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Natural state : a literary anthology of California nature writing
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ISBN: 1283646315 0520920333 9780520920330 0520212088 0520212096 9780520212084 9780520212091 9781283646314 Year: 1998 Publisher: Berkeley : University of California Press,

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Abstract

This is the first anthology of nature writing that celebrates California, the most geographically diverse state in the union. Readers-be they naturalists or armchair explorers-will find themselves transported to California's many wild places in the company of forty noted writers whose works span more than a century. Divided into sections on California's mountains, hills and valleys, deserts, coast, and elements (earth, wind, and fire), the book contains essays, diary entries, and excerpts from larger works, including fiction. As a prelude to the collection, editor Steven Gilbar presents two California Indian creation myths, one a Cahto narrative and the other an A-juma-wi story as told by Darryl Babe Wilson. Familiar names appear in these pages-John Muir, Robert Louis Stevenson, John McPhee, M.F.K. Fisher, Gretel Ehrlich-but less familiar writers such as Daniel Duane, Margaret Millar, and John McKinney are also included. Among the gems in this treasure trove are Jack Kerouac on climbing Mt. Matterhorn, Barry Lopez on snow geese migration at Tule Lake, Edward Abbey on Death Valley, Henry Miller on Big Sur, and Joan Didion on the Santa Ana winds. Gary Snyder's inspiring Afterword reflects the spirit of environmentalism that runs throughout the book. Natural State also reveals the many changes to California's landscape that have occurred in geological time and in human terms. More than a book of "nature writing," this book is superb writing about nature.


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Imaging disaster
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ISBN: 1283902338 0520954246 9780520954243 9781283902335 9780520271951 0520271955 Year: 2012 Volume: 22 Publisher: Berkeley

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Focusing on one landmark catastrophic event in the history of an emerging modern nation--the Great Kantō Earthquake that devastated Tokyo and surrounding areas in 1923--this fascinating volume examines the history of the visual production of the disaster. The Kantō earthquake triggered cultural responses that ran the gamut from voyeuristic and macabre thrill to the romantic sublime, media spectacle to sacred space, mournful commemoration to emancipatory euphoria, and national solidarity to racist vigilantism and sociopolitical critique. Looking at photography, cinema, painting, postcards, sketching, urban planning, and even scientific visualizations, Weisenfeld argues that that visual culture has powerfully mediated the evolving historical understanding of this major national disaster, ultimately enfolding mourning and memory into modernization [Publisher description].

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