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Abramovic, Marina ; Abramovic, Marina & Ulay ; Ader, Bas Jan ; Boezem, Marinus ; Cardena, Michel ; Carrión, Ulises ; d'Armagnac, Ben ; Dedo ; Dibbets, Jan ; van Elk, Ger ; Engels, Pieter ; General Idea ; Gijzen, Wim ; De Groot, Kees ; Hoover, Nan ; Jodi ; Kaap, Gerald Van Der ; Komen, A.P. ; de Kroon, Harrie ; Livinus ; Marroquin, Raul ; van Munster, Jan ; Murphy, Karen ; Nauman, Bruce ; Paik, Nam June ; Palestine, Charlemagne ; Schippers, Wim T. ; Schouten, Lydia ; Schutter, Bert ; Servaas ; SKET ; Sluik/Kurpershoek ; Smals, Wies ; Stansfield & Hooykaas ; Tajiri, Shinkichi ; Tan, Fiona ; Theuws, Roos ; Toebosch, Moniek ; Vijselaar/Sixma ; Vos, Giny ; Vostell, Wolf
Nederland --- (069) --- 778.5 --- Videokunst ; Nederland ; 1970-1985 --- 705.81 --- conceptuele kunst --- videokunst --- (Musea. Collecties) --- Kunst nieuwe technieken ; video, laser, computer, klank, ... --- kunstgeschiedenis, videokunst --- Art [Dutch ] --- 20th century --- Video art --- Netherlands --- Kunst nieuwe technieken ; video, laser, computer, klank, .. --- Kunst nieuwe technieken ; video, laser, computer, klank, . --- Kunst nieuwe technieken ; video, laser, computer, klank,
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Figure majeure de la vidéo contemporaine, la Finlandaise Eija-Liisa Ahtila fait enfin l'objet d'une rétrospective en France. L'occasion de revenir à travers trois de ses films sur cette oeuvre sophistiquée et obsédée par la mort , la folie, la maitrise du temps et de l'espace. http://www.fluctuat.net/6126-Eija-Liisa-Ahtila-au-Jeu-de-Paume
Video art --- Art, Scandinavian --- Art vidéo --- Art scandinave --- Exhibitions. --- Exhibitions --- Expositions --- Ahtila, Eija-Liisa, --- Ahtila, Eija-Liisa --- Film --- Vidéo art --- 705.81 --- conceptuele kunst --- videokunst --- kunstgeschiedenis, videokunst --- Art vidéo --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- Experimental films --- Time-based art --- Video art - Finland - Exhibitions --- Ahtila, Eija-Liisa, - 1959- - Exhibitions --- Ahtila, Eija-Liisa, - 1959 --- -Film --- -Video art --- -Ahtila, Eija-Liisa
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7.039 --- 791.45 --- Bouvy Aline --- Byrne Gerard --- Cummings Neil --- Fast Omer --- Gillis John --- Guimarães Cao --- Holmkvist Saskia --- Höller Carsten --- Khan Hassan --- Lester Gabriel --- Lewandowska Marysia --- Narkevicius Deimantas --- Nashashibi Rosalind --- Noël Cédric --- Robijns Gert --- Stehlik Bohdan --- Supersober --- Szeemann Una --- Tsui Kuang-Yu --- Vanagt Sarah --- eenentwintigste eeuw --- film --- kunst --- video --- videokunst --- 705.81 --- Contour --- conceptuele kunst --- kunstgeschiedenis, videokunst --- Film --- Mechelen
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Abramovic, Marina --- Performance art --- 7.071 --- 7.08 --- Marina Abramović --- body art --- installaties --- kunst --- performance --- videokunst --- Hedendaagse kunst --- Kunst; 20ste eeuw --- Kunst; 21ste eeuw --- Podiumkunst --- 705.81 --- Abramovic, Marina °1936 --- kunstenaars --- kunst - hybride kunstvormen --- kunstgeschiedenis, videokunst --- Contains audio-visual material --- Exhibitions --- Abramović, Marina
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"Medienkunst ist zwar eine erst wenige Jahrzehnte junge Kunstgattung, aber ihre Erhaltung stellt schon heute Kuratoren und Restauratoren vor enorme Herausforderungen. Wie lassen sich Medienkunstinstallationen für die Zukunft sichern? Das Buch führt in theoretische und praktische Herangehensweisen ein und hilft nachhaltige Konzepte zu entwickeln."
Installations (Art) --- New media art --- Art --- 705.81 --- 700.3 --- videokunst --- installaties --- Conserveren --- conservatie --- restauratie --- kunst ; 20e eeuw --- kunst ; 21e eeuw --- tentoonstellingsopbouw --- Sieverding, Katharina --- Hill, Gary --- Seaman, Bill --- Studio Azzurro --- Installation art --- Art, Modern --- Environment (Art) --- Arts, Modern --- Conservation and restoration --- kunstgeschiedenis, videokunst --- restauratie; algemeen --- 20e eeuw (twintigste eeuw) --- 21e eeuw (eenentwintigste eeuw)
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Présentation du travail videos de Sylvie Blocher: oeuvres troublantes, subversibles voire même politiques
Blocher, Sylvie, --- Kunst van vrouwen 20ste en 21ste eeuw --- Sylvie Blocher (° 1953, Frankrijk) --- Videokunst video-installaties 1992-2002 Sylvie Blocher --- 705.81 --- kunstgeschiedenis, videokunst --- Art vidéo --- Corps humain, thème --- Blocher, Sylvie --- Video art --- Installations (Art) --- Art vidéo --- Exhibitions. --- Expositions --- (069) --- 778.5.07 --- Kunst ; van vrouwen ; 20ste en 21ste eeuw --- Videokunst ; video-installaties ; 1992-2002 ; Sylvie Blocher --- conceptuele kunst --- videokunst --- (Musea. Collecties) --- Videokunstenaars, laserkunstenaars, computerkunstenaars, klank en beeld kunstenaars --- Art, Belgian --- Artists --- ART --- Blocher, Sylvie (1953-....) --- BELGIQUE --- 20e SIECLE
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Video art --- 705.81 --- conceptuele kunst --- videokunst --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- Experimental films --- kunstgeschiedenis, videokunst --- Castello di Rivoli (Museum : Rivoli, Italy) --- Museo d'arte contemporanea (Rivoli, Italy) --- Museum of Contemporary Art (Rivoli, Italy) --- Castello di Rivoli Museum of Contemporary Art (Rivoli, Italy) --- Castello di Rivoli Museo d'arte contemporanea (Rivoli, Italy) --- Film --- multimedia works --- video art --- Castello di Rivoli: Museum of Contemporary Art [Turin] --- Time-based art
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Since the early 1970's, Marina Abramovic has pioneered the use of performance as a visual art form, exploring her physical and emotional limits in some of the most iconic works in contemporary art. Her body is her primary subject and medium, from the early sound-based performances in her native Yugoslavia, to her collaborative works with German artists Ulay (Frank Uwe Laysiepen), her videos exploring her Balkan heritage, and most recently her re-enactments of hisorical performaces by fellow artists such as Vito Acconci, Bruce Nauman and Valie Export.
Abramović, Marina, --- Abramovic, Marina --- Abramovic, Marina °1946 (°Belgrado, Servië). --- Beeldende kunst ; 1970-2008 ; Marina Abramovic --- Environments ; installaties --- Performances ; Body Art --- 7.071 ABRAMOVIC --- David-Néel Alexandra --- 705.81 --- Abramovic, Marina °1936 --- Kunstgeschiedenis ; 1950 - 2000 --- Kunstgeschiedenis ; 2000 - 2050 --- kunstgeschiedenis, videokunst --- Installations (Art). --- Installations (Art) --- Performance art --- body art --- conceptuele kunst --- installaties --- performance --- videokunst --- Abramovic Marina --- kunst --- performances --- 7.038 --- 7.039 --- 7.07 --- Abramovic, Marina °1946 (°Belgrado, Servië) --- Conceptuele kunst --- Videokunst --- Arts, Modern --- Happenings (Art) --- Performing arts --- Installation art --- Art, Modern --- Environment (Art) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Criticism and interpretation. --- Performance art. --- Abramović, Marina --- Abramović, Marina, - 1946 --- -Installations (Art) --- -Abramović, Marina, - 1946 --- -Installations (Art). --- -Abramovic, Marina
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Although trained as a painter and draughtsman, David Claerbout (1969) has been taking Belgium and the world by storm with his videos. He works, in his own words, hard but slowly, and he likes to test the endurance of his audience. His films may be as long as 13 hours, he undermines the classic cinema, and teaches us to look in a new way that he calls 'observing'. Claerbout composes his films in his own studio, where he turns thousands of stills and scans into slowly moving films. He expect his public not to be in a hurry and to be prepared to take the time to experience his images. In this first catalogue of his oeuvre, his film and video projects are subjected to serious analysis on the basis of production photos, design sketches and pictures of installations. This offers an exciting point of entry into the method, artistic programme and aesthetic development of the artist.
Claerbout, David --- Claerbout, David, --- Claerbout, David. --- Videokunst ; film ; 2000-2012 ; David Claerbout --- Claerbout, David °1969 (°Kortrijk, België) --- Tentoonstellingscatalogi ; Brussel ; Wiels --- Claerbout David --- 7.071 CLAERBOUT --- 778.5 --- 778.5.07 --- Belgische kunstenaars --- kunst --- fotografie --- videokunst --- België --- film --- tekenkunst --- eenentwintigste eeuw --- 778.5 Filmfotografie. Filmkunst --- Filmfotografie. Filmkunst --- Videokunstenaars, laserkunstenaars, computerkunstenaars, klank en beeld kunstenaars --- Exhibitions --- Video art --- Video art. --- Belgium. --- 706.8 --- 706.9 --- 705.81 --- video --- 20e eeuw (twintigste eeuw) --- 21e eeuw (eenentwintigste eeuw) --- kunstgeschiedenis, België, 20e eeuw --- kunstgeschiedenis, België, 21e eeuw --- kunstgeschiedenis, videokunst --- Claerbout, David, - 1969 --- -778.5 --- -Claerbout, David --- Art, Belgian
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"Each chapter in Entangled focuses on a different form: theater scenography, architecture, video and image making, music and sound composition, body-based arts, mechanical and robotic art, and interactive environments constructed for research, festivals, and participatory urban spaces. Salter's exhaustive survey and analysis shows that performance traditions have much to teach other emerging practices--in particular in the burgeoning fields of new media. Students of digital art need to master not only electronics and code but also dramaturgy, lighting, sound, and scenography. Entangled will serve as an invaluable reference for students, researchers, and artists as well as a handbook for future praxis."--Jacket.
Engineering sciences. Technology --- Theatrical science --- anno 1900-1999 --- anno 2000-2009 --- Technology and the arts. --- Arts --- Arts, Modern --- Technology. --- Technology Transfer. --- Arts, Modern. --- Kunst. --- Technische Innovation. --- Technologie. --- Technological innovations. --- Geschichte 1900-2009. --- 1900-2099. --- Technology and the arts --- Technology --- Technology Transfer --- 770.7 --- 705.81 --- kunst --- performance --- technologie --- techniek --- theater --- scenografie --- videokunst --- video --- film --- filmkunst --- machines --- lichaam in de kunst --- lichaam --- geluid --- architectuur --- interactiviteit --- interactief design --- interaction design --- interfaces --- installaties --- Research Commercialization --- Technology Commercialization --- Technology Licensing --- Commercialization, Research --- Commercialization, Technology --- Commercializations, Research --- Commercializations, Technology --- Licensing, Technology --- Licensings, Technology --- Research Commercializations --- Technology Commercializations --- Technology Licensings --- Technology Transfers --- Transfer, Technology --- Transfers, Technology --- Arts, Industrial --- Industrial Arts --- Cloud Computing --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Arts and technology --- Technological innovations --- interaction design, participatory design, social design --- kunstgeschiedenis, videokunst --- lichaamskunst --- DIGITAL HUMANITIES & NEW MEDIA/New Media Art --- ARTS/Art History/Contemporary Art --- ARTS/Performance Studies/General --- Arts, Primitive --- Technologie et arts --- Performance, art
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