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The neurorehabilitation field is increasingly focused on understanding how to efficiently revert the effects that acute (i.e., stroke or traumatic brain injury) or chronic (i.e., neurodegenerative diseases) insults play either on small or large-scale networks, encompassing motor, sensory and cognitive domains. The link between the disrupted neuronal pulse generators and their effectors is being re-shaped through a wide scenario that embraces biorobotics, robot-aided rehabilitation, non-invasive neurostimulation, nanoprosthetics and neuroengineering. For the past decade and at an amazing speed, large investments and efforts allowed enthusiastic and only apparently heterogeneous researchers to borrow theories from neurophysiology, pharmacology, physics and quantum mechanics in order to generate together highly sophisticated tools that restore, resemble or even substitute the basic biological architecture. The idea of actually reverting weakened functions and/or replacing the faulty parts either of the human body or the central and peripheral nervous system is becoming a new reality, opening a fascinating era in this field. In this Research Topic, several researchers showed how the above principles became reality, from theory to the bedside of patients, providing full explanations of the whole mechanistic processes and how they were implemented, up to the final stage.

rehabilitation --- functional connectivity --- tDCS --- non-invasive techniques --- neurodegeneration --- biorobotics --- nanotechnology --- translational research --- neurophysiology --- neurostimulation

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The book presents a collection of original scientific studies aimed at identifying the pigments and dyes in several archaeological or historical objects and artworks. The objects under investigation span from ancient Greek vases to modern paintings, and show the importance of scientific analysis not only to reveal the artists’ materials in different contexts, but also to support conservation and curatorial strategies for the preservation and display of cultural heritage.

Research & information: general --- Late Cycladic I --- brominated indigoids --- Muricidae --- murex --- purpurissum --- true purple --- microRaman --- FTIR --- HPLC-DAD --- weld lake pigments --- yellow lakes --- luteolin --- 19th century --- Winsor &amp --- Newton --- conservation --- Liu Kang --- SEM-EDS --- MA-XRF --- IRFC --- X-RAY --- RTI --- hidden paintings --- pigments --- synthetic organic pigments --- royal talens --- handheld raman spectroscopy --- microraman spectroscopy --- modern artist oil paint --- urolithin C --- brazilein --- brazilwood marker component --- historical textile --- alteration --- cadmium orange --- chlorine --- selenium --- terracotta --- maize stem --- New Spain --- computerized tomography --- Raman --- SEM-EDX --- Mexican sculpture --- polychrome sculpture --- Maria Sibylla Merian --- colored prints --- hyperspectral imaging --- X-ray fluorescence spectroscopy --- photometric stereo --- Prussian blue --- non-invasive pigment characterization --- textiles --- dyes --- Peru --- ambient ionization mass spectrometry --- DART-MS --- paper spray MS --- HPLC --- non-invasive techniques --- FORS --- XRF --- illuminated manuscripts --- brazilwood --- colourants --- Antoine de Lonhy --- Torino --- reflectance spectroscopy --- SERS --- synthetic dyes --- Tholu Bommalata --- puppets --- pigment identification --- Raman spectroscopy --- scanning electron microscopy-energy dispersive spectroscopy --- microstratigraphic analysis --- Viking Age --- dyestuff --- HPLC-DAD-MS --- aragonite --- Brunswick green --- clinochlore --- mortars --- ultramarine yellow --- vermilion --- wall paintings --- XRD --- Henri Matisse --- cut-outs --- gouache --- Pigment identification --- light sensitivity --- X-ray fluorescence spectroscopy (XRF) --- Fourier transform infrared spectroscopy (FTIR) --- microfaedometry (MFT) --- Late Cycladic I --- brominated indigoids --- Muricidae --- murex --- purpurissum --- true purple --- microRaman --- FTIR --- HPLC-DAD --- weld lake pigments --- yellow lakes --- luteolin --- 19th century --- Winsor &amp --- Newton --- conservation --- Liu Kang --- SEM-EDS --- MA-XRF --- IRFC --- X-RAY --- RTI --- hidden paintings --- pigments --- synthetic organic pigments --- royal talens --- handheld raman spectroscopy --- microraman spectroscopy --- modern artist oil paint --- urolithin C --- brazilein --- brazilwood marker component --- historical textile --- alteration --- cadmium orange --- chlorine --- selenium --- terracotta --- maize stem --- New Spain --- computerized tomography --- Raman --- SEM-EDX --- Mexican sculpture --- polychrome sculpture --- Maria Sibylla Merian --- colored prints --- hyperspectral imaging --- X-ray fluorescence spectroscopy --- photometric stereo --- Prussian blue --- non-invasive pigment characterization --- textiles --- dyes --- Peru --- ambient ionization mass spectrometry --- DART-MS --- paper spray MS --- HPLC --- non-invasive techniques --- FORS --- XRF --- illuminated manuscripts --- brazilwood --- colourants --- Antoine de Lonhy --- Torino --- reflectance spectroscopy --- SERS --- synthetic dyes --- Tholu Bommalata --- puppets --- pigment identification --- Raman spectroscopy --- scanning electron microscopy-energy dispersive spectroscopy --- microstratigraphic analysis --- Viking Age --- dyestuff --- HPLC-DAD-MS --- aragonite --- Brunswick green --- clinochlore --- mortars --- ultramarine yellow --- vermilion --- wall paintings --- XRD --- Henri Matisse --- cut-outs --- gouache --- Pigment identification --- light sensitivity --- X-ray fluorescence spectroscopy (XRF) --- Fourier transform infrared spectroscopy (FTIR) --- microfaedometry (MFT)