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Littorina --- Murex --- Mollusks --- Vertical distribution --- Vertical distribution --- Vertical distribution
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The excavation of the murex dye workshops was started in 2010 at the Harbor Agora at the ancient settlement of Andriake, where we have been conducting excavations since 2009. This excavation that uncovered a well-preserved murex dye production facility along with other finds in their historical context was largely completed at the end of the field season in 2011. It provided a valuable opportunity for understanding this industry. This study attempts to examine the workshops at the settlement of Andriake.--
Murex --- Excavations (Archaeology) --- Purple --- Dyes and dyeing --- Excavations (Archaeology) --- History --- History --- Myra (Extinct city)
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The book presents a collection of original scientific studies aimed at identifying the pigments and dyes in several archaeological or historical objects and artworks. The objects under investigation span from ancient Greek vases to modern paintings, and show the importance of scientific analysis not only to reveal the artists’ materials in different contexts, but also to support conservation and curatorial strategies for the preservation and display of cultural heritage.
Research & information: general --- Late Cycladic I --- brominated indigoids --- Muricidae --- murex --- purpurissum --- true purple --- microRaman --- FTIR --- HPLC–DAD --- weld lake pigments --- yellow lakes --- luteolin --- 19th century --- Winsor & --- Newton --- conservation --- Liu Kang --- SEM-EDS --- MA-XRF --- IRFC --- X-RAY --- RTI --- hidden paintings --- pigments --- synthetic organic pigments --- royal talens --- handheld raman spectroscopy --- microraman spectroscopy --- modern artist oil paint --- urolithin C --- brazilein --- brazilwood marker component --- historical textile --- alteration --- cadmium orange --- chlorine --- selenium --- terracotta --- maize stem --- New Spain --- computerized tomography --- Raman --- SEM-EDX --- Mexican sculpture --- polychrome sculpture --- Maria Sibylla Merian --- colored prints --- hyperspectral imaging --- X-ray fluorescence spectroscopy --- photometric stereo --- Prussian blue --- non-invasive pigment characterization --- textiles --- dyes --- Peru --- ambient ionization mass spectrometry --- DART-MS --- paper spray MS --- HPLC --- non-invasive techniques --- FORS --- XRF --- illuminated manuscripts --- brazilwood --- colourants --- Antoine de Lonhy --- Torino --- reflectance spectroscopy --- SERS --- synthetic dyes --- Tholu Bommalata --- puppets --- pigment identification --- Raman spectroscopy --- scanning electron microscopy-energy dispersive spectroscopy --- microstratigraphic analysis --- Viking Age --- dyestuff --- HPLC-DAD-MS --- aragonite --- Brunswick green --- clinochlore --- mortars --- ultramarine yellow --- vermilion --- wall paintings --- XRD --- Henri Matisse --- cut-outs --- gouache --- Pigment identification --- light sensitivity --- X-ray fluorescence spectroscopy (XRF) --- Fourier transform infrared spectroscopy (FTIR) --- microfaedometry (MFT) --- n/a --- HPLC-DAD
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The book presents a collection of original scientific studies aimed at identifying the pigments and dyes in several archaeological or historical objects and artworks. The objects under investigation span from ancient Greek vases to modern paintings, and show the importance of scientific analysis not only to reveal the artists’ materials in different contexts, but also to support conservation and curatorial strategies for the preservation and display of cultural heritage.
Late Cycladic I --- brominated indigoids --- Muricidae --- murex --- purpurissum --- true purple --- microRaman --- FTIR --- HPLC–DAD --- weld lake pigments --- yellow lakes --- luteolin --- 19th century --- Winsor & --- Newton --- conservation --- Liu Kang --- SEM-EDS --- MA-XRF --- IRFC --- X-RAY --- RTI --- hidden paintings --- pigments --- synthetic organic pigments --- royal talens --- handheld raman spectroscopy --- microraman spectroscopy --- modern artist oil paint --- urolithin C --- brazilein --- brazilwood marker component --- historical textile --- alteration --- cadmium orange --- chlorine --- selenium --- terracotta --- maize stem --- New Spain --- computerized tomography --- Raman --- SEM-EDX --- Mexican sculpture --- polychrome sculpture --- Maria Sibylla Merian --- colored prints --- hyperspectral imaging --- X-ray fluorescence spectroscopy --- photometric stereo --- Prussian blue --- non-invasive pigment characterization --- textiles --- dyes --- Peru --- ambient ionization mass spectrometry --- DART-MS --- paper spray MS --- HPLC --- non-invasive techniques --- FORS --- XRF --- illuminated manuscripts --- brazilwood --- colourants --- Antoine de Lonhy --- Torino --- reflectance spectroscopy --- SERS --- synthetic dyes --- Tholu Bommalata --- puppets --- pigment identification --- Raman spectroscopy --- scanning electron microscopy-energy dispersive spectroscopy --- microstratigraphic analysis --- Viking Age --- dyestuff --- HPLC-DAD-MS --- aragonite --- Brunswick green --- clinochlore --- mortars --- ultramarine yellow --- vermilion --- wall paintings --- XRD --- Henri Matisse --- cut-outs --- gouache --- Pigment identification --- light sensitivity --- X-ray fluorescence spectroscopy (XRF) --- Fourier transform infrared spectroscopy (FTIR) --- microfaedometry (MFT) --- n/a --- HPLC-DAD
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