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Art --- Maurice Merleau-Ponty 1908-1961 (° Rocheford-sur-Mer, Frankrijk) --- Filosofie ; fenomenologie ; Maurice Merleau-Ponty --- Kunstfilosofie --- 1.07 --- 7.01 --- fenomenologie --- esthetica --- kunsttheorie --- perceptie --- waarneming --- filosofie --- Filosofie ; filosofen (A - Z)

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This short collection of essays focuses on four areas of immersive sound environments: repetition, sustained tones, performed installations and approaches to extended forms. Through in depth exploration of the experiential nature of these subjects, the authors offer reflections upon the materials used for these environments, how they are organised, and the consequences of this on how we listen.

Repetition in music. --- Sound installations (Art) --- Music --- History and criticism. --- music --- Active listening --- Ajapa japa --- Harmonic series (music) --- Maurice Merleau-Ponty --- Morton Feldman --- Phill Niblock --- Sine wave --- Timbre

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À l'heure où le naturalisme (thèse selon laquelle tout ce qui existe – objets et événements – ne comporte de cause, d'explication et de fin que naturelles) exerce une force philosophique et scientifique grandissante, l'œuvre de Maurice Merleau-Ponty (1908-1961) suscite un regain d'intérêt en raison de son mot d'ordre : le retour aux choses mêmes. Merleau-Ponty pose comme originaire l'étude de la perception : le corps n'est pas seulement une chose, qui serait un objet potentiel d'étude pour les sciences ; il est une condition permanente de l'expérience, parce qu'il constitue l'ouverture perceptive au monde et à son investissement. Il y a une coappartenance de la conscience et du corps dont l'analyse de la perception doit rendre compte. Merleau-Ponty rompt avec l'ontologie dualiste de Descartes et l'opposition entre les catégories de corps et d'esprit qui est si prégnante dans certaines sciences aujourd'hui : «C'est dans l'épreuve que je fais d'un corps explorateur voué aux choses et au monde, d'un sensible qui m'investit jusqu'au plus individuel de moi-même et m'attire aussitôt de la qualité à l'espace, de l'espace à la chose et de la chose à l'horizon des choses, c'est-à-dire à un monde déjà là, que se noue ma relation avec l'être.»

Phenomenology. --- Perception (Philosophy) --- Phénoménologie --- Perception (Philosophie) --- Filosofie fenomenologie Maurice Merleau-Ponty --- Waarneming fenomenologie --- Filosofie filosofen (A - Z) --- Phénoménologie --- Phénoménologie. --- 1.07 --- Filosofie ; fenomenologie ; Maurice Merleau-Ponty --- Merleau-Ponty, Maurice 1908-1961 (°Rochefort, Frankrijk) --- Waarneming ; fenomenologie --- Filosofie ; filosofen (A - Z)

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While Alzheimer's might be associated with a difficulty to express oneself, Ana Paula Barbosa-Fohrmann addresses this topic by examining experiences with Alzheimer's based on narratives. In this original contribution, she studies the nexus of life stories, subjectivity, fragmentation, and fiction. The philosophical basis of this research is phenomenology from the end of the 19th century to the middle of the 20th century, specifically that of Husserl and above all that of Merleau-Ponty. This work also draws on Proust's and Camus's literature as well as Beckett's dramaturgy.

Alzheimer's disease --- Patients. --- Albert Camus. --- Art. --- Cultural Studies. --- Dramaturgy. --- Edmund Husserl. --- Existentialism. --- Fiction. --- Literature. --- Marcel Proust. --- Maurice Merleau-Ponty. --- Medicine. --- Nineteenth Century. --- Painting. --- Phenomenology. --- Philosophical Anthropology. --- Philosophy of Body. --- Philosophy. --- Samuel Beckett. --- Subjectivity. --- Twentieth Century.

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"David Michael Levin's ongoing exploration of the moral character and enlightenment-potential of vision takes a new direction in The Philosopher's Gaze. Levin examines texts by Descartes, Husserl, Wittgenstein, Nietzsche, Heidegger, Benjamin, Merleau-Ponty, and Levinas, using our culturally dominant mode of perception and the philosophical discourse it has generated as the site for his critical reflections on the moral culture in which we are living."--Jacket. "In Levin's view, all these philosophers attempted to understand, one way or another, the distinctive pathologies of the modern age. But every one also attempted to envision - if only through the faintest of traces, traces of mutual recognition, traces of another way of looking and seeing - the prospects for a radically different lifeworld."--Jacket.

Metaphysics --- Philosophy --- Philosophy, Modern. --- Appearance (Philosophy) --- Eyesight --- Filosofie [Moderne ] --- Philosophie moderne --- Philosophy [Modern ] --- Seeing --- Sight --- Vision --- Vision (Physiologie) --- Zien [Het ] --- Philosophy, Modern --- Modern philosophy --- Vision. --- Philosophy & Religion --- Senses and sensation --- Blindfolds --- Eye --- Physiological optics --- aesthetic theory. --- benjamin. --- cultural criticism. --- descartes. --- edmund husserl. --- emmanuel levinas. --- enlightenment. --- ethics. --- friedrich nietzsche. --- heidegger. --- historical materialism. --- human experience. --- husserl. --- intentionality. --- levinas. --- martin heidegger. --- maurice merleau-ponty. --- merleau-ponty. --- modes of perception. --- moral character. --- morality. --- mutual recognition. --- natural philosophy. --- nietzsche. --- nihilism. --- ocularcentrism. --- perspectivism. --- phenomenology. --- philosophy. --- politics. --- privileging of vision. --- rene descartes. --- walter benjamin. --- wittgenstein.