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Iconography --- painting [image-making] --- Medieval [European] --- middeleeuwse schilderkunst --- Bosch, Jeroen
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l Libro dell’Arte wordt binnen de kunst- en restauratiewereld beschouwd als het absolute standaardwerk op het gebied van de oude schildertechnieken. Het is het best bewaarde middeleeuwse traktaat over kunst en wordt vermeld in zowat alle studies over schilder- en restauratietechniek. Over Cennino d’Andrea Cennini (1360?–1427?) is maar weinig bekend. Hij zou geboren zijn omstreeks 1360 in Colle di Val d’Elsa, een stadje in de provincie Siena. Cennino leerde de beginselen van het kunstambacht bij zijn vader Andrea en trok hierna naar de werkplaats van Agnolo Gaddi in Florence, waar hij tien jaar bleef. Vanaf 1388 vinden we hem terug bij de uitvoering van de Sint- Stefanusreeks in de Sint-Lucchesekerk in de buurt van Poggibonsi. Vervolgens vestigt hij zich in Padua waar hij zijn beroemde boek schrijft. Van Il Libro dell’Arte zijn drie manuscripten overgeleverd. Deze Nederlandse vertaling berust op de oudste en meest originele versie: een afschrift uit 1437 dat gekopieerd werd door een gevangene in de Florentijnse Carcere delle Stinche. Il Libro dell’Arte is niet alleen interessant door de overzichtelijke manier waarop de schildertechnieken worden uitgelegd, maar ook vanwege de tijdgeest die uit het werk blijkt. Cennino’s verfijnde nuanceringen en zijn gedegen vakkennis maken dit boek tot een uniek document dat zowel voor de hedendaagse schilders en restaurateurs als voor de kunstliefhebber veel te genieten biedt.
Painting --- painting techniques --- art history --- art theory --- middeleeuwse schilderkunst
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Painting --- History --- Byzantine [culture and style] --- Medieval [European] --- middeleeuwse schilderkunst --- anno 500-1499
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Iconography --- painting [image-making] --- iconography --- symbolism [artistic concept] --- Medieval [European] --- iconografie --- symbolen --- symboliek --- middeleeuwse schilderkunst
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Painting --- painting techniques --- painting [image-making] --- Medieval [European] --- schildertechnieken --- middeleeuwse schilderkunst --- anno 500-1499
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Painting --- painting [image-making] --- Medieval [European] --- middeleeuwse schilderkunst --- anno 500-1499
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Iconography --- Painting --- Theatrical science --- History of civilization --- drama [discipline] --- iconography --- Late Medieval --- theater --- middeleeuwse schilderkunst --- anno 1200-1499
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Medieval painters built up a tremendous range of technical resources for obtaining brilliance and permanence. In this volume, an internationally known authority on medieval paint technology describes these often jealously guarded recipes, lists of materials, and processes. Based upon years of study of medieval manuscripts and enlarged by laboratory analysis of medieval paintings, this book discusses carriers and grounds, binding media, pigments, coloring materials, and metals used in painting. It describes the surfaces that the medieval artist painted upon, detailing their preparation. It analyzes binding media, discussing relative merits of glair versus gums, oil glazes, and other matters. It tells how the masters obtained their colors, how they processed them, and how they applied them. It tells how metals were prepared for use in painting, how gold powders and leaf were laid on, and dozens of other techniques. Simply written, easy to read, this book will be invaluable to art historians, students of medieval painting and civilization, and historians of culture. Although it contains few fully developed recipes, it will interest any practicing artist with its discussion of methods of brightening colors and assuring permanence.
Materials sciences --- Dyes --- Painting --- painting techniques --- painting [image-making] --- materials [substances] --- kleurstoffen --- Medieval [European] --- kleurstoffen --- schildertechnieken --- materialen (kunst) --- middeleeuwse schilderkunst --- anno 500-1499
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Painting --- Manuscripts. Epigraphy. Paleography --- manuscripts [documents] --- miniatures [paintings] --- libraries [rooms] --- illuminated manuscripts --- handschriften --- middeleeuwse schilderkunst --- miniaturen --- anno 1200-1499 --- anno 1100-1199 --- Flanders --- Bruges
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History of education and educational sciences --- Art --- Painting --- miniatures [paintings] --- painting [image-making] --- history [discipline] --- art education --- outsider artists --- hogescholen --- outsider art --- geschiedenis --- middeleeuwse schilderkunst --- kunstonderwijs --- schilderkunst --- miniaturen --- Swennen, Walter --- Vanagt, Sarah --- Royal Academy of Fine Arts [Antwerp] --- Antwerp --- India
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