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Art --- Film --- multimedia works --- avant-garde --- video art --- motion pictures [visual works] --- television [telecommunication system] --- Fluxus --- multimediakunst --- Dibbets, Jan --- Paik, Nam June --- Auder, Michel --- Breder, Hans --- Logue, Joan --- Lord, Chip --- Lucier, Mary --- Michels, Doug --- Schreier, Curtis --- Segolova, Ilene --- Nyst, Jacques L. --- Yonemoto, Bruce & Norman --- Serra, Richard --- Wilson, Robert --- Viola, Bill --- Gruyter, de, Jos --- Thys, Harald --- Schum, Gerry --- Graham, Dan --- Birnbaum, Dara --- André, Marie --- Rosler, Martha --- Muntadas, Antonio --- Smith, Michael --- General Idea --- Ant Farm
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Ant Farm est un groupe d'architectes américains qui produisit des œuvres expérimentales de 1968 à 1978. Leur travail est documenté en vidéo, et le groupe est considéré comme pionnier dans les arts multimédia. Il peut être considéré comme un mélange entre Archigram, les Rolling Stones et The Yes Men, et fait partie du mouvement de la contre-culture américaine de cette époque. Ant Farm utilisa des technologies alors en pointe tout en attaquant de front la culture américaine de critiques politiques et sociales de façon virulente (et même violente) envers les mass-médias. Dans ce livre, l'auteure revisite les pratiques architecturales, artistiques, vidéastes et intermédias du collectif expérimental Ant Farm, qui se décrit lui-même comme un groupe « environnementaliste activiste super-radical ». Rassemblant des documents d’archives sur leurs domaines de pratique étendus, Felicity D. Scott présente la première publication en couleur de la chronologie complète de Ant Farm, ainsi que Allegorical Time Warp: The Media Fallout (1969) et un dossier d’archives sur le réseau Truckstop d’Ant Farm (1970-1972). Felicity D. Scott est professeure adjointe d’architecture à l’Université Columbia et rédactrice fondatrice de Grey Room.
Design --- Avant-garde (Aesthetics) --- Counterculture --- History --- Ant Farm (Design group). --- 7.07 --- 7.01 --- 72.038 --- 7.038(7/8) --- (069) --- Kunstenaars ; communes ; San Francisco ; 1968-1978 ; Ant Farm --- Kunstkolonies --- Ant Farm --- Lord, Chip --- Michels, Doug --- Schreier, Curtis --- Kunst- en architectuuronderwijs ; Columbia ; Verenigde Staten --- Graduate School of Architecture, Planning and Preservation ; GSAPP --- Kunst en maatschappij ; consumptiemaatschappij ; verenigde Staten --- Kunstmanifestaties --- Experimentele kunst en architectuur --- Conceptuele kunst --- Media Art --- Videokunst ; installaties ; environments ; Ant Farm --- Opblaasbare structuren --- Kunsttheorie ; lezingen ; Living Archive --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunst ; theorie, filosofie, esthetica --- Architectuurgeschiedenis ; 1950 - 2000 --- Kunstgeschiedenis ; 1950 - 2000 ; Amerika --- (Musea. Collecties) --- Exhibitions --- Art vidéo --- Multimedia --- Activisme
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This new survey covers the history of participatory art, from early happenings and performances to current practices that demand audience interaction.
kunstparticipatie --- moderne kunst --- Art --- anno 2000-2009 --- anno 1980-1989 --- anno 1960-1969 --- anno 1950-1959 --- anno 1970-1979 --- anno 1990-1999 --- 7.038/039 --- Beuys Joseph --- Brecht George --- Cage John --- Carlson Van --- Clark Lygia --- Gerz Jochen --- Gommel Mathias --- Gonzales-Torres Felix --- Graham Dan --- Haacke Hans --- Hershman Leeson Lynn --- Kaprow Allan --- Lohner Henning --- Lord Chip --- Lozano-Hemmer Rafael --- Marioni Tom --- Muntadas Antoni --- Ono Yoko --- Paik Nam June --- Phiffer Dan --- Raqs Media Collective --- Sack Warren --- Schreier Curtis --- Shiomi Mieko --- Tomb Bruce --- Torolab --- Vostell Wolf --- Willats Stephen --- Wurm Erwin --- Zer-Aviv Mushon --- concept art --- conceptuele kunst --- eenentwintigste eeuw --- happenings --- kunst --- massamedia --- participatie --- performances --- twintigste eeuw --- 705.9 --- Beuys, Joseph --- Brecht, George --- Cage, John --- Carlson, Van --- Clark, Lygia --- Gerz, Jochen --- Gommel, Mathias --- Gonzales-Torres, Felix --- Graham, Dan --- Haacke, Hans --- Hershman Leeson, Lynn --- Kaprow, Allan --- Lohner, Henning --- Lord, Chip --- Lozano-Hemmer, Rafael --- MTAA (M. River & T. Whid Art Associates) --- Marioni, Tom --- Muntadas, Antoni --- Ono, Yoko (Yoko Ono) --- Paik, Nam June --- Phiffer, Dan --- Rauschenberg, Robert --- Sack, Warren --- Schreier, Curtis --- Shiomi, Mieko --- Tomb, Bruce --- Vostell, Wolf --- Warhol, Andy --- Willats, Stephen --- Wurm, Erwin --- Zer-Aviv, Mushon --- belevingskunst --- participatory art --- performance --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- Exhibitions --- Interactive art --- Performance art --- Mediakunst. --- Performances. --- Participatory art --- Social practice (Art) --- participatieve kunst (participatory art)
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Art video --- Video art --- Videokunst --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- Experimental films --- ed. by Doug Hall and Sally Jo Fifer ; preface by David Bolt ; Foreword by David Ross ; Introduction by Doug Hall and Sally Jo Fifer --- videokunst --- Acconci Vito --- barry Judith --- Bellour Raymond --- birnbaum dara --- Boyle Deirdre --- d'Agostino Peter --- Downey Juan --- Ferguson Bruce --- fried Howard --- Fusco Coco --- Graham Dan --- Halleck Dee Dee --- Hanhardt John G. --- herschman Lynn --- Hill Gary --- Huffman Kathy Rae --- Jonas Joan --- Klein Norman M. --- Labat Tony --- lord Chip --- Lucier Mary --- Myers rita --- Morse Margaret --- Muntadas --- O'Dell Kathy --- Oursler Tony --- Rosler Martha --- Sargent Wooster Ann --- Sturken Marita --- Tamblyn Christine --- Torres francesc --- Turim Maureen --- Vasulka Steina --- Vasulka Woody --- Viola Bill --- Yonemoto Bruce --- Yonemoto Norman --- 791.45 --- Art vidéo --- Art électronique --- Vidéo expérimentale --- Vidéo formelle --- Vidéo-art --- Hanhardt John G --- Klein Norman M --- Time-based art
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Iconography --- Art --- Film --- art [discipline] --- video art --- kunst en technologie --- Horn, Rebecca --- Kriesche, Richard --- Dibbets, Jan --- Oppenheim, Dennis --- Paik, Nam June --- Antin, Eleanor --- Fox, Terry --- Holt, Nancy --- Kahlen, Wolf --- Cameron, Eric --- Davis, Douglas --- Downey, Juan --- Emshwiller, Ed --- Freed, Hermine --- Froese, Dieter --- Gillette, Frank --- Gusella, Ernest --- Hall, David --- Hocking, Ralph --- Iimura, Takahiko --- Korot, Beryl --- Kos, Paul --- Landry, Richard --- Weiner, Lawrence --- Lord, Chip --- Mann, Andy --- Michels, Doug --- Otth, Jean --- Palestine, Charlemagne --- Pezold, Friederike --- Schneider, Ira --- Schreier, Curtis --- Tambelllini, Aldo --- Vasulka, Steina --- Vasulka, Woody --- Walker, Willie --- Yalkut, Jud --- Hoover, Nan --- Rosenbach, Ulrike --- Serra, Richard --- Export, Valie --- Viola, Bill --- Jonas, Joan --- Sonnier, Keith --- Acconci, Vito --- Ruthenbeck, Reiner --- Graham, Dan --- Gilbert and George --- Nauman, Bruce --- Gerz, Jochen --- Baldessari, John --- Benglis, Lynda --- Burden, Chris --- Dominicis, de, Gino --- Kubota, Shigeko --- Levine, Les --- Muntadas, Antonio --- Rückriem, Ulrich --- Wegman, William --- Weibel, Peter --- Knoebel, Imi --- Campus, Peter --- Ant Farm --- Telethon --- anno 1900-1999 --- multimedia works --- multimediakunst
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This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people's minds. Traditional imaging and tracking systems have given way to infinitely more powerful "dataveillance" technologies, as an ever-evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its point of departure an architectural drawing by Jeremy Bentham that became the model for an entire social regime, CTRL [SPACE] looks lat the shifting relationships between design and power, representation and subjectivity, imaging and oppression from the eight-teenth to twenty-first centuries. From the photographs taken with hidden cameras by Walker Evans and Paul Strand in the early twentieth century to the appropriation of military satellite technology by Marko Peljhan a hundred years later, the works of a wide range of artists have explored the dynamics of watching and being watched. Andy Warhol, Bruce Nauman, Dan Graham, Rem Koolhaas, Michel Klier, Thomas Ruff, Pierre Huyghe, Sophie Calle, Julia Scher, Diller + Scofidio, Peter Weibel, and Yoko Ono are among the artists whose panoptical preoccupations are featured here. This is the first state-of-the-art survey of the full range of panopticism - in digital culture, architecture, video, painting, photography, conceptual art, cinema, installation work, television, robotics, and satellite imaging.
Art --- Mass communications --- Thema's in de kunst ; controle ; observatie ; Big Brother --- Real Time film ; video ; reality TV --- Panoptische kunst --- Elektronische informatietechnologie ; databanken --- Beeldcultuur ; audio-visuele media --- International Media Art Award --- Tentoonstellingscatalogi ; Karlsruhe ; Center for Art and Media ; ZKM --- 7.049 --- 7.01 --- (069) --- Iconografie ; verschillende onderwerpen --- Kunst ; theorie, filosofie, esthetica --- (Musea. Collecties) --- ed. by Thomas Y. Levin, Ursula Frohne, and Peter Weibel --- kunst --- twintigste eeuw --- bewaking --- satelliettechnologie --- politiek --- kunst en politiek --- dataveillance --- waarneming --- Big Brother --- Nauman Bruce --- Graham Dan --- Weibel Peter --- Schneider Ira --- Gillette Frank --- Klier Michael --- Luhmann Niklas --- Ruff Thomas --- Stein Lewis --- straf --- bestraffing --- Farocki Harun --- Virilio Paul --- Bentham Jeremy --- Koolhaas Rem --- Dahlberg Jonas --- Langlands & Bell --- Thiel Frank --- Colomer Henry --- bewakingssystemen --- Todorovic Zoran --- veiligheid --- staatsveiligheid --- Echelon --- Stasi --- Leccia Ange --- Schleime Cornelia --- Korpys/Löffler --- Stih & Schnock --- Klauke Jürgen --- Chip Lord --- Lord Chip --- Mélian Michaela --- panopticum --- Burgin Victor --- Warhol Andy --- narcisme --- Huyghe Pierre --- Scher Julia --- Crandall Jordan --- Alpern Merry --- Haagsma Harco --- Marketou Jenny --- Lundin Ulf --- Mayer H. Jürgen --- Deleuze Gilles --- architectuur --- kunst en architectuur --- 3D --- Deutsch David --- Naldi Pat --- Kirkup Wendy --- Diller+Scofidio --- Roth Daniel --- Mihaltianu Dan --- GRAFT --- NYCLU --- New York Civil Liberties Union --- visomat --- visomat inc. --- Baltz Lewis --- Acconci Vito --- Lennon John --- Ono Yoko --- Calle Sophie --- Kurgan LAura --- Bush Paul --- Art+Com --- Peljhan MArko --- Lowenberg Richard --- cybernetica --- panopticisme --- Baudrillard Jean --- Wagg jamie --- Froese Dieter --- Petit Chris --- Dijkman Bart --- Caviezel Kurt --- Komen A.P. --- Murphy Karen --- G.R.A.M. --- Bonde Niels --- Siden Ann-Sofi --- reality tv --- videobewaking --- reclame --- reclamevormgeving --- film --- narratologie --- Cornwell Peter --- Bureau of Inverse Technology --- Institute for Applied Autonomy --- I.A.A. --- Beaubois Denis --- Guess Jeff --- Mühlenbrock Heiner --- Surveillance Camera Players --- Bacher Luiz --- Haddock Jon --- Ra'ad Walid --- design --- cultuurfilosofie --- gevangenissen --- 7.038 --- 130.2 --- 791.5 --- visomat inc --- Komen A.P --- G.R.A.M --- I.A.A --- Multimedia (Art) --- Electronic surveillance --- Multimedia (Art) - Exhibitions --- Electronic surveillance - Art
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Videokunst ; naslagwerken --- Michael Rush --- kunst --- 778.5 --- film --- videokunst --- video --- performances --- concept art --- conceptuele kunst --- abstractie --- abstracte kunst --- lichaam --- lichamelijkheid --- digitale film --- digitale kunst --- narratologie --- installaties --- twintigste eeuw --- computerkunst --- computers --- Atlas Charles --- Nauman Bruce --- Viola Bill --- Paik Nam June --- Emshwiller Ed --- Vasulka Steina --- Wilson Jane --- Wilson Louise --- Smith Michael --- TVTV --- Top Value Television --- Gillette Frank --- Ant Farm --- Yonemoto Bruce --- Yonemoto Norman --- Muntadas --- Lord Chip --- Michels Doug --- Schreier Curtis --- vom Bruch Klaus --- Birnbaum Dara --- Froese Dieter --- Acconci Vito --- Campus Peter --- Scher Julia --- Davis Douglas --- Adams John --- Marshall Maria --- Godard Jean-Luc --- Callas Peter --- Cahen Robert --- Warhol Andy --- Kuntzel Thierry --- Vostell Wolf --- Blumberg Skip --- Kubota Shigeko --- Rist Pipilotti --- Calle Sophie --- Gunning Lucy --- Rauschenberg Robert --- Cage John --- Baldessari John --- Downey Juan --- d'Agostino Peter --- Oppenheim Dennis --- Graham Dan --- Snow Michael --- Rosler Martha --- Jonas Joan --- Export Valie --- Kelley Mike --- McCarthy Paul --- Abramovic Marina --- Abramovic Ulay --- Wearing Gillian --- Kozyra Katarzyna --- Wilke Hannah --- Baldino Phyllis --- André Marie --- Taylor-Wood Sam --- Sarkisian Peter --- Bamgboyé Oladélé Ajiboyé --- Ajiboyé Oladélé Bamgboyé --- McQueen Steve --- Oursler Tony --- Blake Nayland --- Rovner Michal --- Cho Seoungho --- Ching Yau --- Hill Gary --- Odenbach Marcel --- Doherty Willie --- Jones Philip Mallory --- Santos Eder --- X-PRZ --- Cokes Tony --- Anderson Doug --- Armstead Kenseth --- Pierson Mark --- Peili Zhang --- Forgacs Peter --- Hamos Gusztav --- Burden Chris --- Smith and Stewart --- Simpson Lorna --- Lucier Mary --- Almy Max --- Vasulka Woody --- Gorewitz Shalom --- Gordon Douglas --- Wilson Robert --- Kalin Tom --- Feingold Ken --- Huyghe Pierre --- Tajiri Rea --- Graham Rodney --- Manglano-Ovalle Inigo --- Kentridge William --- Aitken Doug --- Ahtila Eija-Liisa --- Barney Matthew --- Sokurov Alexander --- Moffatt Tracey --- Hershman Lynn --- Lucas Kristin --- Neshat Shirin --- Hoberman Perry --- Draeger Christoph --- McCoy Jennifer --- McCoy Kevin --- Weinbren Grahame --- Cathcart James --- McLean Sandra --- 791.45 --- Kunst nieuwe technieken ; video, laser, computer, klank, ... --- Video art --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- Experimental films --- Kunst nieuwe technieken ; video, laser, computer, klank, .. --- Kunst nieuwe technieken ; video, laser, computer, klank, --- Time-based art
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