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In 1895, Louis Lumière supposedly said that cinema is "an invention without a future." James Naremore uses this legendary remark as a starting point for a meditation on the so-called death of cinema in the digital age, and as a way of introducing a wide-ranging series of his essays on movies past and present. These essays include discussions of authorship, adaptation, and acting; commentaries on Howard Hawks, Alfred Hitchcock, Orson Welles, Vincente Minnelli, John Huston, and Stanley Kubrick; and reviews of more recent work by non-Hollywood directors Pedro Costa, Abbas Kiarostami, Raúl Ruiz, and Apichatpong Weerasethakul. Important themes recur: the relations between modernity, modernism, and postmodernism; the changing mediascape and death of older technologies; and the need for robust critical writing in an era when print journalism is waning and the humanities are devalued. The book concludes with essays on four major American film critics: James Agee, Manny Farber, Andrew Sarris, and Jonathan Rosenbaum.
Film --- Motion pictures. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- acting. --- adaptation. --- alfred hitchcock. --- american cinema. --- andrew sarris. --- authorship. --- cinema in the digital age. --- cinema. --- death of cinema. --- digital age. --- film and television. --- film criticism. --- film. --- filmmaking. --- history of cinema. --- howard hawks. --- humanities. --- james agee. --- john huston. --- jonathan rosenbaum. --- literary studies. --- manny farber. --- mediascape. --- modernism. --- modernity and film. --- movies. --- orson welles. --- postmodernism and film. --- postmodernity. --- print journalism. --- stanley kubrick. --- technology. --- vincente minnelli.
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The negative environmental effects of media culture are not often acknowledged: the fuel required to keep huge server farms in operation, landfills full of high tech junk, and the extraction of rare minerals for devices reliant on them are just some of the hidden costs of the contemporary mediascape. Eco-Sonic Media brings an ecological critique to the history of sound media technologies in order to amplify the environmental undertones in sound studies and turn up the audio in discussions of greening the media. By looking at early and neglected forms of sound technology, Jacob Smith seeks to create a revisionist, ecologically aware history of sound media. Delving into the history of pre-electronic media like hand-cranked gramophones, comparatively eco-friendly media artifacts such as the shellac discs that preceded the use of petroleum-based vinyl, early forms of portable technology like divining rods, and even the use of songbirds as domestic music machines, Smith builds a scaffolding of historical case studies to demonstrate how "green media archaeology" can make sound studies vibrate at an ecological frequency while opening the ears of eco-criticism. Throughout this eye-opening and timely book he makes readers more aware of the costs and consequences of their personal media consumption by prompting comparisons with non-digital, non-electronic technologies and by offering different ways in which sound media can become eco-sonic media. In the process, he forges interdisciplinary connections, opens new avenues of research, and poses fresh theoretical questions for scholars and students of media, sound studies, and contemporary environmental history.
Sound recordings --- Sound --- Audio equipment industry --- Sound in mass media --- Environmental aspects. --- Recording and reproducing --- Equipment and supplies --- History. --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Electronic industries --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Mass media --- Sound recordings -- Environmental aspects.. --- Sound -- Recording and reproducing -- Equipment and supplies -- Environmental aspects.. --- Audio equipment industry -- Environmental aspects.. --- Sound -- Recording and reproducing -- Equipment and supplies -- History.. --- Sound in mass media -- History. --- audio equipment history. --- audio recording history. --- contemporary environmental history. --- contemporary mediascape. --- divining rods. --- domestic music machines. --- early sound technology. --- eco sonic media. --- ecological critique. --- gramophones. --- green media archaeology. --- green media. --- greening the media. --- history of sound media. --- media artifacts. --- media culture. --- nondigital sound technology. --- personal media. --- pre electronic media. --- sound media technologies. --- sound recording equipment. --- sound recordings. --- sound studies.
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