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Aesthetics --- Art --- Esthétique --- Philosophy --- Philosophie --- kunsttheorie --- kunstkritiek --- kunstappreciatie --- 7.01 --- Richard Wollheim --- Esthétique
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Aesthetics of art --- Aesthetics. --- Aesthetics --- 7.01 --- kunst --- kunstappreciatie --- kunstkritiek --- kunsttheorie --- Richard Wollheim --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Psychology --- Esthétique --- Radio broadcasting Aesthetics
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kunst --- schilderkunst --- kunsttheorie --- kunstkritiek --- kunstappreciatie --- kunst en maatschappij --- modernisme --- avant-garde --- negentiende eeuw --- twintigste eeuw --- 7.01 --- kunstfilosofie --- kunst algemeen, filosofie van de kunst en vormgeving --- art criticism --- History --- Aesthetics of art --- philosophy of art --- sociology --- art history --- Iconography --- Art --- Modern [style or period] --- moderne kunst --- anno 1900-1999 --- Aesthetics --- Kunstesthetica --- Iconografie --- Kunst --- Geschiedenis --- kunstgeschiedenis --- sociologie --- kunstsociologie --- kunst en politiek
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Psychoanalysis. --- Art --- Philosophy of mind. --- Psychology. --- Philosophy of mind --- Psychoanalysis --- 159.9 --- 7.01 --- Edited by Jim Hopkins and Anthony Savile --- kunst --- kunstappreciatie --- kunstkritiek --- kunsttheorie --- psychoanalyse --- psychologie --- Wollheim Richard --- Psychology --- Psychology, Pathological --- Mind, Philosophy of --- Mind, Theory of --- Theory of mind --- Philosophy --- Cognitive science --- Metaphysics --- Philosophical anthropology --- Hopkins, James. --- Savile, Anthony. --- Wollheim, Richard, --- Art - Psychology.
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La relation esthétique en général suppose une attention particulière à l'aspect d'un objet, plutôt qu'à son usage, orientée vers une appréciation positive ou négative. La relation spécifique à une oeuvre d'art suppose la reconnaissance de l'intention esthétique qui la définit comme oeuvre, et la prise en compte de sa position relative dans un champ historique et générique qui module son action. Cette relativité culturelle s'ajoute à la relativité subjective de l'appréciation, qu'elle accentue plutôt qu'elle ne l'annule. La théorie esthétique fait donc fausse route lorsqu'elle épouse l'objectivisme spontané de cette relation, qu'il convient au contraire de restituer à sa liberté, à son risque et à son plaisir.
Aesthetics, Modern --- Art --- Théorie de l'art --- Analyse de l'art --- Esthétique --- Philosophy --- Gérard Genette --- kunst --- muziek --- schoonheid --- kunstappreciatie --- kunsttheorie --- 7.01 --- Philosophy. --- --Théorie de l'art --- -Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- -Art --- Philosophie --- Arts --- Aesthetics --- Art, Occidental --- Beautiful, The --- Beauty --- Art and philosophy --- Analysis, interpretation, appreciation --- -Gérard Genette --- --Littérature --- --Théorie --- Aesthetics [Modern ] --- 20th century --- -Esthétique --- -Aesthetics [Modern ] --- Littérature --- Théorie --- Aesthetics, Modern - 20th century --- Art - Philosophy --- -Aesthetics, Modern --- -Philosophie de l'art --- Philosophie de l'art
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