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Art --- modern African --- Contemporary [style of art]

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Updated and revised edition.

Ethiopia --- History --- HISTORY / Africa / East. --- 1855-1991. --- Addis Ababa. --- Ethiopia. --- History. --- JOURNAL OF MODERN AFRICAN STUDIES. --- Modern. --- Ohio. --- Revolution.

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The second half of the twentieth century saw the publication of massive amounts of literature on Nigeria by Nigerian and non-Nigerian historians. This volume reflects on that literature, focusing on those works by Nigerians in the context of the rise and decline of African nationalist historiography. Given the diminishing share in the global output of literature on Africa by African historians, it has become crucial to reintroduce Africans into historical writing about Africa. As the authors attempt here to rescue older voices, they also rehabilitate a stale historiography by revisiting the issues, ideas, and moments that produced it. This revivalism also challenges Nigerian historians of the twenty-first century to study the nation in new ways, to comprehend its modernity, and to frame a new set of questions on Nigeria's future and globalization. In spite of current problems in Nigeria and its universities, that historical scholarship on Nigeria (and by extension, Africa) has come of age is indisputable. From a country that struggled for Western academic recognition in the 1950s to one that by the 1980s had emerged as one of the most studied countries in Africa, Nigeria is not only one of the early birthplaces of modern African history, but has also produced members of the first generation of African historians whose contributions to the development and expansion of modern African history is undeniable. Like their counterparts working on other parts of the world, these scholars have been sensitive to the need to explore virtually all aspects of Nigerian history. The book highlights the careers of some of Nigeria's notable historians of the first and second generation. Toyin Falola is Frances Higginbotham Nalle Centennial Professor of history at the University of Texas at Austin. Saheed Aderinto is assistant professor of history at Western Carolina University.

Nationalism and historiography --- Nationalisme et historiographie --- Nigeria --- Historiography. --- Historiography and nationalism --- Historiography --- Bundesrepublik Nigeria --- Colony and Protectorate of Nigeria --- Federal Military Government (Nigeria) --- Federal Republic of Nigeria --- Federation of Nigeria --- Jamhuriyar Taraiyar Nijeriya --- Nai-chi-li-ya --- Naijeria --- Nigeria (Federation) --- Nigerii︠a︡ --- Nigerija --- Nigeryah --- Ọ̀hàńjíkọ̀ Ọ̀hànézè Naìjíríyà --- Orílẹ̀-èdè Olómìniira Àpapọ̀ Nàìjíríà --- Republic of Nigeria --- ניגריה --- ナイジェリア --- African Historians. --- Modern African History. --- Nationalism. --- Nigeria. --- Technologically Advanced Companies.

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Born in 1956, Cheri Samba lives and works in Kinshasa in the Democratic Republic of the Congo. After leaving school in 1972, he earned his living painting advertising billboards, and at the same time created comic strips for his publication Bilenge Info.


In 1975, he began to put his comic strips onto canvas, thus inaugurating African painting with word bubbles. His work illustrates social life: customs, sexuality, AIDS, social inequalities, corruption. Along with the painter Moke, he is one of the principal founders of the movement in painting known as "Popular Zairean," His acrylic paintings, imbued with political awareness, are always representational, realistic, and colorful.


"My painting focuses on people's lives. I'm not interested in myths or beliefs. I appeal to people's consciences. Artists must make people think."From the 1980s on, he himself became the main subject of his paintings, "so that people would nut only know my name, but also my face."

sous la direction d'André Magnin = Edited by André Magnin --- kunst --- twintigste eeuw --- schilderkunst --- Samba Chéri --- kunst en politiek --- Chéri Samba (Samba wa Mbimba N'zingo Nuni Masi Ndo Mbasi) , (° 1956, Kinto M'Vuila, Bas Congo, Congo) --- Afrika --- Schilderkunst ; 1981-2003 ; Cherie Samba --- Congo --- 75.071 SAMBA --- Populaire kunst --- Kunst en cultuur ; globalisering --- Beeld en woord ; beeld en tekst --- Afrikaanse schilderkunst ; Kongo --- Tentoonstellingscatalogi ; Parijs ; Fondation Cartier --- Naïeve schilderkunst --- 75.07 --- (069) --- Schilderkunst ; schilders --- (Musea. Collecties) --- Painting --- modern African --- Samba, Cheri --- Samba, Chéri (Samba wa Mbimba N'zingo Nuni Masi Ndo Mbasi) °1956 (°Kinto M'Vuila, Bas Congo, Congo) --- Schilderkunst ; 2de helft 20ste eeuw ; Cherie Samba