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An exploration across thirteen essays by critics, translators and creative writers on the modern-day afterlives of Old English, delving into how it has been transplanted and recreated in the twentieth and twenty-first centuries.
Medievalism. --- English literature --- Medievalism in literature. --- Medievalism in art. --- History and criticism. --- Influence. --- Old English. --- composition. --- early medieval English. --- historical fiction. --- language. --- literature. --- medievalism. --- reception. --- recreation. --- teaching.
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Henry V (1413-22) is widely acclaimed as the most successful late medieval English king. In his short reign of nine and a half years, he re-imposed the rule of law, made the crown solvent, decisively crushed heresy, achieved a momentous victory at the battle of Agincourt (1415), and negotiated a remarkably favourable settlement for the English over the French in the Treaty of Troyes (1420). Above all, he restored the reputation of the English monarchy and united the English people behind the crown following decades of upheaval and political turmoil. But who was the man behind these achievements? What explains his success? How did he acquire such a glorious reputation? The ground-breaking essays contained in this volume provide the first concerted investigation of these questions in over two decades. Contributions range broadly across the period of Henry's life, including his early years as Prince of Wales. They consider how Henry raised the money to fund his military campaigns and how his subjects responded to these financial exactions; how he secured royal authority in the localities and cultivated support within the political community; and how he consolidated his rule in France and earned for himself a reputation as the archetypal late medieval warrior king. Overall, the contributions provide new insights and a much better understanding of how Henry achieved this epithet. Gwilym Dodd is an Associate Professor in the Department of History, University of Nottingham. Contributors: Christopher Allmand, Mark Arvanigian, Michael Bennett, Anne Curry, Gwilym Dodd, Maureen Jurkowski, Alison K. McHardy, Neil Murphy, W. Mark Ormrod, Jenny Stratford, Craig Taylor.
Henry --- Enrico --- Great Britain --- Kings and rulers --- History --- Politics and government --- HISTORY / Medieval. --- Agincourt. --- Battle of Agincourt. --- British History. --- British Monarchy. --- Crown Solvency. --- English People. --- English Revolution. --- English monarchy. --- Henry V. --- Late Medieval English King. --- Rule of Law. --- Stephen Taylor. --- Tim Harris. --- Treaty of Troyes. --- historical essays. --- late medieval warrior king. --- medieval English king. --- monarchy restoration. --- political turmoil. --- rule of law.
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It is often said that the past is a foreign country where they do things differently, and perhaps no type of "doing" is more fascinating than sexual desires and behaviours. Our modern view of medieval sexuality is characterised bya polarising dichotomy between the swooning love-struck knights and ladies of romance on one hand, and the darkly imagined and misogyny of an unenlightened "medieval" sexuality on the other. British medieval sexual culture also exhibits such dualities through the influential paradigms of sinner or saint, virgin or whore, and protector or defiler of women. However, such sexual identities are rarely coherent or stable, and it is in the grey areas, the interstices between normative modes of sexuality, that we find the most compelling instances of erotic frisson and sexual expression. This collection of essays brings together a wide-ranging discussion of the sexual possibilitiesand fantasies of medieval Britain as they manifest themselves in the literature of the period. Taking as their matter texts and authors as diverse as Chaucer, Gower, Dunbar, Malory, alchemical treatises, and romances, the contributions reveal a surprising variety of attitudes, strategies and sexual subject positions. Contributors: Aisling Byrne, Anna Caughey, Kristina Hildebrand, Amy S. Kaufman, Yvette Kisor, Megan G. Leitch, Cynthea Masson, Hannah Priest, Samantha J. Rayner, Robert Allen Rouse, Cory James Rushton, Amy N. Vines.
Literature --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- History and criticism. --- Literature, Medieval --- English literature --- Sex in literature. --- Alchemical treatises. --- Britain. --- British history. --- Chaucer. --- Eroticism. --- Gender roles. --- Literature. --- Malory. --- Medieval sexuality. --- Medieval. --- Romance. --- Sexual culture. --- anthropology. --- medeival romance. --- medieval English culture. --- medieval English society. --- medieval history. --- sociology. --- women and gender studies. --- women's studies'.
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Essays demonstrating how the careful study of individual words can shed immense light on texts more broadly.
English language --- Germanic languages --- Lexicology. --- Lexicography. --- Antonette di Paolo Healey. --- Old English. --- contributions. --- early medieval English concepts. --- essays. --- individual words. --- lexical puzzles. --- lexicography. --- lexicology. --- manuscript traditions. --- semantic fields. --- source studies. --- texts.
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"Henry Daniel, fourteenth-century medical writer, Dominican friar, and contemporary of Chaucer, is one of the most neglected figures to whom we can attribute a substantial body of extant works in Middle English. His Liber Uricrisiarum, the earliest known medical text in Middle English, synthesizes authoritative traditions into a new diagnostic encyclopedia characterized by its stylistic verve and intellectual scope. Drawing on expertise from a range of scholars, this volume examines Daniel's capacious works and demonstrates their significance to many scholarly conversations, including the history of late medieval medicine. It explains the background for Daniel's uroscopic and herbal work, describes all known versions of the Liber Uricrisiarum and traces revisions over time, analyses Daniel's representations of his own medical practice, and demonstrates his influence on later medical and literary writers. Both a companion to the recently published reading edition of the Liber Uricrisiarum and a work of original scholarship in its own right, this collection promotes a wider understanding of Daniel's texts and prompts new discoveries about their importance."--
Medical literature --- Medical writing --- Medicine, Medieval --- History --- Daniel, Henry --- To 1500 --- England. --- Angleterre --- England --- Vie intellectuelle --- Intellectual life --- Henry Daniel. --- Liber Uricrisiarum. --- book history. --- history of medicine. --- medieval English vernacularity. --- medieval herbs. --- medieval medicine. --- medieval poetics and narrative. --- medieval uroscopy.
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Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic mystery cycles, and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays.
This edition combines, perhaps unexpectedly, royalty and games. Games of all kinds, from jousting and 'Christmas games' to those usually associated with children, are shown, it is suggested, to be more than they at first appear. Apparently run-of-the-mill entertainments, when presented to the court by the Londoners, by the court to a visiting emperor, or by the retainers of royalty and nobility to the general public for commercial gain, turn out to have unexpected political resonances; while the potential underlying sadism of children's games gains a horrific immediacy when diverted to the torturing of Christ. In the process we learn a great deal more about the detail of these games, from the maskerie costumes of James VI and Anna of Denmark to the elaborate fantasy challenges of the jousters in 1400/1401, which incidentally suggest that fourteenth-century court culture, whose language was Anglo-French, is a major missing link in the history of what is usually treated as purely English literature.
Theater --- History --- Christmas Games. --- Civic Mystery Cycles. --- Drama. --- European Drama. --- Games. --- Jousting. --- Latin Drama. --- London Playhouses. --- Medieval English Theatre. --- Medieval Plays. --- Middle Ages. --- Modern Survivals. --- Role-Playing. --- English drama --- History and criticism.
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Conceived as a companion volume to the well-received Simple Forms: Essays on Medieval English Popular Literature(2015), Make We Merry More and Less is a comprehensive anthology of popular medieval literature from the twelfth century onwards. Uniquely, the book is divided by genre, allowing readers to make connections between texts usually presented individually. This anthology offers a fruitful exploration of the boundary between literary and popular culture, and showcases an impressive breadth of literature, including songs, drama, and ballads. Familiar texts such as the visions of Margery Kempe and the Paston family letters are featured alongside lesser-known works, often oral. This striking diversity extends to the language: the anthology includes Scottish literature and original translations of Latin and French texts. The illuminating introduction offers essential information that will enhance the reader’s enjoyment of the chosen texts. Each of the chapters is accompanied by a clear summary explaining the particular delights of the literature selected and the rationale behind the choices made. An invaluable resource to gain an in-depth understanding of the culture of the period, this is essential reading for any student or scholar of medieval English literature, and for anyone interested in folklore or popular material of the time.
English literature --- Popular literature --- Literature and folklore --- Renaissance --- Folk literature, English --- English folk literature --- Folklore and literature --- Literature and folk-lore --- Folklore --- History and criticism. --- Essays on Medieval English Popular Literature --- anthology --- popular medieval literature --- twelfth century --- literary and popular culture --- songs --- drama --- ballads --- Douglas Gray --- Jane Bliss
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A fresh and invigorating survey of the sea as it appears in medieval English literature, from romance to chronicle, hagiography to autobiography. As the first cultural history of the sea in medieval English literature, this book traces premodern myths of insularity from their Old English beginnings to Shakespeare's 'Tempest'. Beginning with a discussion of biblical, classical and pre-Conquest treatments of the sea, it investigates how such works as the Anglo-Norman 'Voyage of St Brendan', the Tristan romances, the chronicles of Matthew Paris, 'King Horn, Patience, The Book of Margery Kempe' and 'The Libelle of Englyshe Polycye' shape insular ideologies of Englishness. Whether it is Britain's privileged place in the geography of salvation or the political fiction of the idyllic island fortress, medieval English writers' myths of the sea betray their anxieties about their own insular identity; their texts call on maritime motifs to define England geographically and culturally against the presence of the sea. New insights from a range of fields, including jurisprudence, theology, the history of cartography and anthropology, are used to provide fresh readings of a wide range of both insular and continental writings. SEBASTIAN I. SOBECKI is Professor of Medieval English Literature and Culture, Rijksuniversiteit Groningen.
English literature --- Sea in literature. --- Civilization, Medieval, in literature. --- Ocean in literature --- History and criticism. --- Anglo-Norman literature --- Latin literature, Medieval and modern --- Themes, motives. --- England --- Civilization --- British literature --- French literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- British geography. --- Cultural identity. --- Cultural-political complexity. --- Insularity. --- Maritime motifs. --- Medieval English literature.
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First entire collection centred on Chaucer's Book of the Duchess, making a compelling case for its importance and value.
Chaucer, Geoffrey, --- Chaucer, Jeffrey, --- Chʻiao-sou, Chieh-fu-lei, --- Chieh-fu-lei Chʻiao-sou, --- Choser, Dzheffri, --- Choser, Zheoffreĭ, --- Cosvr, Jvoffrvi, --- Tishūsar, Zhiyūfrī, --- Criticism and interpretation. --- LITERARY CRITICISM / Medieval. --- Authorial Practice. --- Book of the Duchess. --- Chaucer. --- English Writing. --- French. --- Jamie C. Fumo. --- Late-Medieval English Textual Production. --- Literary Achievement. --- Literary Relationships. --- Material Processes. --- Reception. --- Transmission.
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New perspectives on one of the most important medieval poets.
Gower, John, --- Criticism and interpretation. --- LITERARY CRITICISM / Medieval. --- Chaucer's contemporary. --- John Gower. --- Studies in the Age of Gower. --- literary analysis. --- literary criticism. --- literary exploration. --- literary perspectives. --- literary scholarship. --- literary studies. --- medieval English literature. --- medieval authors. --- medieval literature. --- medieval poet. --- medieval poetry.
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