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"Garmenting: Costume as Contemporary Art centers on contemporary artists' explorations of how dress both expresses and shapes who we are-our personal, cultural, and political identities-and it is my hope that their work will help stimulate discussion and foster understanding during these troubled times. As the quintessential "outside the box" thinkers, artists have always been on the front lines of driving and processing social change; there is a reason cutting-edge art has long been referred to by a military term, "avant-garde." As society rebuilds, artists' insights about our world and how we inhabit it are more necessary than ever"--

Applied arts. Arts and crafts --- clothing --- Wearable art --- Performative (Philosophy) --- Clothing and dress --- kunst --- mode --- textiel --- textielkunst --- kunst en mode --- eenentwintgste eeuw --- Verenigde Staten --- 391 --- Performativity (Philosophy) --- Language and languages --- Methodology --- Philosophy --- Semantics (Philosophy) --- Apparel --- Clothes --- Clothing --- Clothing and dress, Primitive --- Dress --- Dressing (Clothing) --- Garments --- Beauty, Personal --- Manners and customs --- Fashion --- Undressing --- Art to wear --- Art --- Psychological aspects --- kostuumkunde

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Delaunay, Sonia --- Delaunay, Sonia (1885-1979) --- --75.07 --- Delaunay, Sonia 1885-1979 (Sara Elievna Stern, genoemd Sonia Terk) °Gradizhsk, Odessa, Oekraïne --- Terk, Sonia --- Simultanisme --- Orphisme --- Kubisme ; Orfisme --- Abstraction-création --- Kleur in de kunst ; kleurenprisma --- Vrouwelijke kunstenaars --- Tentoonstellingscatalogi ; Parijs ; Musée d'Art moderne de la Ville de Paris --- Tzara, Tristan --- Kunst en mode --- Schilderkunst ; schilders --- Exhibitions --- 75.07 --- --Delaunay, Sonia (1885-1979) --- --Delaunay, Sonia --- Delaunay, Sonia.

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The catalogue, entirely supervised by Martin Margiela himself in collaboration with the famous graphic designer Irma Boom and the Lafayette Anticipations editorial team, details in 350 pages the entire process of creating the works in the exhibition.It alternates photos of the final works in the exhibition space with ?making of? images, taken by the artist himself throughout his work. This book shows Martin Margiela?s work of research and inspiration as well as his investment alongside the Foundation?s teams, who have carried out their most important production project since the Foundation opened.Conceived as a real workshop book, the catalogue includes several surprises, as Martin Margiela has always known how to reserve for his public. The texts put the artist in context and give a better understanding of each aspect of his work.Chris Dercon recalls his training, his first works and his approach as an artist during his years as a fashion designer, Friedrich Meschede insists on the importance of serendipity in his approach, François Quintin focuses on several of Martin Margiela?s obsessions within his work and Rebecca Lamarche-Vadel retraces the stages and objectives of this exhibition project.An interview between Martin Margiela and Balthasar Laury shows some of the works through the eyes of a twelve-year-old child.bron: https://www.copyrightbookshop.be/en/shop/martin-margiela-at-lafayette-anticipations/

705.9 --- mode --- Beeldende kunst --- tentoonstellingscatalogus --- tentoonstellingen --- kunst --- 21e eeuw (eenentwintigste eeuw) --- Frankrijk --- Parijs --- collages --- objets trouvés --- ready made --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- 907.5 --- mode-ontwerpers (modeontwerpers) --- België --- ontwerpproces --- Margiela, Martin --- Boom, Irma --- kunstenaarsboeken --- geschiedenis, klederdrachten, België --- eenentwintigste eeuw --- Margiela Martin --- 7.071 MARGIELA --- kunst en mode --- installaties --- artists's books --- Artists --- Fashion designers --- Margiela, Martin. --- Mode --- Kunst --- Fotografie --- Tentoonstelling --- Art

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samengesteld en ingeleid door Rutger Wolfson --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- kunsttheorie --- esthetica --- mode --- kunst en mode --- reclame --- reclamevormgeving --- kunst en reclame --- video --- videoclips --- videokunst --- design --- kunst en design --- beeldcultuur --- musea --- 7.01 --- 7.039 --- kunstfilosofie --- Contemporary [style of art] --- hedendaagse kunst --- Art --- philosophy of art --- Art, Modern --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Contemporary art --- Modernism (Art) --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Forecasting --- Philosophy --- Analysis, interpretation, appreciation --- Art, Primitive

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Manufacturing technologies --- Thema's in de kunst ; 20ste eeuw ; 1960-1990 ; mode --- Kunst en mode --- Tentoonstellingscatalogi ; Brussel ; Paleis voor Schone Kunsten --- 7.041 --- (069) --- Iconografie ; de mens, portretten --- (Musea. Collecties) --- kunst --- twintigste eeuw --- mode --- punk --- haute couture --- pop art --- Bakker Gijs --- van leersum Emmy --- Colombo Gianni --- Le Parc Julio --- Courrèges André --- Rabanne Paco --- Cardin Pierre --- Morellet François --- Soto Rafaël --- Warhol Andy --- Dine Jim --- Oldenburg Claes --- Saint Laurent Yves --- de Castelbajac Jean-Charles --- Westwood Vivienne --- McLaren Malcolm --- Haring Keith --- Basquiat Jean-Michel --- Kawakubo Rei --- Sonnier Keith --- Klein Yves --- Miyake Issey --- Yamamoto Yohji --- Christo --- Buren Daniel --- Gaultier Jean-Paul --- Sherman Cindy --- Azzedine Alain --- Goude Jean-Paul --- Smith Kiki --- Chanel Coco --- Dior Christian --- Lacroix Christian --- Gigli Romeo --- Margiela Martin --- CDL --- 391 --- 7.038 --- Exhibitions --- kunstgeschiedenis --- art history --- fashion design --- Art --- anno 1900-1999