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Art --- Literature --- kunst --- literatuur --- theater --- kunst en theater --- dadaïsme --- twintigste eeuw --- België --- Seuphor Michel --- Berckelaers Fernand --- 75.071 SEUPHOR
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Stage design. Scenography --- theater [discipline] --- toneeltechniek --- theater --- scenografie --- theateronderwijs --- theaterarchitectuur --- kunst en theater --- Europa --- 792.02 --- scenography [discipline]
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kunst --- 7.039 --- 7.03 --- decadentisme --- decadentie --- Ferri Roberto --- Lernous Stef --- Abattoir fermé --- theater --- kunst en theater --- twintigste eeuw --- eenentwintigste eeuw --- negentiende eeuw --- Exhibitions --- Art --- Contemporary [style of art] --- Decadence in art --- Art, Modern --- Aesthetics, Modern --- Ferri, Roberto,
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Huber, Thomas --- Redaktion Blazenka Perica --- Huber Thomas --- kunst --- twintigste eeuw --- installaties --- Zwitserland --- theater --- kunst en theater --- Huberville --- stedenbouw --- kunst en stedenbouw --- schilderkunst --- kunst en computer --- Wewerka Stefan --- Münster --- 7.071 HUBER
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Although the format of the rehearsal is used across a number of disciplines - film and theater as well as fine arts - it has been scarcely considered in historical and contemporary art discourses. With this in mind, Putting Rehearsals to the Test investigates the role and function of the rehearsal as a methodology, modus operandi, medium, site of representation, and reflection on processes of artistic production. As the contributions in this book show, practices of rehearsal put those procedures - sometimes joyful, sometimes troublesome but structurally productive - into the foreground to replace given conventions and regulations with new forms and rules. Shaping working processes (the in-the-making) and products (the making-of) without defined aims and ends, artists, activists, and theorists working with strategies of rehearsal focus on moments of contingency, interruption, recommencement, irregular repetition, uncertainty, and failure within existing systems. Practices of rehearsal, in attempting to transform asymmetric labor divisions, appear as links between aesthetic judgment and social or institutional critique. This book is a critical and timely reappraisal of the methodologies of the rehearsal, and makes a claim for the aesthetic and political potential in the unfinished project.
kunst --- theater --- Rainer Yonne --- Getter Tamar --- Velazquez Diego --- kunst en economie --- performances --- 7.01 --- 791.41 --- 792 --- repetities --- kunst en politiek --- kunst en theater --- kunst en film --- film --- politiek --- Theatrical science --- theater [discipline] --- methodology --- philosophy of art
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Picasso, Pablo 1881-1973 (°Malaga, Spanje) --- Schilderkunst ; grafiek ; 1917-1926 ; P. Picasso --- Kunst en theater ; 20ste eeuw --- Kunst en ballet --- Theaterdecors --- 75.07 --- Schilderkunst ; schilders --- Painting --- schilderkunst --- Picasso, Pablo
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L'art de l'installation représente l'avènement d'un nouvel espace plastique à la frontière entre l'art et le réel. Cette frontière est le moteur d'un dispositif artistique immersif par lequel le visiteur d'une installation expérimente une perception autre de l'espace. La réception de l'oeuvre n'est plus fondée sur une opposition sujet / objet mais sur un projet qui génère une spatialité à partir des perceptions du visiteur. Cette spatialité se situe au croisement des arts plastiques, des arts du spectacle et de l'architecture.
Installations (art) --- Environnement (art) --- Espace (art) --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- installaties --- ruimte --- ruimtelijkheid --- kunsttheorie --- theater --- kunst en theater --- architectuur --- kunst en architectuur --- esthetica --- Sarkis --- Turrell James --- Serra Richard --- Buren Daniel --- Kusama Yayoi --- Oiticica Helio --- Müller Hans-Walter --- 7.038/039 --- Esthétique Art -- 1945-....
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"The Bijlmer Spinoza-Festival is an artwork, a sculpture, created by Swiss artist Thomas Hirschhorn in a peripheral borough of Amsterdam’s south-east known as the Bijlmer in 2009. This book recounts the event through the eyes of its “Ambassador”, art historian Vittoria Martini, who was invited by the artist to be an eyewitness to the existence of this “precarious” work. A term Hirschhorn sees as positive and creative: a means of asserting the importance of the moment and of the place, of asserting the Here and Now to touch eternity and universality. Appreciating the art historian’s presence as a central element of his sculpture, Hirschhorn consciously challenged the certainties of the profession by empowering and activating the role, thus leading Martini to find a new working methodology that she calls “precarious art history”. Accompanying the readers through her experience of the physical existence of The Bijlmer Spinoza-Festival, Martini’s commentary leads to the profound understanding of how a work that no longer exists physically, can live on in the mind—elsewhere, at some other time—because in the meantime it has become universal."
kunst --- Zwitserland --- eenentwintigste eeuw --- kunstenaarsgeschriften --- 7.039 --- Hirshhorn Thomas --- 7.071 --- installaties --- openbare ruimte --- kunstkritiek --- kunstgeschiedenis --- filosofie --- kunst en filosofie --- kunsttheorie --- 7.01 --- performances --- kunst en theater --- receptie-esthetica --- Hirschhorn, Thomas --- Art --- installations [visual works] --- community art --- performance art --- public spaces --- interactive art --- philosophy of art --- Spinoza, Baruch --- Amsterdam
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music [discipline] --- Watteau, Jean Antoine --- muziek --- toneel (voorstelling) --- Watteau, Antoine --- Crozat, Pierre --- 18de eeuw --- 19de eeuw --- kunst --- Frankrijk --- achttiende eeuw --- Watteau Jean-Antoine --- Watteau Antoine --- schilderkunst --- tekenkunst --- grafiek --- kunst en muziek --- theater --- kunst en theater --- rococo --- 75.071 WATTEAU --- Exhibitions --- music [performing arts] --- Musical instruments in art --- 78.79 --- 78.04.3 --- theater (voorstelling) --- muziek. --- theater (voorstelling). --- Watteau, Antoine. --- Crozat, Pierre. --- 18de eeuw. --- 19de eeuw. --- music [performing arts genre]
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Monographie exhaustive consacrée à l'un des chefs de file du mouvement Nabis
Vuillard, Edouard --- Vuillard, Édouard --- Edouard Vuillard 1868-1940 (° Cuiseaux, Saône-et-Loire, Frankrijk) --- Schilderkunst ; fotografie ; 1888-1940 ; E. Vuillard --- Nabis --- Schilderkunst ; Fauvisme --- Schilderkunst ; Intimisme --- Tentoonstellingscatalogi ; Parijs ; Grand Palais --- Kunst en theater ; 20ste eeuw --- 75.07 --- (069) --- Schilderkunst ; schilders --- (Musea. Collecties) --- CDL --- 75.071 VUILLARD --- Painting --- 19th-20th centuries --- Vuillard, Edouard, --- Vuillard, Jean Édouard, --- Vuillard, Edouard Jean --- Exhibitions. --- Criticism and interpretation --- Exhibitions --- Impressionnisme --- Vuillard, Édouard --- Vuillard, Édouard, --- Criticism and interpretation. --- Vuillard, Édouard. --- Vuillard, edouard (1868-1940) --- Nabis (art) --- Expositions
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