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Yumi is een kokeshi, een klein houten poppetje uit Japan. Ze neemt de lezer mee in haar leefwereld: een wereld vol gekleurde kimono's, waaiers, verkleedkleren, sushi ... Zo maakt de lezer op speelse wijze kennis met Japan en het Japanse schrift. Yumi en haar vriendinnen slingeren als rode draad doorheen dit kijkboek. Het bevat enkele zoekopdrachten, zoals het hertje Bamboe zoeken tussen een heleboel kokeshi's of de verkleedwinkel zoeken tussen een heleboel andere winkels. Het is een visueel erg aantrekkelijk boek, dat vooral in de smaak zal vallen bij kinderen die zich graag verkleden of zich graag bezig houden met het samenstellen van leuke outfits.
French literature --- Poppen --- Japan --- Verkleden --- Klederdrachten --- Kimono's --- Prentenboeken --- Jeugdboeken 03-06 jaar --- Pop (speelgoed) --- Klederdracht --- Kimono --- Nederland --- Vietnam --- Zuid-Afrika --- Kust --- Literatuur --- Diversiteit --- Inclusie --- Didactics of social education --- Asia
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Art styles --- anno 1800-1999 --- Western Europe --- Japan --- Art, European --- Art européen --- Japanese influences --- Influence japonaise --- Siegfried Wichmann --- schilderkunst --- japanisme --- negentiende eeuw --- twintigste eeuw --- kunst --- China --- Manet Edouard --- kimono's --- Degas Edgar --- Ishizuri --- Gauguin Paul --- van Gogh Vincent --- de Toulouse-Lautrec Henri --- Vallotton Félix --- dierenvoorstellingen --- dieren --- planten --- landschap --- landschapsschilderkunst --- grafiek --- keramiek --- tuinarchitectuur --- kalligrafie --- 7.035/036 --- Art européen --- Art, Modern
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"Textiles are an eloquent form of cultural expression and of great importance in the daily life of a people, as well as in their rituals and ceremonies. The traditional clothing and fabrics featured in this book were made and used in the islands of the Japanese archipelago between the late 18th and the mid 20th century. The Thomas Murray collection featured in this book includes daily dress, work-wear, and festival garb and follows the Arts and Crafts philosophy of the Mingei Movement, which saw that modernization would leave behind traditional art forms such as the hand-made textiles used by country people, farmers, and fisherman. It presents subtly patterned cotton fabrics, often indigo dyed from the main islands of Honshu and Kyushu, along with garments of the more remote islands: the graphic bark cloth, nettle fiber, and fish skin robes of the aboriginal Ainu in Hokkaido and Sakhalin to the north, and the brilliantly colored cotton kimonos of Okinawa to the far south. Numerous examples of these fabrics, photographed in exquisite detail, offer insight into Japan's complex textile history as well as inspiration for today's designers and artists. This volume explores the range and artistry of the country's tradition of fiber arts..." -- Publisher.
Textile fabrics --- Textile design --- Clothing and dress --- 746(520) --- Kledij ; kledingstukken ; Japan ; kimono's --- Textiel ; Japan --- J6630 --- J6650 --- Cloth --- Fabrics --- Textile industry and fabrics --- Textiles --- Decorative arts --- Dry-goods --- Weaving --- Textile fibers --- Apparel --- Clothes --- Clothing --- Clothing and dress, Primitive --- Dress --- Dressing (Clothing) --- Garments --- Beauty, Personal --- Manners and customs --- Fashion --- Undressing --- Private collections --- Textielkunst ; Japan --- Japan: Art and antiquities -- industrial art, craft and design -- costume, accessories and glyptic art -- costume, dress --- Japan: Art and antiquities -- industrial art, craft and design -- needlework and textile art --- Murray, Thomas, --- Art collections --- Applied arts. Arts and crafts --- costume [mode of fashion] --- textile materials --- textile art [visual works] --- textielkunst --- Japan
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