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Forms of Abstraction engages with abstraction not as a formal option in art, or as an airy theoretical speculation, but as an operational force that has redesigned our world and continues to do so. The first volume, Objections, takes its cue from the Latin root of object, obiectum—which refers to something put before the subject, something thrown in one’s way. This sense of the object as obstacle or obstruction, and of the artwork as an aesthetic and political objection, is explored in this volume. Objections sees artists engaging with materiality and value, with subatomic particles and radiation as well as with the objectification of human and nonhuman organisms. Along the way, we encounter theoretical objects such as the fetish, the plaster cast, the patented bacteria, the buried radioactive container, and the contemporary artwork itself. Contemporary art is analyzed here as a set of aesthetic practices revolving around problematic and questionable objects that can act as productive objections.
Art, Abstract --- 7.01 --- kunst --- kunsttheorie --- kunstfilosofie --- kunstgeschiedenis --- abstractie --- abstracte kunst --- materialiteit --- kunst en politiek --- politiek --- objecten --- Art, Modern --- Art criticism --- Art abstrait --- Abstraction géométrique --- Art --- Critique d'art --- History --- Histoire
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Philosophy of nature --- Architecture --- Theory of knowledge --- Épistémologie --- --mélanges --- --Matière --- --Philosophie --- --cultuurfilosofie --- filosofie --- architectuur --- architectuurtheorie --- materie --- wetenschap --- materialiteit --- ruimtelijkheid --- tijdelijkheid --- tijd --- ruimte --- wetenschapsfilosofie --- postmodernisme --- Portoghesi Paolo --- Gregotti Vittorio --- 7.01 --- 72.01 --- Conferences - Meetings --- Matter --- Physics --- Philosophy, Modern --- Science --- Architecture, Modern --- Philosophy --- cultuurfilosofie --- --Matter --- Matière --- Philosophie
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From its beginnings in experimentation by mid-19th century scientists and gentlemen of leisure, photography has been shaped by the desire to understand and explore the medium’s essential materials. Taking that spirit of invention and discovery as its point of departure, this exhibition features the work of seven artists—Matthew Brandt, Marco Breuer, John Chiara, Chris McCaw, Lisa Oppenheim, Alison Rossiter, and James Welling—who focus their investigations on the light sensitivity and chemical processing of photographic papers, challenging us to see the medium anew. The exhibition also includes an overview of experimental practices during the twentieth century, drawn from the Getty Museum’s collection. The works on view in Light, Paper, Process provide a glimpse into the continued interrogation and reinvention of the medium of photography by artists working today.
fotografie --- kunst --- eenentwintigste eeuw --- materialiteit --- fotografische procédés --- Rossiter Alison --- Breuer Marco --- Welling James --- Oppenheim Lisa --- McCaw Chris --- Chiara John --- Brandt Matthew --- 77.039 --- Exhibitions --- Photographie --- Photographie, technique --- Photographie d'art --- Photography --- Welling, James --- Breuer, Marco --- Oppenheim, Lisa --- Rossiter, Alison --- Brandt, Matthew --- Chiara, John --- McCaw, Chris --- United States --- artistieke fotografie --- United States of America
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Essays consider recent artistic and critical approaches to materiality, focusing on the moments when materials become willful actors and agents within artistic processes. Materiality has reappeared as a highly contested topic in recent art. Modernist criticism tended to privilege form over matter considering material as the essentialized basis of medium specificity and technically based approaches in art history reinforced connoisseurship through the science of artistic materials. But in order to engage critically with the meaning, for example, of hair in David Hammons's installations, milk in the work of Dieter Roth, or latex in the sculptures of Eva Hesse, we need a very different set of methodological tools. This anthology focuses on the moments when materials become willful actors and agents within artistic processes, entangling their audience in a web of connections. It investigates the role of materiality in art that attempts to expand notions of time, space, process, or participation. And it looks at the ways in which materials obstruct, disrupt, or interfere with social norms, emerging as impure formations and messy, unstable substances. It reexamines the notion of “dematerialization”; addresses materialist critiques of artistic production; surveys relationships between matter and bodies, from the hierarchies of gender to the abject and phobic; explores the vitality of substances; and addresses the concepts of intermateriality and transmateriality emerging in the hybrid zones of digital experimentation.
hedendaagse kunst --- art [fine art] --- Contemporary [style of art] --- thema's in de kunst --- Art --- materials [matter] --- anno 2000-2099 --- Art, Modern --- Artists' materials --- Themes, motives --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- 7.023 --- Kunsttheorie ; materialiteit ; transmaterialiteit ; dematerialisering --- Kunstmaterialen --- Kunst ; grondstoffen, materiaalkeuze --- Art moderne --- Matériau --- Analyse de l'art --- Art contemporain --- Andre, Carl --- Antoni, Janine --- Balkin, Amy --- Barry, Robert --- Dion, Mark --- Durham, Jimmie --- Kabakov, Ilya --- Kelley, Mike --- Leonard, Zoe --- Morris, Robert --- Pistoletto, Michelangelo --- Sierra, Santiago --- Smithson, Robert --- Starling, Simon --- Thek, Paul --- Walker, Kara --- Didi-huberman, Georges --- Ingold, Tim --- Lyotard, Jean-François --- Kunst --- kunst --- materialen --- vormloosheid --- vormleer --- vorm --- lichamelijkheid --- materialiteit --- materialisme --- materialenleer --- 130.2 --- 7.039 --- 7.038/039 --- 7.038 --- cultuurfilosofie --- kunsttheorie --- twintigste eeuw --- eenentwintigste eeuw --- materials [substances] --- Smithson, Robert, 1938-1973 --- art [discipline] --- Méthodologie --- Espace --- Processus de conception --- Société numérique --- Mouvement moderne --- Typologie des matériaux --- Analyse et théorie de l'art --- Expression artistique --- Création artistique --- Théorie de l'art
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Arts, French --- Postmodernism --- Immaterialism (Philosophy) --- Arts français --- Postmodernisme --- Immatérialisme (Philosophie) --- Exhibitions --- Expositions --- jaren 80 --- Industrial design --- kunst --- kunsttheorie --- esthetica --- postmodernisme --- materialiteit --- immaterialiteit --- 7.038 --- 82.015.9 --- Literaire stromingen: postmodernisme --- 82.015.47 --- Design, Industrial --- -kunst --- 7.01 --- commissariat Jean-François Lyotard, Thierry Chaput --- Mechanical drawing --- New products --- Design --- Literaire stromingen: barok --- 82.015.9 Literaire stromingen: postmodernisme --- 82.015.47 Literaire stromingen: barok --- Arts français --- Immatérialisme (Philosophie) --- CDL --- Industrial design - France - Exhibitions --- -Exhibitions
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