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Cai, Guo-Qiang --- 7.07 --- (069) --- Beeldende kunst ; installaties ; 1985-2007 ; Cai Guo-Qiang --- Guo-Qiang, Cai °1957 (°Quanzhou, provincie Fujian, China) --- Tentoonstellingscatalogi ; New York ; Guggenheim Museum --- Performances ; explosie-performances --- Thema's in de kunst ; vuur ; vuurwerk --- Schilder- en tekenkunst ; installaties ; met buskruit --- Ingrepen in de museale ruimte --- Land Art ; omgevingskunst --- De kunstenaar ; als shamaan --- Kunst en maatschappij --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- (Musea. Collecties. Tentoonstellingen) --- Exhibitions --- Art, Chinese --- Cai, Guoqiang, --- Tsʻai, Kuo-chʻiang, --- Cai, Guo Qiang, --- Sai, Kokkyō, --- 蔡國強, --- Guo-Qiang, Cai, --- China
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As one of the most innovative artists of the last six decades, Walter De Maria challenged art in profound ways. He is known worldwide for his important sculptures such as Lightning Field, but his contributions to the practices of music, drawing, photography, and film have been largely forgotten. Featuring in-depth analysis of many previously unknown works and correspondence, this book offers the first major critical account of de Maria s broader range of interests. In a 1960 score, Walter De Maria called for meaningless work: art that does not accomplish a conventional purpose. He followed this call with a dizzying period of experimentation. The resulting work reflected shifts in how we understand the sites of art during an era of moon shots and road trips, of wars that moved from jungles into living rooms via electromagnetic waves. It helped us understand ourselves and how race, gender, and sexuality vie for space in the social realm. By bringing to light de Maria s lesser-known works, this book challenges established histories and methodologies for the art of the 1960s and 70s, while also exploring de Maria's own obsessions with arts uttermost possibilities.
earthworks [sculpture] --- Sculpture --- installations [visual works] --- preparatory studies --- public spaces --- sculpture [visual work] --- photographs --- outdoor sculpture --- Minimal --- site-specific works --- Conceptual --- Maria, de, Walter --- sculpture [visual works] --- kunst --- 7.071 DE MARIA --- land art --- minimal art --- minimalisme --- concept art --- conceptuele kunst --- Verenigde Staten --- De Maria Walter --- twintigste eeuw --- MAD-faculty 17 --- hedendaagse kunstenaars --- sculpturen --- monografieën kunstenaars --- 7.07 --- 73.07 --- Beeldende kunst ; 2de helft 20ste eeuw ; W. De Maria --- Conceptuele kunst --- Minimal Art --- Land Art ; omgevingskunst --- De Maria, Walter 1935-2013 (°Albany, Californië, Verenigde Staten) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Beeldhouwkunst ; beeldhouwers A - Z
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Christoph Fink calls his journeys by various means, by bicycle, train, aeroplane or by foot, "movements". The in-between, the experiences between the point of departure and the destination of these journeys are of more interest than their objective. Experiences in the countryside, in the city, in nature are witnessed by installations composed of photographs, drawings, diagrams and sculptures. As results of these "movements", they form an inventory based on measurements and figures and they simultaneously formulate questions concerning the dimensions of time, space and the relationship of humans to their environment. This book originated from a proposed exhibition for the City of Leuven at the Museum Vander Kelen-Mertens: Movement #61, The Leuven Walks, Movement #59 The Cleveland Walks.
Art contemporain --- Catalogues d'expositions --- Fotoboeken --- Hedendaagse kunst --- Livres de photos --- Tentoonstellingscatalogi --- exhibitions [events] --- Fink, Christoph --- Fink, Christoph, --- Edited by Christoph Fink ; in conversation with Luc Derycke --- 7.071 FINK --- Geschiedenis van België: hertogdom Brabant; provincie Brabant--(reg./lok.)--LEUVEN --- 949.32 LEUVEN Geschiedenis van België: hertogdom Brabant; provincie Brabant--(reg./lok.)--LEUVEN --- 949.32 LEUVEN --- kunst --- België --- fotografie --- eenentwintigste eeuw --- Fink Christoph --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Beeldende kunst ; 21ste eeuw ; 2003 ; Chr. Fink --- Thema's in de kunst ; reisroutes ; het wandelen --- Fink, Christoph °1963 (°Sint-Joost-ten-Node, België) --- Videokunst --- Installaties --- Performances --- Land Art ; omgevingskunst ; Milaan --- Belgische kunstenaars --- Exhibitions --- projects [artistic concepts]
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Installations (Art) --- 7.071 GUO-QIANG --- Cai Guo-Qiang --- China --- Dana Friis-Hansen, Octavio Saya, Serizawa Takashi --- Guo-Qiang Cai --- installaties --- Japan --- kunst --- Liang Qiao --- Qiao Liang --- twintigste eeuw --- Wang Xianhui --- Xianhui Wang --- 7.038 --- 7.07 --- Beeldende kunst ; installaties ; 1980-2002 ; Cai Guo-Qiang --- De kunstenaar ; als shamaan --- Guo-Qiang, Cai °1957 (°Quanzhou, provincie Fujian, China) --- Land Art ; omgevingskunst --- Performances ; explosie-performances --- Schilder- en tekenkunst ; installaties ; met buskruit --- Thema's in de kunst ; symboliek van materialen --- Thema's in de kunst ; vuur ; vuurwerk --- Installation art --- Art, Modern --- Environment (Art) --- Kunstgeschiedenis ; 1950 - 2000 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Cai, Guoqiang, --- Tsʻai, Kuo-chʻiang, --- Cai, Guo Qiang, --- Sai, Kokkyō, --- 蔡國強, --- Guo-Qiang, Cai, --- Themes, motives. --- Art --- installations [visual works] --- art [fine art] --- burning --- fireworks [explosive equipment] --- explosions --- public spaces --- Guo-Qiang, Cai --- anno 1900-1999 --- anno 2000-2099 --- sculptors --- Cai Guo Qiang --- art [discipline] --- installatiekunst
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Textes clés sur la notion de « situation » dans l’art et la théorie qui considèrent le site, le lieu et le contexte, les interventions temporaires, les mesures correctives, la fabrication de lieux et l’espace public. Situation - un ensemble unique de conditions produites à la fois dans l’espace et le temps et allant à travers les relations matérielles, sociales, politiques et économiques - est devenu un concept clé dans l’art du XXIe siècle. Ancrée dans les pratiques artistiques des années 1960 et 1970, l’idée de situation a évolué et transcendé celles-ci dans le contexte actuel de mondialisation. Cette anthologie offre des écrits clés sur les domaines de la pratique de l’art et de la théorie liés à la situation, y compris les notions du site spécifique, l’artiste en tant qu’ethnographe ou travailleur sur le terrain, la relation entre l’action et l’espace public, le sens du lieu et de la localité, et le rôle crucial du conservateur dans la situation récente de l’art spécifique. En Amérique du Nord et en Europe, le site spécifique est souvent considéré comme une résistance à la marchandisation de l’art, tandis qu’ailleurs des pratiques spécifiques à la situation ont défié les institutions d’autorité. Les contributeurs discutent de ces tendances récentes dans le contexte de la prolifération d’expositions biennales internationales, de projets liés à des conservateurs et de stratégies par lesquelles les artistes déballent de plus en plus la définition et la légitimation de l’art fondé sur la situation. Artistes interrogés : Vito Acconci, Allora & Calzadilla, Francis Alÿs, Carl Andre, Artist Placement Group, Michael Asher, Amy Balkin, Ursula Biemann, Bik Van der Pol, Daniel Buren, Victor Burgin, Janet Cardiff, Center for Land Use Interpretation, Adam Chodzko, Collective Actions, Tacita Dean, Elmgreen & Dragset, Andrea Fraser, Hamish Fulton, Dan Graham, Liam Gillick, Renée Green, Group Material, Douglas Huebler, Bethan Huws, Pierre Huyghe, Robert Irwin , Emily Jacir, Ilya Kabakov, Leopold Kessler, Július Koller, Langlands & Bell, Ligna, Richard Long, Gordon Matta-Clark, Graeme Miller, Jonathan Monk, Robert Morris, Gabriel Orozco, Walid Ra’ad, Raqs Media Collective, Paul Rooney, Martha Rosler, Allen Ruppersberg, Richard Serra, Situationist International, Tony Smith, Robert Smithson, Vivan Sundaram, Rirkrit Tiravanija, Lawrence Weiner, Rachel Whiteread, Krzysztof Wodiczko, Qiu Zhijie. Écrivains : Arjun Appaduri, Marc Augé, Wim Beeren, Joséphine Berry Slater, Daniel Birnbaum, Ava Bromberg, Susan Buck-Morss, Michel de Certeau, Douglas Crimp, Gilles Deleuze, T. J. Demos, Rosalyn Deutsche, Thierry de Duve, Charles Esche, Graeme Evans, Patricia Falguières, Marina Fokidis, Hal Foster, Hou Hanrou, Brian Holmes, Mary Jane Jacob, Vasif Kortun, Miwon Kwon, Lu Jie, Doreen Massey, James Meyer, Ivo Mesquita, Brian O’Doherty , Craig Owens, Irit Rogoff, Peter Weibel
public spaces --- art theory --- museology --- happenings --- hedendaagse kunst --- Nature --- Museology --- Art --- museumkunde --- earthworks [sculpture] --- Contemporary [style of art] --- site-specific works --- landscapes [representations] --- Tiravanija, Rirkrit --- Rooney, Paul --- Orozco, Gabriel --- Sundaram, Vivan --- Koller, Július --- Langlands & Bell --- Wodiczko, Krysztof --- Asher, Michael --- Allora and Calzadilla --- Qiu Zhijie --- Buren, Daniel --- Smithson, Robert --- Alÿs, Francis --- Bik Van der Pol --- Gillick, Liam --- Green, Renée --- Monk, Jonathan --- Morris, Robert --- Irwin, Robert --- Matta-Clark, Gordon --- Raad, Walid --- Rosler, Martha --- Fraser, Andrea --- Dean, Tacita --- Chodzko, Adam --- Lu Jie --- Jacir, Emily --- Group Material [New York, N.Y.] --- Artist Placement Group --- Center for Land Use Interpretation --- LIGNA --- anno 1970-1979 --- anno 1960-1969 --- anno 1950-1959 --- Arts, Modern --- Avant-garde (Aesthetics) --- History --- 82:7 --- 7.039 --- 7.01 --- Beeldende kunst ; 20ste en 21ste eeuw ; situationisme ; situation --- Kunsttheorie ; over Situationisme --- Literatuur en kunst --- Kunstgeschiedenis ; 2000 - 2050 --- Kunst ; theorie, filosofie, esthetica --- 82:7 Literatuur en kunst --- public art --- Aesthetics --- Modernism (Art) --- Museologie --- Kunst --- land art [omgevingskunst] --- museologie --- openbare kunst --- kunsttheorie --- natuur --- plaatsspecifieke werken --- openbare ruimten --- landschappen [voorstellingen] --- land art --- kunst en politiek --- conceptuele kunst --- concept art --- performances --- site-specific art --- activisme --- situationisme --- kunst --- 130.2 --- kunst en ecologie --- 7.038/039 --- 7.038 --- cultuurfilosofie --- twintigste eeuw --- eenentwintigste eeuw --- Philosophie de l'art --- Arts, Modern - 20th century --- Avant-garde (Aesthetics) - History - 20th century --- Wodiczko, Krzysztof
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