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When listeners talk about their listening experiences, they often refer to music as if it were a narrative. But can music actually tell a story? Can music be narrative? Traditionally, narrativity is associated with verbal and visual texts, and the mere possibility of musical narrativity is highly debated. In this study, Vincent Meelberg demonstrates that music can indeed be narrative, and that the study of musical narrativity can be very productive. Moreover, Meelberg even makes a stronger claim by contending that contemporary music, too, can be narrative. More specifically, Meelberg suggests considering contemporary musical narratives as metanarratives, i.e. narratives that tell the story of the process of narrativization.
Music --- Discourse analysis, Narrative. --- Analysis, appreciation. --- intermediality --- musical story --- musical narrative --- music --- contemporary music --- muziek --- musical tense --- musical comprehension --- narratology --- musical text --- narrativizering --- atonality --- fabula --- linearity --- metaverhalen --- atonal music --- metanarrative --- musical narrativity --- Concert --- Timbre
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When listeners talk about their listening experiences, they often refer to music as if it were a narrative. But can music actually tell a story? Can music be narrative? Traditionally, narrativity is associated with verbal and visual texts, and the mere possibility of musical narrativity is highly debated. In this study, Vincent Meelberg demonstrates that music can indeed be narrative, and that the study of musical narrativity can be very productive. Moreover, Meelberg even makes a stronger claim by contending that contemporary music, too, can be narrative. More specifically, Meelberg suggests considering contemporary musical narratives as metanarratives, i.e. narratives that tell the story of the process of narrativization.
Music --- Music --- Discourse analysis, Narrative. --- Analysis, appreciation. --- Analysis, appreciation. --- intermediality --- musical story --- musical narrative --- music --- contemporary music --- muziek --- musical tense --- musical comprehension --- narratology --- musical text --- narrativizering --- atonality --- fabula --- linearity --- metaverhalen --- atonal music --- metanarrative --- musical narrativity --- Concert --- Timbre
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When listeners talk about their listening experiences, they often refer to music as if it were a narrative. But can music actually tell a story? Can music be narrative? Traditionally, narrativity is associated with verbal and visual texts, and the mere possibility of musical narrativity is highly debated. In this study, Vincent Meelberg demonstrates that music can indeed be narrative, and that the study of musical narrativity can be very productive. Moreover, Meelberg even makes a stronger claim by contending that contemporary music, too, can be narrative. More specifically, Meelberg suggests considering contemporary musical narratives as metanarratives, i.e. narratives that tell the story of the process of narrativization.
Music --- Music --- Discourse analysis, Narrative. --- intermediality --- musical story --- musical narrative --- music --- contemporary music --- muziek --- musical tense --- musical comprehension --- narratology --- musical text --- narrativizering --- atonality --- fabula --- linearity --- metaverhalen --- atonal music --- metanarrative --- musical narrativity --- Concert --- Timbre --- Analysis, appreciation. --- Analysis, appreciation. --- intermediality --- musical story --- musical narrative --- music --- contemporary music --- muziek --- musical tense --- musical comprehension --- narratology --- musical text --- narrativizering --- atonality --- fabula --- linearity --- metaverhalen --- atonal music --- metanarrative --- musical narrativity --- Concert --- Timbre
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This book takes four stories by the Russian romantic author Vladimir Odoevsky to illustrate 'pathways', developed further by subsequent writers, into modern fiction.
Romanticism. --- Fiction genres. --- Fiction --- Genre fiction --- Genres, Fiction --- Literary form --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Literary movements --- History and criticism. --- Odoevskiĭ, V. --- Odoevskiĭ, V. F. --- Одоевский, В. Ф. --- Bezglasnyĭ, Irineĭ Modestovich Gomozeĭka-, --- Bezglasnyĭ, V., --- Dedushka Irineĭ, --- Di︠e︡dushka Irineĭ, --- Gomozeĭka-Bezglasnyĭ, Irineĭ Modestovich, --- Gomozeĭko, Irineĭ Modestovich, --- Odoevskiĭ, Vladimir Fedorovich, --- Odoevskij, Vladimir F., --- Odoevsky, V. F., --- Odoevsky, Vladimir, --- Odojevskij, V. F. --- Odojevskij, Vladimir Fedorovič, --- Odojewski, Wladimir, --- Odojewski, Włodzimierz F. --- Odojewskij, Wladimir Fjodorowitsch, --- Odoyevsky, V. F. --- Odoyevsky, Vladimir, --- Odóievski, Vladímir, --- Odóievski, Vladímir Fiódorovich, --- Criticism and interpretation. --- Odoevskij, Vladimir Fëdorovič --- Literature --- Literary Studies: C 1500 To C 1800 --- LITERARY CRITICISM / Russian & Former Soviet Union --- Eastern Europe --- Russian Romantic author. --- Vladimir Odoevsky. --- arts in literature. --- civilisations. --- detective fiction. --- fictional artistic biography. --- interplanetary flight. --- musical story. --- novelistic confession. --- science fiction.
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