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Electronic dance music --- Dance --- Dance. --- Electronic dance music. --- Club music --- Dance music, Electronic --- Dance music, Underground --- EDM (Electronic dance music) --- Electronic music (Electronic dance music) --- UDM (Underground dance music) --- Underground dance music --- Dance music --- Electronica (Music) --- Remixes --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Music --- dance --- electronic music --- djs --- music production --- critical theory
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Les chansons de Britney Spears, Rihanna ou Katy Perry reposent sur l’expertise d’une poignée de producteurs et d’entrepreneurs relativement méconnus, qui répondent au nom de Denniz PoP, Dr. Luke, Max Martin ou Stargate. Qui sont ces artisans des hits mondiaux ? Comment travaillent-ils ? Quels sont leurs cahiers des charges ? Avec cette enquête vivante et richement documentée, John Seabrook nous plonge au cœur des studios d’enregistrement, là où se fabrique — et s’impose — la norme en matière de musique pop. Son analyse des tubes planétaires mêle approche ethnographique, savoir-faire musicaux, récits de vie et analyses du marché. Multipliant les points de vue, Hits ! Enquête sur la fabrique des tubes planétaires est un document exceptionnel pour la réflexion sur les musiques populaires actuelles
Music trade --- Sound recording industry --- Popular music --- Production and direction --- Meilleures ventes (musique) --- Industrie de la musique et du son. --- Musique populaire --- Enregistrements sonores --- Production et édition. --- Sound recordings --- Disques --- Economic aspects --- Aspect économique --- Production et réalisation --- Industrie de la musique et du son --- Production et édition --- Aspect économique --- Production et réalisation --- Popular music - Production and direction --- Economic aspects.
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Categorizing Sound addresses the relationship between categories of music and categories of people, particularly how certain ways of organizing sounds becomes integral to how we perceive ourselves and how we feel connected to some people and disconnected from others. Presenting a series of case studies ranging from race music and old-time music of the 1920s through country and R&B of the 1980s, David Brackett explores the processes by which genres are produced. Using in-depth archival research and sophisticated theorizing about how musical categories are defined, Brackett has produced a markedly original work.
Popular music --- Popular music genres --- Genres, Popular music --- History and criticism. --- Social aspects --- 1920s. --- 1980s. --- 20th century. --- archival research. --- auditory. --- case studies. --- folk music. --- foreign music. --- genres. --- hearing. --- jazz music. --- music genres. --- music production. --- music. --- musical categories. --- musicians. --- old time music. --- philosophy. --- pop music. --- popular music. --- race music. --- rock music. --- sonic. --- soul music. --- sound. --- swing music. --- theory. --- types of music.
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Sound studios --- Sound --- Sound recording industry --- Popular music --- Sound recordings --- Recording studios --- Studios, Recording --- Studios, Sound --- Rooms --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- History. --- Recording and reproducing --- Production and direction --- History --- Sound recordings - Production and direction - History --- Popular music - Production and direction - History --- Sound recording industry - History --- Sound - Recording and reproducing - History --- Sound studios - History
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The study of the acoustic and vibrational characteristics of musical instruments in terms of their mechanical behavior, sound emission, and characteristics started thousands of years ago, and among the physicists and mathematicians that addressed this matter, we should at least recognize Leonardo da Vinci, with his experimental water organ, and Ernst Chladni, who discovered nodal patterns on rigid surfaces such as soundboards. The growing awareness of our intangible cultural heritage and the need to better understand our roots in the field of music have contributed to increasing the efforts to extend our knowledge in this field, defining new physical parameters, extending the analysis to other musical instruments, and developing new methods to synthesize sound from musical instruments using a simple keyboard.
musical haptics --- piano --- auditory feedback --- tactile feedback --- binaural audio --- keyboard vibrations --- measurement --- recording --- autoclave --- out-of-autoclave --- vacuum-bag-only --- processing --- CFRE --- plates --- modal --- dynamic --- musical instruments --- intensity of acoustic radiation --- modal analysis --- Persian musical instruments --- sound efficiency --- intensity of acoustic radiation (IAR) --- Carabattola --- feature extraction --- timbre modeling --- auditory perception --- timbre space --- Palaeolithic --- Mousterian --- Neanderthals --- musical instrument --- Divje babe I --- microphone array --- wave field synthesis --- acoustic holography --- sampler --- synthesizer --- dynamic range compression --- music production --- semantic audio --- audio mixing --- 1176 compressor --- FET compression --- listening experiment --- n/a
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The study of the acoustic and vibrational characteristics of musical instruments in terms of their mechanical behavior, sound emission, and characteristics started thousands of years ago, and among the physicists and mathematicians that addressed this matter, we should at least recognize Leonardo da Vinci, with his experimental water organ, and Ernst Chladni, who discovered nodal patterns on rigid surfaces such as soundboards. The growing awareness of our intangible cultural heritage and the need to better understand our roots in the field of music have contributed to increasing the efforts to extend our knowledge in this field, defining new physical parameters, extending the analysis to other musical instruments, and developing new methods to synthesize sound from musical instruments using a simple keyboard.
Music --- musical haptics --- piano --- auditory feedback --- tactile feedback --- binaural audio --- keyboard vibrations --- measurement --- recording --- autoclave --- out-of-autoclave --- vacuum-bag-only --- processing --- CFRE --- plates --- modal --- dynamic --- musical instruments --- intensity of acoustic radiation --- modal analysis --- Persian musical instruments --- sound efficiency --- intensity of acoustic radiation (IAR) --- Carabattola --- feature extraction --- timbre modeling --- auditory perception --- timbre space --- Palaeolithic --- Mousterian --- Neanderthals --- musical instrument --- Divje babe I --- microphone array --- wave field synthesis --- acoustic holography --- sampler --- synthesizer --- dynamic range compression --- music production --- semantic audio --- audio mixing --- 1176 compressor --- FET compression --- listening experiment --- musical haptics --- piano --- auditory feedback --- tactile feedback --- binaural audio --- keyboard vibrations --- measurement --- recording --- autoclave --- out-of-autoclave --- vacuum-bag-only --- processing --- CFRE --- plates --- modal --- dynamic --- musical instruments --- intensity of acoustic radiation --- modal analysis --- Persian musical instruments --- sound efficiency --- intensity of acoustic radiation (IAR) --- Carabattola --- feature extraction --- timbre modeling --- auditory perception --- timbre space --- Palaeolithic --- Mousterian --- Neanderthals --- musical instrument --- Divje babe I --- microphone array --- wave field synthesis --- acoustic holography --- sampler --- synthesizer --- dynamic range compression --- music production --- semantic audio --- audio mixing --- 1176 compressor --- FET compression --- listening experiment
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