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kunst --- wijn --- 7.071 RYSLAVY --- concept art --- conceptuele kunst --- kunstmarkt --- kunst en economie --- eenentwintigste eeuw --- Oostenrijk --- Ryslavy Kurt --- Ryslavy, K.

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There is a story about a meatball which comes out of nowhere, hitting some people’s heads and changing their lives forever. There is a mouse that gets caught while trying to find a cheesy snack. There has been a 100% increase in the cost of rent in Berlin in the past 10 years and no increase in my wages. A bag full of basmati rice. A teacher stuck at work waiting for students stuck at work. There is the price one pays to purchase organic underwear so that their intimate parts are not stifled from nine hours in the office chair. There are 10 missed calls from my mother. There are places to which one cannot return and cities where it is impossible to live. There are fertility treatments that send fish oil straight into the veins two days before and two days after ovulation. The feeling of a needle in the middle of the uterus, which could be due to pregnancy, or due to fear. There is a Master’s thesis which is no Master’s thesis. There is a book that was not intended to be published, that was not intended to be read. Eva Ďurovec works as a software tester 40 hours per week and studies art at the same time. There are not enough hours in the day to complete everything, to comply with everything. And then there is also her desire to have children. The question: how can all of this be reconciled within the profession of artist? Ďurovec investigates the possibilities that arise from different class formats, and asks what we produce and reproduce—with our bodies, through our routines, trapped between the recurring desires and cruelties of daily life. She writes about forgotten dreams, social orders, and fantasizes about what kinds of new models for living together might be conceivable.

Ďurovec, Eva --- 7.071 --- kunst --- kunstenaars --- eenentwintgste eeuw --- Duitsland --- Berlijn --- kapitalisme --- neoliberalisme --- kunst en economie --- kunstenaarspraktijk --- sociologie --- kunstenaarsgeschriften --- dagboeken --- praxis

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This monograph features a new body of work, which artist Ida Ekblad realized for a solo exhibition at De Vleeshal in Middelburg, The Netherlands (November-December 2013). Fundamental in Ekblad's work is an interest in the historical perspective as a central element of our time. Through combining historical perspective in a contemporary cultural and social element, Ekblad gives an answer to the superficial connotation of a contemporary society based on speed and consumption. The use of discarded material to realize assemblages is a translation of the recuperation of the element of history to embrace a more complex relationship between art and time.

kunst --- 7.071 EKBLAD --- Noorwegen --- kunst en economie --- kunst en politiek --- installaties --- schilderkunst --- tekenkunst --- Ekblad Ida --- eenentwintigste eeuw --- Exhibitions --- installations [visual works] --- Ekblad, Ida

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Giving and Taking, Antidotes to a Culture of Greed' is a collected effort to establish the significance of the so-called non-pecuniary value of art and society. In the broadest sense of these terms: what is art about and after? What if the exchanges we call economic were part of a much larger, far older and more diffuse system of exchange? What if value were defined not by accumulation but by circulation, and circulation not by supply and demand but by honor, glory and beauty? If we need an answer to what's the real value in society and in art ; and we need that answer urgently ; why not ask philosophers, anthropologists, aestheticians, sociologists and others who have proven to be part of the same quest? The problems facing us in the 21st century, moving towards a "peak humanity" of 12 billion human beings in 2072, are mind boggling and nerve wracking. Global warming is only the fun part of the ecological devastation that will leave us with a world of dead Zen gardens everywhere. What are we doing, and why aren't we doing it better? In the book 'Giving and Taking, Antidotes to a Culture of Greed', a diverse set of authors share a strikingly similar analysis. The crisis of our institutions of government, finance and knowledge, they argue, should be attributed not to a lack of political will but to a lack of glory and honor ; categories that have been linked to gift and sacrifice from time immemorial.

kunst --- kunstmarkt --- neoliberalisme --- 7.01 --- 130.2 --- kunst en politiek --- kunsttheorie --- cultuurfilosofie --- kunst en economie --- Art --- economics --- appraising --- philosophy of art --- anno 2000-2099

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kunstenaarschap --- Art --- Organization theory --- ondernemers --- Creatie (Literaire, artistieke, enz.) --- Creation (Literary, artistic, etc.) --- Creative ability in art --- Création (esthétique) --- Création artistique --- Création littéraire, artistique, etc. --- Schepping (Literaire, artistieke, enz.) --- 7.071 --- Kunst en economie --- Kunstenaars en kunstmarkt --- Arteconomy --- Kunst ; kunstenaars en beroep --- Artists --- Economic conditions --- Vocational guidance --- departement Beeldende Kunst 11 --- kunst en economie --- creatieve sector --- België --- #SBIB:316.7C341 --- Cultuursponsoring