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Cinema is a truly global phenomenon and screenwriters who limit their ambitions to Hollywood can unnecessarily limit their careers. This book, loaded with information on every page, provides the practical know-how for breaking into the global marketplace. It is the first book to offer specific advice on writing for screens large and small, around the world from Hollywood to New Zealand, from Europe to Russia, and for alternative American markets including Native American, regional, and experimental. The book provides valuable insider information, such as * Twenty-five percent of German television is written by Hollywood writers. Screenwriters just need to know how to reach that market. * Many countries, including those in the European Union, have script development money available-to both foreign and local talent--from government-sponsored film funds. * The Web's influence on the film industry has been profound, and here you can find out how to network through the Web. The book also lists the key Web addresses for writers. Andrew Horton, author of two acclaimed books on screenwriting, includes personal essays by accomplished screenwriters from around the world and offers insightful case studies of several films and television scripts, among them My Big Fat Greek Wedding; Crouching Tiger, Hidden Dragon; and The Sopranos. Full of endless enthusiasm for great films and great scripts, this book will be an essential resource for both aspiring writers and accomplished writers hoping to expand their horizons, improve their skills, and increase their chances for success.Includes an interview with Terry Gilliam and contributions from Bernard Gordon, writer for The Day of the Triffids and The Thin Red Line; Lew Hunter, Chair of Screenwriting at UCLA; Karen Hall, writer/producer for Judging Amy and M*A*S*H; and other screenwriters

Motion picture authorship. --- alternative film markets. --- america. --- aspiring writers. --- career. --- case studies. --- cinema scholars. --- europe. --- experimental film. --- film careers. --- film industry. --- film studies. --- global cinema. --- global market. --- globalization. --- hollywood. --- hong kong. --- insider perspective. --- modern film. --- movie scripts. --- native americans. --- new zealand. --- nonfiction essays. --- nonfiction guide. --- online networking. --- practical advice. --- regional film. --- russia. --- screenwriters. --- screenwriting. --- television and film. --- Motion picture authorship

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Where do you place the hyphen in "Beethoven" if it breaks between two lines? How do you cite John Coltrane's album A Love Supreme? Is it "premiere" or "première"? The answers and much more can be found in this definitive resource for authors, students, editors, concert producers-anyone who deals with music in print. Extending the principles devised for the classical repertoires, this revised and expanded edition now includes examples from world music, rock, jazz, popular music, and cinema. This essential volume covers some of the thorniest issues of musical discourse: how to go about describing musical works and procedures in prose, the rules for citations in notes and bibliography, and proper preparation of such materials as musical examples, tables, and illustrations. One section discusses program notes, while others explain the requirements for submitting manuscripts and electronic files, and outline best practices for student writers. An appendix lists common problem words. Updates include greatly simplified citations of Internet locators, the recognition of multiple platforms, and the expectation of paperless transmission and storage of work. Cited as the authority by The Chicago Manual of Style, this classic handbook is the go-to source for anyone writing about music.

Musical criticism --- Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Hermeneutics (Music) --- Music criticism --- Journalism --- Authorship --- Historiography --- History and criticism --- authors. --- bibliography. --- chicago manual of style. --- cinema. --- citation rules. --- concert producers. --- editors. --- jazz. --- music criticism. --- music critics. --- music historians. --- music history. --- music in print. --- music scholars. --- music students. --- music studies. --- music writers. --- music writing. --- musical discourse. --- musicians. --- musicology. --- nonfiction guide. --- popular music. --- program notes. --- prose writing. --- reference guide. --- rock music. --- student writers. --- style guide. --- textbooks. --- world music. --- writing resource.