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Die Publikation möchte mit Blick auf kleine Sammlungen zum Steinkohlenbergbau in Deutschland Mindeststandards bei der Erfassung und Dokumentation von Objekten vorstellen. Im Mittelpunkt stehen dabei Techniken des Fotografierens, die Erstellung von Datenbanken und die Präsentation von Objekten im Netz. Abgerundet wird die Handreichung durch eine Auflistung verschiedener Fördermöglichkeiten für kleine Museen und umfangreiche Literaturangaben. The publication aims to establish minimum standards for small museum collections of Germany's coal mining heritage, including the acquisition and documentation of objects. It focuses on photographic techniques, database creation, and the presentation of objects online. The guide is rounded out with a list of financial assistance options for small museums and an extensive bibliography.
HISTORY / Study & Teaching. --- Coal mining --- coal mining heritage --- museum standards --- small museum collections
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Millions of items are held in museum collections around the world but many museums have very few visitors to their stored collections. These stored objects are certainly not neglected by their professional custodians, and they are loved with a great intensity by some curators and enthusiasts. However, for all but a tiny proportion of the population they have little or no personal meaning. This book goes beyond strategic discussions of access to stores, information enhancement, or collections rationalization and focuses on the emotional potential of these objects. The authors explore how 'care' for objects has varied over time and consider who cares for objects that are generally considered to be unsuitable for display and why they care. They also consider how inter-generational and inter-disciplinary dialogue can enhance or engender engagement with 'unloved' collections and offer strategies and reflection on interpreting stored collections. This book will be essential reading for scholars, students, and professionals in museums, especially those concerned with curation and collections.
Museums --- Collection management in museums --- Collections management in museums --- Museum collection management --- Museum collections management --- Museum techniques --- Museum storage facilities --- Collection management. --- Collections management --- audience engagement. --- care. --- curating. --- emotion. --- museum collections.
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#SMV:museum --- Museums --- Data processing --- Museum registration methods --- Accessioning in museums --- Registration of museum collections --- Accessioning --- Registration --- Collection management
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Art museums --- Cultural property --- Law and art --- Art --- Biens culturels --- Droit et art --- Law and legislation --- Protection --- Musées --- Droit --- Musées --- Law - Museum collections.
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During the past decade a number of individual museums have found imaginative ways of using their collections and of making them accessible. However, museum collections as a whole are enormous in size and quantity and the question of how can they can be put to best use is ever present. When conventional exhibitions can only ever utilise a tiny proportion of them, what other uses of the collections are possible? Will their exploitation and use now destroy their value for future generations? Should they simply be kept safely and as economically as possible as a resource for the future?
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"Artefacts, Archives, and Documentation in the Relational Museum provides the first interdisciplinary study of the digital documentation of artefacts and archives in contemporary museums, while also exploring the implications of polyphonic, relational thinking on collections documentation. Drawing on case studies from Australia, the United Kingdom, and the US, the book provides a critical examination of the history of collections management and documentation since the introduction of computers to museums in the 1960s, demonstrating how technology has contributed to the disconnection of distributed collections knowledge. Jones also highlights how separate documentation systems have developed, managed by distinct, increasingly professionalised staff, impacting our ability to understand and use what we find in museums and their ever-expanding online collections. Exploring this legacy allows us to rethink current practice, focusing less on individual objects and more on the rich stories and interconnected resources that lie at the heart of the contemporary, plural, participatory 'relational museum.' Artefacts, Archives, and Documentation in the Relational Museum is essential reading for those who wish to better understand the institutional silos found in museums, and the changes required to make museum knowledge more accessible. The book is a particularly important addition to the fields of museum studies, archival science, information management, and the history of cultural heritage technologies"--
Museum registration methods. --- Museums --- Archives --- Collection management --- Documentation. --- Data processing. --- Philosophy. --- Public institutions --- Cabinets of curiosities --- Accessioning in museums --- Registration of museum collections --- Accessioning --- Registration --- Museology --- museology
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Physicist Gabriel Lippmann's (1845-1921) photographic process is one of the oldest methods for producing colour photographs. So why do the achievements of this 1908 Nobel laureate remain mostly unknown outside niche circles? Using the centenary of Lippmann's death as an opportunity to reflect upon his scientific, photographic, and cultural legacy, this book is the first to explore his interferential colour photography. Initially disclosed in 1891, the emergence of this medium is considered here through three shaping forces: science, media, and museums.
A group of international scholars reassess Lippmann's reception in the history of science, where he is most recognised, by going well beyond his endeavours in France and delving into the complexity of his colour photography as a challenge to various historiographies. Moreover, they analyse colour photographs as optical media, thus pluralising Lippmann photography's ties to art, cultural and imperial history, as well as media archaeology. The contributors also focus on the interferential plate as a material object in need of both preservation and exhibition, one that continues to fascinate contemporary analogue photographers. This volume allows readers to get to know Lippmann, grasp the interdisciplinary complexity of his colourful work, and ultimately expand his place in the history of photography.
Color photography --- Photography / History. --- Chromophotography --- Heliochromy --- Photography, Color --- Photography --- Processing --- History. --- Gabriel Lippmann, Colour Photography, Media Archaeology, History of Science, Museum Collections. --- Processing. --- Physicists --- Lippmann process. --- Lippmann,
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Since the first edition was published in 1958, Museum Registration Methods has defined the profession and served as a fundamental reference to all aspects of collections registration, care, and management. The sixth edition of Museum Registration Methods is a comprehensive guide to registration and collections management of museum collections, from acquisition, use, and deaccessioning. 0The authors and other contributors come from a wide variety of museums and specializations. The 56 chapters in this edition are either new or updated, and include the history of the profession, the role of the registrar in the museum, managing very large collections, developing and implementing collection management policies, documentation of collections, accessioning, condition reports, deaccessioning, repositories, and provenance research. Contemporary and digital art, living and natural history collections, loans, exhibitions, found-in-collection objects, shipping, records management, and electronic data management are also addressed, along with object handling and numbering, digitization, condition reporting, preventive care, storage on and off-site, inventory, moving and packing, shipping nationally and internationally, couriering, risk assessment, security, insurance, integrated pest management, ethics, sustainability, sacred and culturally sensitive objects, intellectual property rights, appraisal, ethical and legal issues, and research. 0The book includes a comprehensive resource list, glossary, hypothetical situations to ponder, and model collection forms.
Museum registration methods. --- Museums --- Collection management. --- Museum registration methods --- Collection management in museums --- Collections management in museums --- Museum collection management --- Museum collections management --- Museum techniques --- Museum storage facilities --- Accessioning in museums --- Registration of museum collections --- Collection management --- Collections management --- Accessioning --- Registration
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Museum registration methods --- Museums --- Collection management in museums --- Collections management in museums --- Museum collection management --- Museum collections management --- Museum techniques --- Museum storage facilities --- Accessioning in museums --- Registration of museum collections --- Collection management --- Collections management --- Accessioning --- Registration --- Information retrieval --- Museology --- museology --- registration [information handling]
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