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Architecture --- avant-garde --- neo-avant-garde --- architectuur, Spanje --- Modernist
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Fiction --- Non-fiction --- Dutch literature --- avant-garde --- neo-avant-garde
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American literature --- Dutch literature --- language [general communication] --- neo-avant-garde
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Art styles --- neo-avant-garde --- anno 1960-1969 --- Antwerp
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Art styles --- neo-avant-garde --- anno 1900-1999 --- Europe --- United States of America
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Art --- Literature --- Dutch literature --- manifestoes --- happenings --- avant-garde --- neo-avant-garde
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"Bringing together an international and diverse group of scholars, Tuning in to the neo-avant-garde offers the first in-depth study of the radio medium's significance as a site of artistic experimentation for the literary neo-avant-garde in the postwar period. Covering radio works from the 1950s until the 2010s, the collection charts how artists across the UK, Europe and North America continued as well as reacted to the legacies of the historical avant-garde and modernism, operating within different national broadcasting contexts, by placing radio in an intermedial dialogue with prose, poetry, theatre, music and film. In doing so, the volume explores a wide variety of acoustic genres – radio play, feature, electroacoustic music, radiophonic poem, radio opera – to show that the medium deserves to occupy a more central place than it currently does in studies of literature, (inter)media(lity) and the (neo-)avant-garde."--
Radio plays --- Experimental drama --- History and criticism. --- (neo)-avant-garde. --- broadcasting. --- ecocriticism. --- intermediality. --- modernism. --- narratology. --- radio drama. --- radio. --- sound art. --- theatre. --- Experimental drama. --- Radio plays.
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How do artist archives survive and stay authentic in radically changed contexts? The volume addresses the challenge of continuity, sustainability, and institutionalization of archives established by Eastern European artists. At its center stands the 40th anniversary of the Artpool Art Research Center founded in 1979 in Budapest as an underground institution based on György Galántai's »Active Archive« concept. Ten internationally renowned scholars propose contemporary interpretations of this concept and frame artist archives not as mere sources of art history but as models of self-historicization. The contributions give knowledgeable insights into the transition of Cold War art networks and institutional landscapes.
(Artist) Archives; Cold-War; Neo-Avant-Garde; Eastern Europe; Historicization; Memory Culture; Society; Cultural History; Art History; Art History of the 20th Century; Cultural Management; Museum Management; Fine Arts --- Art History of the 20th Century. --- Art History. --- Cold-War. --- Cultural History. --- Cultural Management. --- Eastern Europe. --- Fine Arts. --- Historicization. --- Memory Culture. --- Museum Management. --- Neo-Avant-Garde. --- Society. --- Art archives. --- Archives --- (Artist) Archives --- Cold-War --- Neo-Avant-Garde --- Eastern Europe --- Historicization --- Memory Culture --- Society --- Cultural History --- Art History --- Art History of the 20th Century --- Cultural Management --- Museum Management --- Fine Arts
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