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Art --- kunstenaarsgeschriften --- Carrión, Ulises

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A black man who grew up in the Jim Crow South, Jack Whitten (1939-2018) arrived in New York in 1959 and began a wide-ranging exploration into the nature of painting and art-making that would sustain more than five decades of work. Early in his career, in 1970, Whitten experienced his breakthrough moment: when he lifted a thick slab of paint off its support, he realized he could experiment within the physical, dimensional space of the paint itself. After that, all bets were off: I cut paint, I laminate paint, I grind paint, I freeze paint, I boil paint, he said.

Approaching abstraction as scientist and mystic, Whitten probed the expressive and material possibilities of painting. He constantly changed styles, developed new methods and took up new subject matter, but it is precisely this spirit of curious inquiry that unites his relentlessly experimental career.

Jack Whitten: Notes from the Woodshed collects the artists notes from his work in the studio alongside selected interviews and texts, presenting an in-depth look at his rich studio practice. This publication comes at a crucial time; after decades of neglect, the art world has just begun to take stock of what Whitten achieved in his body of work. Edited by Katy Siegel, one of Whittens long-standing champions, this volume offers an intimate look at the artist in his elementin the studio. - Artbook

painters [artists] --- kunstenaarsgeschriften --- Whitten, Jack

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Spanning more than three decades, In Part brings together a full spectrum of the New Yorkbased artist, writer and activist Julie Aults (born 1957) published texts through carefully selected extracts in a single volume.

Reprinted in chronological sequence alongside a selection of full-length texts, this series of excerpts offers a timeline of Aults continuous artistic growth, longstanding political concerns and dynamic interpersonal affinities.

Beginning in the 1980s with texts written with her collaborators in Group Material, In Part highlights Aults shift from exhibition making in the mid-1990s to include publishing and writing. Aults dialogic practice extends to the present day through her sustained engagements and relationships with such artists as Corita Kent, Felix Gonzalez-Torres, Nancy Spero, Martin Beck, David Wojnarowicz, Liberace and Martin Wong. Lucy R. Lippard contributes an introduction.

artists [visual artists] --- kunstenaarsgeschriften --- Ault, Julie

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artists [visual artists] --- sculptors --- kunstenaarsgeschriften --- Abakanowicz, Magdalena

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art criticism --- artists' statements --- kunstenaarsgeschriften --- kunstbeschouwing --- Irwin, Robert