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With their return to Germany, wolves leave their traces in personal feelings, in the atmospheres of rural landscapes and even in the sentiments and moods that govern political arenas. Thorsten Gieser explores the role of affects, emotions, moods and atmospheres in the emerging coexistence between humans and wolves. Bridging the gap between anthropology and ethology, the author literally walks in the tracks of wolves to follow their affective agency in a more-than-human society. In nuanced analyses, he shows how wolves move, irritate and excite us, offering answers to the primary question: What does it feel like to coexist with these large predators?

SOCIAL SCIENCE / General. --- Affects. --- Animal. --- Atmosphere. --- Coexistence. --- Cultural Anthropology. --- Cultural Studies. --- Emotion. --- Ethnology. --- Human-Animal Studies. --- Human-Wildlife Conflicts. --- Human. --- Multispecies Ethnography. --- Wolves.

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Found in two-thirds of the world, rabies is a devastating infectious disease with a 99.9 percent case-fatality rate and no cure once clinical signs appear. Rabies in the Streets tells the compelling story of the relationship between people, street animals, and rabies in India, where one-third of human rabies deaths occur. Deborah Nadal makes the case that only a One Health approach of “interspecies camaraderie” can save people and animals from the horrors of rabies and almost certain death.Grounded in multispecies ethnography, this book leads the reader through the streets and slums of Delhi and Jaipur, where people and animals, such as dogs, cows, and macaques, interact intimately and sometimes violently. Nadal explores the intricate web of factors that bring humans and animals into contact with one another within these urban spaces and create favorable pathways for the transmission of the rabies virus across species. This book shows how rabies is endemic in India for reasons that are as much social, cultural, and political as they are biological, ranging from inadequate sanitation to religious customs, from vaccine shortages to reliance on traditional medicine.The continuous emergence (and reemergence) of infectious diseases despite technical medical progress is a growing concern of our times and clearly questions the way we think of animal and environmental health. This original account of rabies challenges conventional approaches of separation and extermination, arguing instead that a One Health approach is our best chance at fostering mutual survival in a world increasingly overpopulated by humans, animals, and deadly pathogens.

Rabies --- Rabies in animals --- Urban animals --- Human-animal relationships --- Animal-human relationships --- Animal-man relationships --- Animals and humans --- Human beings and animals --- Man-animal relationships --- Relationships, Human-animal --- Animals --- City animals --- City fauna --- Urban fauna --- Urban wildlife --- Veterinary virology --- Hydrophobia --- Lyssa --- Virus diseases --- Dog bites. --- India. --- Infectious diseases. --- Interspecific camaraderie. --- Multispecies ethnography. --- One Health. --- Rabies. --- Zoonoses.

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Animal Narratology interrogates what it means to narrate, to speak—speak for, on behalf of—and to voice, or represent life beyond the human, which is in itself as different as insects, bears, and dogs are from each other, and yet more, as individual as a single mouse, horse, or puma. The varied contributions to this interdisciplinary Special Issue highlight assumptions about the human perception of, attitude toward, and responsibility for the animals that are read and written about, thus demonstrating that just as “the animal” does not exist, neither does “the human”. In their zoopoetic focus, the analyses are aware that animal narratology ultimately always contains an approximation of an animal perspective in human terms and terminology, yet they make clear that what matters is how the animal is approximated and that there is an effort to approach and encounter the non-human in the first place. Many of the analyses come to the conclusion that literary animals give readers the opportunity to expand their own points of view both on themselves and others by adopting another’s perspective to the degree that such an endeavor is possible. Ultimately, the contributions call for a recognition of the many spaces, moments, and modes in which human lives are entangled with those of animals—one of which is located within the creative bounds of storytelling.

Research & information: general --- Biology, life sciences --- Animals & society --- animal narrators --- anthropocentrism --- cultural ontologies --- discourse analysis --- fiction-nonfiction distinction --- framing and footing --- life writing --- narratology --- politeness --- self-narratives --- animal studies --- human-animal studies --- speaking animals --- Tolstoy --- Bulgakov --- trauma theory --- Russian literature --- allegory --- humanism --- literary theory --- film studies --- George Orwell --- Animal Farm --- Chicken Run --- Uwe Timm --- 'Morenga' --- African history --- colonialism --- postcolonial German literature --- animal narratology --- multi-perspective narration --- animal agency --- The Plague Dogs --- Richard Adams --- unreliability --- talking animal stories --- non-human focalizer --- Pincher Martin --- non-human narrators --- intradiegetic narration --- Gerard Genette --- anthropomorphism --- Eric Linklater --- The Wind on the Moon --- direct speech --- characterization --- posthumanism --- inter-species comprehension --- Hindi cinema --- Bollywood --- animal narrator --- world literature --- empathy --- Cartesian dualism --- Maurice Merleau-Ponty --- animal poetry --- 'Inventing a Horse --- 'Spermaceti' --- eco-humanities --- eco-criticism --- eco-philosophy --- Industrial Farm Animal Production --- narrative --- plot --- conflict --- environmental crisis --- catastrophe --- play theory --- Franz Kafka --- manuscripts --- speaking-for --- narrative representation --- literary representation --- animal autobiography --- fictional autobiography --- meta-autobiography --- contextualist narratology --- cultural and literary animal studies --- poetics of knowledge --- zoology --- natural history --- equine autozoography --- horse-science --- narrative voice --- inoperativity --- singing mice --- zoopoetics --- anthropological machine --- community --- music --- Cervantes --- Novelas ejemplares --- El coloquio de los perros --- Novela del casamiento engañoso --- Siglo de Oro --- Early Modern Age --- cynicism --- Diogenes of Sinope --- Montaigne --- Derrida --- Animal Studies --- rhetoric --- animal narration --- fable --- Aesopic fables --- Greek fable --- antagonistic fables --- comics --- animals --- cinema --- sound effects --- science fiction --- Achilles --- Archilochus --- fox --- Gryllus --- Hesiod --- Homer --- Lucian --- pig --- Plutarch --- Pythagoras --- rooster --- Xanthus --- talking dogs --- agency --- animal --- dystopia --- Marie Darrieussecq --- human --- non-human --- Truismes --- Kafka studies --- adaptation studies --- intertextuality --- intermediality --- mimesis --- emulation --- imitation --- repetition --- parody --- autobiography --- genre --- entanglement --- Cixous --- dogs --- earth --- worldviews --- indigenous wisdom traditions --- relationality --- ecology --- language --- more-than-human geography --- multispecies ethnography --- ecopsychology --- anthropology --- environmental philosophy --- decolonization --- intuition --- instinct --- myth --- non-verbal communication --- IK --- TEK --- animality --- film --- White God --- filmic representation of animals --- material ecocriticism --- Moby-Dick --- Werner Herzog --- Hans Sahl --- lyric poetry --- mole --- space --- time --- species --- metamorphosis --- transformation --- exile