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Long recognized as one of the most important medieval treatises on music, the Musica of Hermannus Contractus is here presented in a newly revised translation, with commentary reflecting the best current scholarship. A polymath and monk, Hermannus Contractus (1013-54) contributed to the important advancements made in European arts and sciences in the first half of the eleventh century, writing on history, astronomy, and time-keeping devices, among other topics, and composing several chants. His music theory, founded on a systematic treatment of traditional concepts and terminology dating back to the ancient Greeks, is concerned largely with the organization of pitch in Gregorian chant. Hermann's approach stems from Germanic species-based thought, and is marked by a distinction between aspects of form and aspects of position, privileging the latter. He expresses this in terms imported from then-new developments in Italian music theory, thus acting as a nexus for the two traditions. Numerology and number symbolism play significant roles in Hermann's theories, and his critiques of other theorists offer insights into medieval intellectual life. Hermann also uses chant citations and exercises to help his readers apply theory to practice. John L. Snyder's revised edition of Ellinwood's long-standard 1952 text and translation offers a new introduction, including codicological descriptions of the sources; a critical edition of the Latin text with an annotated English translation on facing pages; appendices detailing the documents pertaining to Hermann's life, his citations of plainsong, and his original diastematic notation system; and greatly expanded indexes. Snyder's Musica will serve as the standard version of this major historical document for years to come. Leonard Ellinwood (1905-94) served in the Library of Congress cataloging divisions in music and in the humanities for thirty-five years. He published scholarly works and editions of both medieval music and church music. John L. Snyder is Professor of Music Theory and Musicology at the University of Houston's Moores School of Music.
Music theory --- Théorie musicale --- Early works to 1800. --- History --- Ouvrages avant 1800 --- Histoire --- Hermannus, --- Music --- Theory --- Contractus, Hermannus, --- Herman, --- Hermann, --- European arts. --- Germanic species-based thought. --- Gregorian chant. --- Hermannus Contractus. --- Italian music theory. --- Musica. --- diastematic notation system. --- medieval intellectual life. --- medieval treatise. --- music theory. --- number symbolism. --- numerology.
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This second volume presents a critical study of Hervaeus Natalis’s De quattuor materiis, and compares it with the rival systems of the metaphysics of creation that were upheld by Giles of Rome and Henry of Ghent.This second volume of Hervaeus Natalis’s polemical work, De quattuor materiis contains his De esse et essentia. In this work the author criticizes the rival systems of the metaphysics of creation that were upheld by Giles of Rome and Henry of Ghent, and presents an exposition of his own notion of being. To explain Harvey’s antagonistic attitude to Henry of Ghent and his simultaneous rejection of Giles’s positions (the rigid Aegidian real distinction between essence and existence in particular) it was necessary to provide a thorough investigation of the ontological positions of both Henry and Giles. Hence the lion’s part of the Introduction is devoted to these two rivals of Harvey’s. The selection of the manuscripts used for the present edition of De esse et essentia as well as the ratio edendi, orthography, punctuation and headings employed, are explained in the General Introduction to volume one, De formis (SA 30). This second volume had been finished by the editor, L.M. de Rijk, just before his sudden death on July 30, 2012. The final version has been read by Joke Spruyt and Olga Weijers. The third and last volume of the edition of Hervaeus’ work, already well advanced by the editor, will be finished by two of his main disciples: Henk Braakhuis and Onno Kneepkens. Thus we will have kept our promise, in respect and friendship for our master.
Philosophical anthropology --- Theological anthropology --- Ontology --- Soul --- Mind and body --- Christianity --- Early works to 1800 --- Henry, --- Hervaeus Natalis, --- Henry of Ghent --- Medieval treatise --- Religion --- Disputations académiques --- France --- Paris (France) --- History --- 13th century --- Henry, - of Ghent, - 1217-1293 - Quodlibeta --- Philosophical anthropology - Early works to 1800 --- Theological anthropology - Christianity - Early works to 1800 --- Ontology - Early works to 1800 --- Soul - Early works to 1800 --- Mind and body - Early works to 1800 --- Hervaeus Natalis, - -1323. - Determinationes contra Henricum Gandavensem
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