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Art --- assemblages [sculpture] --- installations [visual works] --- multimedia works --- photography [process] --- video art --- Fluxus --- Paik, Nam June --- Nam June Paik Art Center [Yongin]

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Essais, partitions, lettres, tracts, articles de revue, entretiens, scénarios sont présentés dans un ordre chronologique (inversé), car ils s'éclairent entre eux et renvoient les uns aux autres au mépris de toute catégorisation. Ils accompagnent un parcours biographique qui débute à Séoul par deux compositions de 1947-48 et se termine, provisoirement, en automne 1992 par quatre inédits reproduits ici dans les deux langues, anglais et français.

Performance-art --- Installation-art --- Happening --- Fluxus --- Ecrit d'artiste --- Artiste --- Art vidéo --- Paik, Nam June --- 20e siècle --- Paik Nam June --- kunsttheorie --- videokunst --- muziek --- 791.45 PAIK --- 7.071 PAIK --- Nam June Paik ; Textes réunis et prés. par Edith Decker et Irmeline Lebeer --- Performance --- 791 --- 791 Openbare vermakelijkheden. Publieke vertoningen. Spektakels --- Openbare vermakelijkheden. Publieke vertoningen. Spektakels

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Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s, when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a post-cinematic age and helped to develop a novel space between the "black box" of the movie theater and the "white cube" of the art gallery. Packed with over one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art.

Art and motion pictures. --- Art, Modern. --- Art, Modern --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Modern art --- Nieuwe Ploeg (Group of artists) --- Art and moving-pictures --- Motion pictures and art --- Motion pictures --- cinema, cinematic, film, postwar, wartime, art, artistic, global, international, contemporary, 1950s, 1960s, movies, studies, college, university, textbook, academic, scholarly, research, theatres, modern, analysis, critical, critique, technology, technological, innovation, theater, video, nam june paik, robert whitman, stan vanderbeek, breer, director, filmmaker.