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For almost half a century, Amiri Baraka has ranked among the most important commentators on African American music and culture. In this brilliant assemblage of his writings on music, the first such collection in nearly twenty years, Baraka blends autobiography, history, musical analysis, and political commentary to recall the sounds, people, times, and places he's encountered. As in his earlier classics, Blues People and Black Music, Baraka offers essays on the famous-Max Roach, Charlie Parker, Miles Davis, John Coltrane-and on those whose names are known mainly by jazz aficionados-Alan Shorter, Jon Jang, and Malachi Thompson. Baraka's literary style, with its deep roots in poetry, makes palpable his love and respect for his jazz musician friends. His energy and enthusiasm show us again how much Coltrane, Albert Ayler, and the others he lovingly considers mattered. He brings home to us how music itself matters, and how musicians carry and extend that knowledge from generation to generation, providing us, their listeners, with a sense of meaning and belonging.

African Americans --- Music --- African American musicians. --- History and criticism. --- african american culture. --- african american history. --- african american music. --- alan shorter. --- america popular song. --- american classical music. --- autobiography. --- black aesthetic. --- blues aesthetic. --- bruce springsteen. --- charlie parker. --- duke ellington. --- fred hopkins. --- great american song book. --- jazz criticism. --- jazz music. --- jazz. --- john coltrane. --- jon jang. --- malachi thompson. --- max roach. --- miles davis. --- music. --- musical analysis. --- musicians. --- political commentary. --- political history. --- rhythm. --- social change. --- wynton marsalis.

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The ""Second Quintet"" -- the Miles Davis Quintet of the mid-1960s -- was one of the most innovative and influential groups in the history of the genre. Each of the musicians who performed with Davis--saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams--went on to a successful career as a top player. The studio recordings released by this group made profound contributions to improvisational strategies, jazz composition, and mediation between mainstream and avant-garde jazz, yet most critical attention has focused instead on live performances or the

Jazz --- History and criticism. --- Davis, Miles --- Criticism and interpretation. --- Miles Davis Quintet --- Accordion and piano music (Jazz) --- Clarinet and piano music (Jazz) --- Cornet and piano music (Jazz) --- Double bass and piano music (Jazz) --- Jazz duets --- Jazz ensembles --- Jazz music --- Jazz nonets --- Jazz octets --- Jazz quartets --- Jazz quintets --- Jazz septets --- Jazz sextets --- Jazz trios --- Jive (Music) --- Saxophone and piano music (Jazz) --- Vibraphone and piano music (Jazz) --- Wind instrument and piano music (Jazz) --- Xylophone and piano music (Jazz) --- Дэвис, Майлс --- Davis Quintet --- African Americans --- Music --- Third stream (Music) --- Washboard band music --- Henry, Cleo --- Davis, Miles Dewey --- Criticism and interpretation --- 1961-1970 --- History and criticism --- Discography