Steve --- Prince, Richard --- Callard, Andrea --- Gunther, Ingo --- Otterness, Tom --- Chaikin, George --- Nolan, Janet --- anno 2000-2099 --- anno 1900-1999 --- exhibition curators --- urban planning --- ecology --- energy resources --- satellite imagery --- oceans --- Ocean Earth Construction and Development Corporation --- art [discipline] --- oceans [marine bodies of water]

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Ce catalogue s'interroge sur la violence, l'insécurité, la menace terroriste et la radicalité qui se développent un peu partout. Ces notions sont présentes dans l'oeuvre de nombreux artistes qui développent une attitude proche d'un certain activisme. Le catalogue reprend le travail d'artistes d'âge et de nationalité différents, qui développent un militantisme personnel, bien différent de ce qu'on l'on a connu dans les années 60 et 70.

Affiche politique --- Art et politique --- Art militant --- Art sociologique --- Communication --- Délinquance --- Violence (thème) --- Arts and society --- Social problems in art --- History --- commissaire Jérôme Sans; direction éditoriale Jérôme Sans, Philippe Monsel --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- activisme --- politiek --- kunst en politiek --- geweld --- oorlog --- kunst en oorlog --- feminisme --- Cattelan Maurizio --- engagement --- kunst en engagement --- AAA Corp. --- Castro Jota --- Cheang Shu Lea --- Cuevas Minerva --- Declercq Alain --- Dector Michel --- Dupuy Michel --- etoy.CORPORATION --- Geers Kendell --- Grimonprez Johan --- Guerilla Girls on Tour --- Hahn Clarisse --- Motti Gianni --- Ocean Earth --- Fend Peter --- Plenge Jakobsen Henrik --- Sala Anri --- Sierra Santiago --- Xhafa Sislej --- 7.039 --- 7.038 --- AAA Corp --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Social aspects --- Violence in art --- Arts and society - History - 20th century - Exhibitions --- Social problems in art - Exhibitions

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Art styles --- Iconography --- Art --- Sculpture --- outdoor sculpture --- earthworks [sculpture] --- environmental art --- Nature --- sculpting --- biological material --- landscapes [representations] --- Oppenheim, Dennis --- Dougherty, Patrick --- Holt, Nancy --- Sonfist, Alan --- Bailly, Dominique --- Bandolin, Gunilla --- Barbarit, Marc --- Bonanno, Alfio --- Bruni, Gilles --- Charalambous, Panos --- Hansen, Mikael --- Christo --- Jeanne-Claude --- Haas, Nils-Udo --- Smithson, Robert --- Fulton, Hamish --- Méchain, François --- Beuys, Joseph --- Nielsen, Mogens Otto --- Poitras, Edward --- Prigann, Herman --- Nash, David --- David, Michael --- Spiliopoulos, Marios --- Long, Richard --- Vilks, Lars --- Heizer, Michael --- Fabre, Jan --- Goldsworthy, Andy --- Vries, de, Herman --- Turrell, James --- Buisman, Sjoerd --- Drury, Chris --- Aycock, Alice --- Harrison, Helen Mayer --- Harrison, Newton --- Maria, de, Walter --- Meyer-Rogge, Jan --- Ross, Karl --- Weinberger, Lois --- Ocean Earth Development Corporation --- Tickon: Tranekæker International Center for Art and Nature --- Art & Environment --- anno 1900-1999 --- anno 2000-2099 --- Norway --- Sweden --- Denmark --- Nils-Udo