Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Messalina v. m.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Biographies --- Levensbeschrijvingen --- Messalina --- Messalinc --- 92 (Messaline)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Emperors --- Empresses --- Fiction --- Agrippina, --- Claudius, --- Messalina, Valeria, --- Fiction. --- Rome --- History

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Opera developed during a time when the position of women-their rights and freedoms, their virtues and vices, and even the most basic substance of their sexuality-was constantly debated. Many of these controversies manifested themselves in the representation of the historical and mythological women whose voices were heard on the Venetian operatic stage. Drawing upon a complex web of early modern sources and ancient texts, this engaging study is the first comprehensive treatment of women, gender, and sexuality in seventeenth-century opera. Wendy Heller explores the operatic manifestations of female chastity, power, transvestism, androgyny, and desire, showing how the emerging genre was shaped by and infused with the Republic's taste for the erotic and its ambivalent attitudes toward women and sexuality. Heller begins by examining contemporary Venetian writings about gender and sexuality that influenced the development of female vocality in opera. The Venetian reception and transformation of ancient texts-by Ovid, Virgil, Tacitus, and Diodorus Siculus-form the background for her penetrating analyses of the musical and dramatic representation of five extraordinary women as presented in operas by Claudio Monteverdi, Francesco Cavalli, and their successors in Venice: Dido, queen of Carthage (Cavalli); Octavia, wife of Nero (Monteverdi); the nymph Callisto (Cavalli); Queen Semiramis of Assyria (Pietro Andrea Ziani); and Messalina, wife of Claudius (Carlo Pallavicino).

Women in opera. --- Opera --- Comic opera --- Lyric drama --- Opera, Comic --- Operas --- Drama --- Dramatic music --- Singspiel --- History and criticism --- 17th century. --- androgyny. --- antiquity. --- callisto. --- carthage. --- cavalli. --- chastity. --- classical. --- classicism. --- desire. --- dido. --- diodorus siculus. --- drama. --- empress. --- erotic. --- female characters. --- female power. --- female vocality. --- feminism. --- gender studies. --- gender. --- messalina. --- monteverdi. --- music. --- musicology. --- mythological women. --- mythology. --- nonfiction. --- nymph. --- octavia. --- opera women. --- opera. --- ovid. --- pallavicino. --- performing arts. --- purity. --- semiramis. --- sexuality. --- tacitus. --- theater. --- transvestism. --- venetian opera. --- virgil. --- women. --- womens rights. --- ziani.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"From the bestselling author of SPQR: A History of Ancient Rome, the fascinating story of how images of Roman autocrats have influenced art, culture, and the representation of power for more than 2,000 yearsWhat does the face of power look like? Who gets commemorated in art and why? And how do we react to statues of politicians we deplore? In this book-against a background of today's "sculpture wars"-Mary Beard tells the story of how for more than two millennia portraits of the rich, powerful, and famous in the western world have been shaped by the image of Roman emperors, especially the "twelve Caesars," from the ruthless Julius Caesar to the fly-torturing Domitian. Twelve Caesars asks why these murderous autocrats have loomed so large in art from antiquity and the Renaissance to today, when hapless leaders are still caricatured as Neros fiddling while Rome burns.Beginning with the importance of imperial portraits in Roman politics, this richly illustrated book offers a tour through 2,000 years of art and cultural history, presenting a fresh look at works by artists from Memling and Mantegna to the nineteenth-century African American sculptor Edmonia Lewis, as well as by generations of now-forgotten weavers, cabinetmakers, silversmiths, printers, and ceramicists. Rather than a story of a simple repetition of stable, blandly conservative images of imperial men and women, Twelve Caesars is an unexpected tale of changing identities, clueless or deliberate misidentifications, fakes, and often ambivalent representations of authority.From Beard's reconstruction of Titian's extraordinary lost Room of the Emperors to her reinterpretation of Henry VIII's famous Caesarian tapestries, Twelve Caesars includes some fascinating detective work and offers a gripping story of some of the most challenging and disturbing portraits of power ever created.Published in association with the National Gallery of Art, Washington, DC"--

Kings and rulers --- Power (Social sciences) in art --- Emperors --- Art, Roman --- Art --- History of civilization --- power --- portraits --- rulers [people] --- Roman emperors --- Portraits --- Power (Social sciences) in art. --- History / Ancient / Rome --- Art / History / General --- Kings and rulers - Portraits --- Emperors - Rome - Portraits --- Art, Roman - Influence --- Kings and rulers. --- Emperors. --- ART / History / General. --- HISTORY / Ancient / Rome. --- Roman art --- Classical antiquities --- Czars (Emperors) --- Rulers --- Sovereigns --- Tsars --- Tzars --- Czars (Kings and rulers) --- Kings and rulers, Primitive --- Monarchs --- Royalty --- Heads of state --- Queens --- Influence. --- Rome (Empire) --- Aeneid. --- Agrippina the Younger. --- Alessandro Farnese (cardinal). --- Ancient Rome. --- Ancient art. --- Ancient history. --- Andrea Fulvio. --- Andrea Mantegna. --- Anselm Kiefer. --- Antistrophe. --- Antoninus Pius. --- Antonio Verrio. --- Assassination. --- Aubrey Beardsley. --- Augustan History. --- Autocracy. --- Banality (sculpture series). --- Bembo. --- Brindisi. --- Bust (sculpture). --- Caesarism. --- Camerino. --- Capitoline Museums. --- Caption (comics convention). --- Caracalla. --- Cardinal Mazarin. --- Chris Riddell. --- Christina, Queen of Sweden. --- Classicism. --- Claudius. --- Commodus. --- Cosimo de' Medici. --- Crucifixion of Jesus. --- Decapitation. --- Della Rovere. --- Denarius. --- Domitian. --- Domus Aurea. --- Egypt (Roman province). --- Elagabalus. --- Engraving. --- Giambattista della Porta. --- Giulio Romano. --- Gonzaga Cameo. --- Hans Memling. --- Heroic nudity. --- Illustration. --- Imperial Armour. --- Imperialism. --- Ippolito Buzzi. --- James Gillray. --- Judas Iscariot. --- Kerameikos. --- La Dolce Vita. --- Lawrence Alma-Tadema. --- Livilla. --- Longevity. --- Manuscript. --- Marcantonio Raimondi. --- Max Beerbohm. --- Messalina. --- Middle class. --- Misogyny. --- Nativity scene. --- Nicolas Coustou. --- Nobility. --- Oliver Cromwell. --- Ostia (Rome). --- Paganism. --- Palinode. --- Peace treaty. --- Petrarch. --- Phrenology. --- Placard. --- Portland Vase. --- Putto. --- Roman Empire. --- Roman Imperial Coinage. --- Roman sculpture. --- Ruler. --- Sandro Botticelli. --- Satire. --- Schatzkammer. --- Scientific Method. --- Sculpture. --- Sophocles. --- Statue. --- Suetonius. --- Sulla. --- Tapestry. --- The Caesars (TV series). --- The Twelve Caesars. --- Thomas Couture. --- Tintoretto. --- Titian. --- Trajan's Column. --- Trajan. --- Vitellius. --- William Makepeace Thackeray. --- Writing. --- cultuurgeschiedenis