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postal cards --- music [performing arts genre] --- museums [buildings] --- Glinka National Museum Consortium of Musical Culture [Moscow]

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This collection situates the North-East within a developing nationwide account of British musical culture.

Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism. --- England --- North East England --- Northeast England --- 1500-1800. --- British Musical Culture. --- Cultural Exploration. --- Music Education. --- Music. --- Musical Life. --- North-East England. --- Rural Locations. --- Urban Centers.

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As a noted composer and critic, and later an editor and composition teacher, Paul Dukas (1865-1935) was a major figure in fin-de-siècle and early twentieth-century French music. Although his catalogue of published scores was relatively modest in quantity, he was internationally recognised as an artist and intellectual of distinction who contributed significantly to Parisian musical cultures and critical debates as they evolved from the 1890s until the 1930s. Moving in the same circles as Debussy and Fauré, as well as networking with trailblazers such as the Ballets Russes director Sergei Diaghilev and the conductor Serge Koussevitzky, Dukas created works that reflect French sensibilities but also resonate with transnational audiences. L'Apprenti sorcier is still his best-known work, while the opera Ariane et Barbe-Bleue has been revived and remains relevant for the twenty-first century. Works such as the Piano Sonata and the ballet La Péri respectively exemplify the twin attractions of tradition and progress for the composer. Intensely self-critical, however, he ended up destroying many of his scores. This book is the first full-length Anglophone study of Dukas. It perceives his critical essays as a form of creative, philosophical thought that synthesised the riches of the Parisian music scene yet also represented the formation and development of his own artistic voice. Investigating Dukas's interrelated identities as composer and critic, it seeks to explain his broad aesthetic motivations and artistic agenda.

Musical criticism --- Composition (Music) --- Composers --- Music critics --- History. --- Dukas, Paul, --- Dukas, Paul, ǂd 1865-1935 --- Criticism and interpretation. --- Critics --- Musicians --- Music journalists --- Composing (Music) --- Music --- Music composing --- Music composition --- Musical composition --- Concertante style --- Hermeneutics (Music) --- Music criticism --- Journalism --- Composition --- History and criticism --- Di︠u︡ka, Polʹ, --- Dukas, Paul Abraham, --- French music. --- L'Apprenti sorcier. --- Parisian musical culture. --- Paul Dukas. --- artistic agenda. --- composer. --- critic. --- early twentieth century. --- fin-de-siècle. --- intellectual. --- MUSIC / Genres & Styles / Classical.

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"In the wide-ranging and innovative essays of Cultures in Motion, a dozen distinguished historians offer new conceptual vocabularies for understanding how cultures have trespassed across geography and social space. From the transformations of the meanings and practices of charity during late antiquity and the transit of medical knowledge between early modern China and Europe, to the fusion of Irish and African dance forms in early nineteenth-century New York, these essays follow a wide array of cultural practices through the lens of motion, translation, itinerancy, and exchange, extending the insights of transnational and translocal history. Cultures in Motion challenges the premise of fixed, stable cultural systems by showing that cultural practices have always been moving, crossing borders and locations with often surprising effect. The essays offer striking examples from early to modern times of intrusion, translation, resistance, and adaptation. These are histories where nothing--dance rhythms, alchemical formulas, musical practices, feminist aspirations, sewing machines, streamlined metals, or labor networks--remains stationary."

Culture --- Culture diffusion. --- Diffusion culturelle --- History. --- Histoire --- Études transculturelles --- Labor relations. --- Social & Cultural Anthropology --- Culture populaire --- Politique culturelle --- Études transculturelles. --- Culture populaire. --- Politique culturelle. --- Society. --- Kulturspridning. --- Kultur. --- Culture. --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- Cultural diffusion --- Diffusion of culture --- Social change --- Social aspects --- Cross-cultural studies. --- Civilization. --- Barbarism --- Civilisation --- Auxiliary sciences of history --- World Decade for Cultural Development, 1988-1997 --- Comparison of cultures --- Inter-cultural studies --- Intercultural studies --- Trans-cultural studies --- Transcultural studies --- Ethnology --- Social sciences --- Methodology --- African dance. --- African emigrants. --- Ah Jake. --- Alcoa. --- Andreas Cleyer. --- Betty Friedan. --- California. --- Caribbean. --- Chinese medicine. --- Chinese workers. --- Domitila Barrios de Chungara. --- Europe. --- Germany. --- International Women's Year. --- Irish dance. --- Irish emigrants. --- Lanka. --- Latin West. --- Mexico City. --- Michel Boym. --- New York City. --- Niklas Luhmann. --- North American feminism. --- Singer Sewing Machine Company. --- Singer sewing machine. --- Sir John Floyer. --- Third World feminine Leftism. --- William Wotton. --- air power. --- alchemical formula. --- aluminum. --- bauxite mining. --- blood. --- challenge dance competitions. --- challenge dance. --- charity. --- choral festivals. --- choral societies. --- civic charity. --- civilizing mission. --- collective identity. --- consumer market. --- cross-cultural relations. --- cultural exchange. --- cultural motion. --- cultural nationalism. --- cultural practices. --- cultural space. --- culture. --- cultures. --- dance. --- early modern Europe. --- empire. --- gift-giving. --- globalization. --- gold. --- immobility. --- itinerancy. --- justice. --- knowledge transmission. --- labor network. --- labor. --- language. --- lizards. --- market imaginary. --- marketing. --- matter. --- medical knowledge. --- misunderstandings. --- mo. --- mobility. --- modernity. --- murder trial. --- music. --- musical culture. --- musical itinerancy. --- nation building. --- nationalism. --- pastoral power. --- pidgin. --- place. --- poverty. --- power. --- pulse. --- race. --- red pigments. --- science. --- sewing machine. --- social imagination. --- social relations. --- society. --- taverns. --- temporality. --- tourism. --- translation. --- transnational feminism. --- traveling musicians. --- vermillion. --- wealth.

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When people attend classical music concerts today, they sit and listen in silence, offering no audible reactions to what they're hearing. We think of that as normal-but, as Darryl Cressman shows in this book, it's the product of a long history of interrelationships between music, social norms, and technology. Using the example of Amsterdam's Concertgebouw in the nineteenth century, Cressman shows how its design was in part intended to help discipline and educate concert audiences to listen attentively - and analysis of its creation and use offers rich insights into sound studies, media history, science and technology studies, classical music, and much more.

Concerts. --- Recitals (Music) --- Amusements --- Music --- Performance --- Concertgebouw (Amsterdam, Netherlands) --- ARCHITECTURE --- HISTORY --- Concerts --- Annals --- Auxiliary sciences of history --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- General. --- Western. --- History --- Design and construction --- 1800-1899 --- Netherlands --- The Netherlands --- Pays-Bas --- Países Baixos --- Holland --- Spanish Netherlands --- Pays-Bas espagnols --- Austrian Netherlands --- Pays-Bas autrichiens --- Oostenrijkse Nederlanden --- Southern Netherlands --- Pays-Bas méridionaux --- Zuidelijke Nederlanden --- Niderlandy --- Belanda --- Nederland --- Koninkrijk der Nederlanden --- Reino dos Países Baixos --- Royaume des Pays-Bas --- Kingdom of the Netherlands --- Países Bajos --- Holanda --- Nederlân --- Hulanda --- Beulanda --- Niderland --- Niderlande --- هولندا --- مملكة هولندا --- Mamlakat Hūlandā --- Olanda --- Payis-Bâs --- Países Baxos --- Aynacha Jach'a Markanaka --- Nirlan --- Niderland Krallığı --- Kē-tē-kok --- Landa --- Kerajaan Landa --- Нидерландтар --- Niderlandtar --- Нидерландтар Короллеге --- Niderlandtar Korollege --- Нідэрланды --- Каралеўства Нідэрланды --- Karaleŭstva Nidėrlandy --- Nederlands --- Niadaland --- Holandija --- Kraljevina Holandija --- Izelvroioù --- Нидерландия --- Niderlandii︠a︡ --- Кралство Нидерландия --- Kralstvo Niderlandii︠a︡ --- Països Baixos --- Нидерландсем --- Niderlandsem --- Нидерландсен Патшалăхĕ --- Niderlandsen Patshalăkhĕ --- Nizozemsko --- Paesi Bassi --- Regnu di i Paesi Bassi --- Iseldiroedd --- Nederlandene --- Niederlande --- Kéyah Wóyahgo Siʼánígíí --- Nižozemska --- Kralojstwo Nederlandow --- Madalmaad --- Ολλανδία --- Ollandia --- Hollandia --- Κάτω Χώρες --- Katō Chōres --- Βασίλειο των Κάτω Χωρών --- Vasileio tōn Katō Chōrōn --- Nederlando --- Reĝlando Nederlando --- Paisis Bajus --- Herbehereak --- Herbehereetako Erresumaren --- هلند --- Huland --- Niðurlond --- Háland --- Paîs Bas --- Neerlande --- Ísiltír --- Ríocht na hÍsiltíre --- Çheer Injil --- Çheer y Vagheragh --- Reeriaght ny Çheer Injil --- Tìrean Ìsle --- Hò-làn --- Недерлендин Нутг --- Nederlendin Nutg --- 네덜란드 --- Nedŏllandŭ --- Hōlani --- Nederlandia --- Pais Basse --- Regno del Paises Basse --- Нидерландтæ --- Niderlandtæ --- Нидерландты Къаролад --- Niderlandty Kʺarolad --- Konungsríkið Holland --- הולנד --- Holand --- ממלכת ארצות השפלה --- Mamlekhet Artsot ha-Shefelah --- Walanda --- Hollandi --- Нидерландла --- Niderlandla --- Нидерландланы Королевствосу --- Niderlandlany Korolevstvosu --- Néderlandzkô --- Нидерланд --- Iseldiryow --- Ubuholandi --- Ubuhorandi --- Nederilande --- Нидерланддар --- Niderlanddar --- Uholanzi --- Ufalme wa Nchi za Chini --- Нидерландъяс --- Niderlandʺi︠a︡s --- Нидерландъяс Корольув --- Niderlandʺi︠a︡s Korolʹuv --- Peyiba --- Holenda --- Keyatiya Nederlandan --- Payises Bashos --- פאייסיס באשוס --- Nīderlandeja --- Batavia --- Regni Nederlandiarum --- Nīderlandes Karaliste --- Nyderlandai --- Nyderlandų Karalystė --- Paixi Basci --- Paes Bass --- Ulanda --- Holland Királyság --- Keninkryk fan 'e Nederlannen --- Reino di Hulanda --- Холандија --- Кралство Холандија --- Kralstvo Holandija --- Pajjiżi l-Baxxi --- Hōrana --- Недерлатт --- Nederlatt --- Оцязорксши Недерлатт --- Ot︠s︡i︠a︡zorksshi Nederlatt --- Нидерландын Вант Улс --- Niderlandyn Vant Uls --- Tlanitlālpan --- Huēyitlahtohcāyōtl in Tlanitlālpan --- Eben Eyong --- Nederlaand --- オランダ --- Oranda --- オランダ王国 --- Oranda Ōkoku --- Ulanna --- Nethiland --- Nederlande --- Holandska --- Holland (Kingdom) --- Batavian Republic --- United Provinces of the Netherlands --- Theaters --- Theater architecture --- Architecture --- Opera-houses --- Playhouses (Theaters) --- Theatres --- Arts facilities --- Auditoriums --- Centers for the performing arts --- Music-halls --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism. --- Planning. --- Amsterdam. --- Amstelredam --- Amsteldam --- Amstelodamum --- Amstelaedamum --- Gemeente Amsterdam --- Amstelredamum --- Amsterodamum --- Amisterdam --- Ambsterdam --- Amsterdam --- Vroedschap --- Bureau voor Pers, Propaganda en Vreemdelingenverkeer --- Public Relation Office --- Presseamt --- Städtisches Presseamt --- Amsterdam musical culture. --- Concert halls. --- attentive listening. --- media history. --- sound studies.