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A long-needed overview of, and guide to, the principles behind the treatises on music theory written in ancient Greece and Rome and continuing through the Middle Ages.
E-books --- Music theory --- Music, Greek and Roman --- History --- History and criticism. --- Music, Greek and Roman ; History and criticism. --- Music theory ; History ; To 500. --- Music theory ; History ; 500-1400. --- Greek music theory. --- Latin music theory. --- ancient music theory. --- challenges. --- music appreciation. --- music history. --- musical composition. --- musical practice. --- pedagogy. --- principles. --- theoretical study. --- treatises.
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This path-breaking study of stage works in Italian musical performances reconsiders a crucial period of music history. Through an interdisciplinary examination of the statue animated by music, Ellen Lockhart deftly shows how Enlightenment ideas influenced Italian theater and music, and vice versa. As Lockhart reveals, the animated statue became a fundamental figure within aesthetic theory and musical practice during the years spanning 1770–1830. Taking as its point of departure a repertoire of Italian ballets, melodramas, and operas from this period, Animation, Plasticity, and Music in Italy traces its core ideas between science, philosophy, theories of language, itinerant performance traditions, the epistemology of sensing, and music criticism.
Dramatic music --- Operas --- Music, Dramatic --- Music, Theatrical --- Music for the stage --- Stage music --- Theatrical music --- Music --- Literary themes, motives. --- Themes, motives, Literary --- Literary themes, motives --- E-books --- aesthetic theory. --- animated statue. --- art. --- artists. --- drama. --- enlightenment. --- epistemology of sensing. --- historical. --- interdisciplinary. --- italian ballets. --- italian music. --- italian musical performances. --- italian operas. --- italian theater. --- italy. --- itinerant performance traditions. --- live entertainment. --- melodramas. --- music criticism. --- music history. --- musical practice. --- musical. --- nationhood fantasies. --- opera music. --- performing arts. --- philosophy. --- science. --- sciences of the body. --- stage works. --- theatre. --- theatrical. --- theory of language.
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Masques, Mayings and Music-Dramas comprises a sequence of in-depth case-studies of significant aspects of early twentieth-century English music-theatre. Vaughan Williams forms a central thread in this discussion, and Stratford-upon-Avon serves as a geographical focus-point for mediating conflicting visions of an English musical tradition. But the reach of the book is much wider, shedding new light on English Wagnerism (at Glastonbury especially) and on the reception of Wagner's ideas as a point of emulation and resistance. No less significant is the discussion of Purcell and the seventeenth-century masque - one of the primary sources for re-imagining an English dramatic tradition - and the more familiar images of the May festival, the Mummers' play and the pageant play, which are tellingly re-contextualised. The book also looks at the associations between Vaughan Williams, the theatre artist Edward Gordon Craig and the impresario Serge Diaghilev. The sequence is framed by the image of the pilgrim-vagabond Vaughan Williams's setting of the poetry of Matthew Arnold and Robert Louis Stevenson as a metaphor and paradigm for his creative career and personal progress. The book not only sheds light on the activities and ambitions of principal agents but also illuminates a particularly dynamic moment in the re-emergence of a distinctively English music-theatrical practice: one especially concerned with calling on aspects of the past to help to secure a worthwhile future. Notions of Englishness turn out to be less insular than sometimes thought and the idea of a 'musical renaissance' more complex when the case-studies are understood in their proper historical context. Scholars and students of twentieth-century English music, theatre and opera will find this volume indispensable. Roger Savage is Honorary Fellow in English Literature at the University of Edinburgh. He has published widely on theatre and its interface with music from the baroque to the twentieth century in leading journals and books.
Music --- Music theater --- History and criticism. --- Vaughan Williams, Ralph, --- Dramatic music --- Mixed media (Music) --- Uilʹi︠a︡ms, Ralʹf Voan, --- Vaughan-William, R. --- Vaughan Williams, R. --- Vaughn Williams, Ralph, --- Voan Uilʹi︠a︡ms, R. --- Voan Uilʹi︠a︡ms, Ralʹf, --- Vōn-Wiriamuzu, Reifu, --- William, R. Vaughan --- -Williams, Ralph Vaughan, --- Williams, Vaughan, --- Wiriamuzu, Reifu Vōn-, --- Williams, Ralph Vaughan --- Williams, R. Vaughan --- 1900 - 1999 --- England. --- Angleterre --- Anglii͡ --- Anglija --- Engeland --- Inghilterra --- Inglaterra --- Edward Gordon Craig. --- English music-theatre. --- Englishness. --- May festival. --- Mummers' play. --- Purcell. --- Serge Diaghilev. --- Vaughan Williams. --- Wagnerism. --- early twentieth-century. --- musical practice. --- musical renaissance. --- pageant play. --- theatre artist.
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