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Sonosyntactics introduces the reader to over forty-five years of Paul Dutton’s diverse and inventive poetry, ranging from lyrics, prose poems, and visual work to performance texts and scores. Perhaps best known for his acclaimed solo sound performances and his contributions to the iconic sound poetry group The Four Horsemen, Dutton is a surprising, witty, sensitive, and innovative explorer of language and of the human. This volume gathers a representative selection of his most significant and characteristic poetry together with a generous selection of uncollected new work. Sonosyntactics demonstrates Dutton’s willingness to (re)invent and stretch language and to listen for new possibilities while at the same time engaging with his perennial concerns—love, sex, music, time, thought, humour, the materiality of language, and poetry itself. Gary Barwin’s introduction outlines the major subjects and techniques of Dutton’s poetry: an intricate weaving of thought and language, sound and emotion, sound and sense, and the unfolding of a text through the logic of language play such as puns, paradoxes, ambiguity, and sound relations. In an afterword by Dutton himself, the poet insightfully lays out the terms of his engagement with the materiality—both visual and aural—of language, often beyond the purely recountable, representational, or depictive.
Canadian poetry --- Canadian poetry --- 21st century. --- Canadian literature. --- Canadian poetry. --- Four Horsemen. --- Gary Barwin. --- Paul Dutton. --- concrete poetry. --- dirty concrete. --- experimental poetry. --- jazz poetry. --- lyric poetry. --- narrative poetry. --- poetry. --- prose poetry. --- serial poetry. --- sound poetry. --- typewriter art. --- typewriter poetry. --- vispo. --- visual poetry.
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Langston Hughes, one of America's greatest writers, was an innovator of jazz poetry and a leader of the Harlem Renaissance whose poems and plays resonate widely today. Accessible, personal, and inspirational, Hughes's poems portray the African American community in struggle in the context of a turbulent modern United States and a rising black freedom movement. This indispensable volume of letters between Hughes and four leftist confidants sheds vivid light on his life and politics.Letters from Langston begins in 1930 and ends shortly before his death in 1967, providing a window into a unique, self-created world where Hughes lived at ease. This distinctive volume collects the stories of Hughes and his friends in an era of uncertainty and reveals their visions of an idealized world-one without hunger, war, racism, and class oppression.
Authors, American --- African American authors --- Afro-American authors --- Authors, African American --- Negro authors --- Hughes, Langston, --- Hughes, James Langston, --- Khʹi︠u︡z, Lengston, --- Hiyūz, Lānkistūn, --- Khʹi︠u︡z, L. --- Huza, L., --- יוז, לענגסטאן, --- ヒューズラングストン, --- Hugues, Langston --- af am lit. --- african american lit. --- african american poet. --- alternative history of american left. --- american left. --- american poet. --- black anti facism. --- black arts. --- black authors. --- black communists. --- black poets. --- black radical organizing. --- black writers. --- civil rights. --- drama. --- epistolary. --- evelyn crawford. --- harlem renaissance. --- harlem. --- jazz poetry. --- langston hughes. --- letters. --- louise thompson. --- matt crawford. --- mccarthyism. --- nebby crawford. --- nonfiction. --- peoples poet. --- peoples theater harlem. --- poetry. --- red scare. --- william l patterson.
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