Narrow your search

Library

UGent (2)

KU Leuven (1)

LUCA School of Arts (1)

Odisee (1)

Thomas More Kempen (1)

Thomas More Mechelen (1)

UCLL (1)

ULiège (1)

VIVES (1)

VUB (1)


Resource type

book (2)


Language

English (2)


Year
From To Submit

2017 (1)

2014 (1)

Listing 1 - 2 of 2
Sort by

Book
Conducting for a new era
Authors: ---
ISBN: 1782043772 132220120X 1843838028 Year: 2014 Publisher: Woodbridge : The Boydell Press,

Loading...
Export citation

Choose an application

Bookmark

Abstract

A guide to the art of conducting in the twenty-first century, by the founder of the RCM's Twentieth Century Ensemble. Conducting for a New Era fills in a lacuna by offering guidance and practical advice for conducting twentieth-century and contemporary repertoire. The book begins with a look at the development of the art of conducting during the first half of the twentieth century. Distinctions are made between conductors who pursued populist careers and those who established the foundations for the new art form of the twenty-first century. The book goes on to discuss the technical resources required to negotiate the rhythmic complexity of so much music composed since 1950. Beginning with the rhythmic revolution created by Stravinsky in Le Sacre du Printemps (in which conducting unequal units within single bars was introduced), ten different categories of music are featured in an analysis of the technical and aesthetic characteristics involved. The substance of interviews with distinguished soloists,orchestral musicians, conductors and composers is examined in assessing the changing role of the conductor in the twenty-first century. In a final section the technique and artistry of the progressive repertoire is discussed through detailed analysis of specific scores. Conducting for a New Era will be of interest not only to advanced students of conducting, in particular conducting of contemporary music, but also to the music enthusiast who might wish to know 'how it is done'. The book includes a DVD with conducting examples. EDWIN ROXBURGH is a composer, conductor and oboist and visiting tutor and researcher at the BCU Birmingham Conservatoire. Recordings of hismusic are on NMC, Naxos, Warehouse, Oboe Classics and Metier labels, and his music is published by United Music Publishing, Ricordi and Maecenas. As a conductor he has premiered a vast number of works, originally with the Twentieth Century Ensemble of London, which he founded, and later with several of the principle orchestras of the UK.


Book
The tide was always high
Authors: ---
ISBN: 0520967534 9780520967533 9780520294394 0520294408 0520294394 Year: 2017 Publisher: Oakland, California

Loading...
Export citation

Choose an application

Bookmark

Abstract

In 1980, the celebrated new wave band Blondie headed to Los Angeles to record a new album and along with it, the cover song "The Tide Is High," originally written by Jamaican legend John Holt. Featuring percussion by Peruvian drummer and veteran LA session musician "Alex" Acuña, and with horns and violins that were pure LA mariachi by way of Mexico, "The Tide Is High" demonstrates just one of the ways in which Los Angeles and the music of Latin America have been intertwined since the birth of the city in the eighteenth century. The Tide Was Always High gathers together essays, interviews, and analysis from leading academics, artists, journalists, and iconic Latin American musicians to explore the vibrant connections between Los Angeles and Latin America. Published in conjunction with the Getty's Pacific Standard Time: LA/LA, the book shows how Latin American musicians and music have helped shape the city's culture-from Hollywood film sets to recording studios, from vaudeville theaters to Sunset Strip nightclubs, and from Carmen Miranda to Pérez Prado and Juan García Esquivel.

Listing 1 - 2 of 2
Sort by