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"This volume interrogates the notion of a literary 'Renaissance' in Dublin, arguing that the associated cultural pursuits were already well developed in late-medieval Ireland. It covers new ground through detailed case studies of print and literature, providing quantitative analysis of print production in Ireland, as well as unique insights into the city's literary communities and considerations of literary genres that flourished there. The chapters address a wider range of topics than much of the existing scholarly literature, including English and European influences, the construction of Dublin literary identities, early modern reading habits and non-Anglophone contexts. The Renaissance in Dublin was marked by people, places and discourses that emerged and re-emerged with unexpected frequency, resulting in the cohesive view of the re-birth of literary activity in Dublin that is captured in this volume. Featuring contributions from leading scholars of early modern Ireland, including Raymond Gillespie, Alexander S. Wilkinson, Marie-Louise Coolahan and Andrew Hadfield, Dublin: Renaissance city of literature is an invaluable resource for understating the factors that contributed to the complex literary character of the city."--
English literature --- Renaissance --- Irish authors --- History and criticism. --- Ireland --- Anglo-Irish drama. --- Edmund Spenser. --- Gaelic poetry. --- Henry Burnell. --- James Shirley. --- James Ware. --- James Yonge. --- Latin orations. --- Memoriale. --- Renaissance Dublin. --- Richard Bellings. --- late Elizabethan Dublin. --- literary Renaissance. --- literary authorship.
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John Gower has been criticised for composing verse propaganda for the English state, in support of the regime of Henry IV, at the end of his distinguished career. However, as the author of this book shows, using evidence from Gower's English, French and Latin poems alongside contemporary state papers, pamphlet-literature, and other historical prose, Gower was not the only medieval writer to be so employed in serving a monarchy's goals. Professor Carlson also argues that Gower's late poetry is the apotheosis of the fourteenth-century tradition of state-official writing which lay at the origin of the literary Renaissance in Ricardian and Lancastrian England. David Carlson is Professor in the Department of English, University of Ottawa.
Gower, John, --- Criticism and interpretation. --- Politics and literature --- Politics in literature. --- Propaganda --- History --- Communication in politics --- Political psychology --- Social influence --- Advertising --- Persuasion (Psychology) --- Psychological warfare --- Public relations --- Publicity --- Social pressure --- Political science in literature --- Literature --- Literature and politics --- Political aspects --- English state. --- Henry IV. --- John Gower. --- Lancastrian England. --- Literary Renaissance. --- Medieval literature. --- Medieval writer. --- Monarchy's goals. --- Ricardian England. --- State-official writing. --- Verse propaganda.
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In 1938, at an age when most men are long retired, Douglas Hyde (1860-1949) was elected first president of modern Ireland. The unanimous choice of delegates from all political factions, he was no stranger to public life or to fame. Until now, however, there has been no full-scale biography of this important historical and literary figure. Known as a tireless nationalist, Hyde attracted attention on both sides of the Atlantic from a very early age. He was hailed by Yeats as a source of the Irish Literary Renaissance; earned international recognition for his contributions to the theory and methodology of folklore; joined Lady Gregory, W. B. Yeats, George Moore, and Edward Martyn in shaping an Irish theater; and as president of the Gaelic League worked for twenty-two years on behalf of Irish Ireland. Yet in spite of these and other accomplishments Hyde remained an enigmatic figure throughout his life. Why did he become an Irish nationalist? Why were his two terms as Irish Free State senator so curiously passive? Why, when he had threatened it earlier, did he oppose the use of physical force in 1916? How did he nevertheless retain the support of his countrymen and the trust and friendship of such a man as Eamon de Valera? Douglas Hyde: A Maker of Modern Ireland dispels for the first time the myths and misinformation that have obscured the private life of this extraordinary scholar and statesman.
Hyde, Douglas,-- 1860-1949. --- Ireland - History - 20th century. --- Nationalists - Ireland - Biography. --- Presidents - Ireland - Biography. --- Scholars - Ireland - Biography. --- Presidents --- Nationalists --- Scholars --- Regions & Countries - Europe --- History & Archaeology --- Ireland --- Biography --- Hyde, Douglas, --- History --- Craoibhín Aoibhinn, --- An Craoibhín Aoibhinn, --- An Craoibhín, --- De h-Íde, Dúbhglas, --- H-Íde, Dúbhglas de, --- Biography. --- Persons --- Learning and scholarship --- anglo irish. --- biography. --- british history. --- celtic. --- colonialism. --- diplomacy. --- douglas hyde. --- drama. --- eamon de valera. --- edward martyn. --- folklore. --- free ireland. --- freedom. --- gaelic league. --- george moore. --- independence. --- ira. --- ireland. --- irish free state. --- irish history. --- irish independence. --- irish literary renaissance. --- irish nationalism. --- irish republican army. --- irish theater. --- lady gregory. --- nation. --- nationalist. --- political factions. --- politics. --- president. --- rebellion. --- republic. --- republican government. --- revolution. --- senator. --- statesman. --- war. --- yeats.
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