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In this volume of the “Forschungen in Ephesos” the recent archaeological examinations at the Theater of Ephesus are published. Beside the results of the excavations the volume incorporates the analysis of the various find categories, such as pottery and glass, terracotta, sculptures, small finds, coins as well as archaeozoological and epigraphical finds. With this, the reader can comprehensively impart and review the architectural development of the theater in the course of the eight building or usage phases.

Ancient theatre, architectural development, chronology, urbanism, archaeological excavation, building research, material evidence, Asia Minor, Ephesus

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The current volume of the Forschungen in Ephesos presents the concluding results of the recent archaeological and art-hisorical investigations at the monumental tomb in the hinterland of Ephesos. The date of the Mausoleum can be fixed accumulative between 310 and 280/70 BC and following the interpretation of references regarding the monument`s dedication and the sources for the historical events Antigonos I. Monophthalmos is recognised as the newly identified personality to whom the Mausoleum belonged.

Sarcophagi --- Tombs --- Antiquities --- Excavations (Archaeology) --- Turkey --- Mausoleums --- Sculpture, Ancient --- Sepulchral monuments --- Pottery, Ancient --- Mausolées --- Fouilles (Archéologie) --- Sculpture antique --- Monuments funéraires --- Céramique antique --- Ephesus (Extinct city) --- Ephèse (Ville ancienne) --- Archaeology --- Monumental tomb --- heroa --- archaeological investigation --- material evidence --- late Classical/early Hellenistic sculpture --- funerary and ruler cult --- Greece --- Asia Minor --- Ephesus --- monumentaler Grabbau --- Heroa --- archäologische Untersuchung --- materielle Evidenz --- spätklassisch-frühhellenistische Skulptur --- Grab- und Herrscherkult --- Greichenland --- Kleinasien --- Ephesos --- Amphore --- Keramik --- Relief

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A panoramic history of the antiquarians whose discoveries transformed Renaissance culture and gave rise to new forms of art and knowledgeIn the early fifteenth century, a casket containing the remains of the Roman historian Livy was unearthed at a Benedictine abbey in Padua. The find was greeted with the same enthusiasm as the bones of a Christian saint, and established a pattern that antiquarians would follow for centuries to come. The Art of Discovery tells the stories of the Renaissance antiquarians who turned material remains of the ancient world into sources for scholars and artists, inspirations for palaces and churches, and objects of pilgrimage and devotion.Maren Elisabeth Schwab and Anthony Grafton bring to life some of the most spectacular finds of the age, such as Nero’s Golden House and the wooden placard that was supposedly nailed to the True Cross. They take readers into basements, caves, and cisterns, explaining how digs were undertaken and shedding light on the methods antiquarians—and the alchemists and craftspeople they consulted—used to interpret them. What emerges is not an origin story for modern archaeology or art history but rather an account of how early modern artisanal skills and technical expertise were used to create new knowledge about the past and inspire new forms of art, scholarship, and devotion in the present.The Art of Discovery challenges the notion that Renaissance antiquarianism was strictly a secular enterprise, revealing how the rediscovery of Christian relics and the bones of martyrs helped give rise to highly interdisciplinary ways of examining and authenticating objects of all kinds.

HISTORY / Renaissance. --- Adjective. --- Adverb. --- Aeneid. --- Allegory. --- Anecdote. --- Antiquarian. --- Archaeology. --- Archaism. --- Athanasius Kircher. --- Attempt. --- Brochure. --- Case study. --- Clergy. --- Close-up. --- Connotation. --- Copying. --- Costume. --- Credential. --- David Knowles (scholar). --- De architectura. --- Docimium. --- Domus Aurea. --- Dunstan. --- Effigy. --- Eldridge Cleaver. --- Epigraphy. --- Etruscan art. --- Explanation. --- Exploration. --- Facsimile. --- Famulus. --- Fantasy. --- Feature story. --- Fellow. --- Ferentino. --- Filarete. --- Finding. --- Friar. --- Giorgio Vasari. --- Handbook. --- Ideology. --- Illustration. --- Illustrator. --- Ingenuity. --- Institutio Oratoria. --- Intellectual history. --- Intertitle. --- Journal of the History of Ideas. --- Literature. --- Livy. --- Lovato. --- Magnificence (history of ideas). --- Masculinity. --- Material Evidence. --- Miscegenation. --- Mural. --- Narrative. --- Notary. --- Odor. --- Opportunism. --- Palaeography. --- Panache. --- Parody. --- Philology. --- Philosophy. --- Pigment. --- Poppaea Sabina. --- Porta Nigra. --- Porta Salaria. --- Precentor. --- Pronunciation. --- Protagonist. --- Qualia. --- Quattrocento. --- Quintilian. --- Rediscovery. --- Relic. --- Scientist. --- Sculpture. --- Simultaneity. --- Spelman (music). --- Structuring. --- Subjectivity. --- Subplot. --- Surveying. --- Technology. --- Temperament. --- Terminology. --- Teucer. --- The Archaeologist. --- Thomas Hearne (artist). --- Thought. --- Titulus (inscription). --- Urn. --- Vestibule (architecture). --- Visual arts. --- Vitruvius. --- Voyeurism. --- Work of art. --- Writing.