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Floyd Levin, an award-winning jazz writer, has personally known many of the jazz greats who contributed to the music's colorful history. In this collection of his articles, published mostly in jazz magazines over a fifty-year period, Levin takes us into the nightclubs, the recording studios, the record companies, and, most compellingly, into the lives of the musicians who made the great moments of the traditional jazz and swing eras. Brilliantly weaving anecdotal material, primary research, and music analysis into every chapter, Classic Jazz: A Personal View of the Music and the Musicians is a gold mine of information on a rich segment of American popular music. This collection of articles begins with Levin's first published piece and includes several new articles that were inspired by his work on this compilation. The articles are organized thematically, beginning with a piece on Kid Ory's early recordings and ending with a newly written article about the campaign to put up a monument to Louis Armstrong in New Orleans. Along the way, Levin gives in-depth profiles of many well-known jazz legends, such as Jelly Roll Morton, Duke Ellington, and Louis Armstrong, and many lesser-known figures who contributed greatly to the development of jazz. Extensively illustrated with previously unpublished photographs from Levin's personal collection, this wonderfully readable and extremely personal book is full of information that is not available elsewhere. Classic Jazz: A Personal View of the Music and the Musicians will be celebrated by jazz scholars and fans everywhere for the overview it provides of the music's evolution, and for the love of jazz it inspires on every page.
Jazz musicians --- Jazz --- History and criticism. --- american music. --- classical jazz. --- classical music. --- compilation. --- essay collection. --- jazz club. --- jazz magazine. --- jazz music. --- jazz musician. --- jazz musicians. --- louis armstrong. --- magazines. --- music history. --- music industry. --- musical genres. --- musicians. --- nightclub. --- popular culture. --- popular music. --- record companies. --- recording studio. --- swing music. --- western music.
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Charles Mingus is one of the most important-and most mythologized-composers and performers in jazz history. Classically trained and of mixed race, he was an outspoken innovator as well as a bandleader, composer, producer, and record-label owner. His vivid autobiography, Beneath the Underdog, has done much to shape the image of Mingus as something of a wild man: idiosyncratic musical genius with a penchant for skirt-chasing and violent outbursts. But, as the autobiography reveals, he was also a hopeless romantic. After exploring the most important events in Mingus's life, Krin Gabbard takes a careful look at Mingus as a writer as well as a composer and musician. He digs into how and why Mingus chose to do so much self-analysis, how he worked to craft his racial identity in a world that saw him simply as "black," and how his mental and physical health problems shaped his career. Gabbard sets aside the myth-making and convincingly argues that Charles Mingus created a unique language of emotions-and not just in music. Capturing many essential moments in jazz history anew, Better Git It in Your Soul will fascinate anyone who cares about jazz, African American history, and the artist's life.
Jazz musicians --- Double bassists --- Bass players --- Bassists --- Contrabass players --- Contrabassists --- Double bass players --- Bowed stringed instrument players --- Mingus, Charles, --- Mingus, --- Mingus, Charlie, --- 20th century musicians. --- african american history. --- african american musicians. --- african american. --- bandleader. --- biography. --- biracial musicians. --- black musicians. --- charles mingus jazz. --- classically trained jazz musician. --- history of jazz. --- improvisation. --- improvised jazz. --- jazz composers. --- jazz history. --- jazz musicians. --- jazz performers. --- jazz. --- language for emotions. --- midwest jazz. --- music history. --- musical genius. --- race and identity in jazz scene.
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Compelling from cover to cover, this is the story of one of the most recorded and beloved jazz trumpeters of all time. With unsparing honesty and a superb eye for detail, Clark Terry, born in 1920, takes us from his impoverished childhood in St. Louis, Missouri, where jazz could be heard everywhere, to the smoke-filled small clubs and carnivals across the Jim Crow South where he got his start, and on to worldwide acclaim. Terry takes us behind the scenes of jazz history as he introduces scores of legendary greats-Ella Fitzgerald, Oscar Peterson, Dizzy Gillespie, Dinah Washington, Doc Severinsen, Ray Charles, Thelonious Monk, Billie Holiday, Sarah Vaughan, Coleman Hawkins, Zoot Sims, and Dianne Reeves, among many others. Terry also reveals much about his own personal life, his experiences with racism, how he helped break the color barrier in 1960 when he joined the Tonight Show band on NBC, and why-at ninety years old-his students from around the world still call and visit him for lessons.
Jazz musicians --- Trumpet players --- Terry, Clark. --- 20th century jazz. --- african american history. --- african american musicians. --- american music. --- billie holiday. --- count basie. --- duke ellington. --- ella fitzgerald. --- grammy lifetime achievement award. --- history of jazz. --- influential african americans. --- influential musicians. --- jazz and blues. --- jazz enthusiasts. --- jazz icons. --- jazz musician biography. --- jazz trumpeter. --- jim crow. --- music during segregation. --- music history. --- music. --- musicians. --- overcoming prejudice. --- overcoming racism. --- quincy jones. --- ray charles. --- southern jazz. --- tonight show. --- trumpet players.
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Fred Astaire: one of the great jazz artists of the twentieth century? Astaire is best known for his brilliant dancing in the movie musicals of the 1930's, but in Music Makes Me, Todd Decker argues that Astaire's work as a dancer and choreographer -particularly in the realm of tap dancing-made a significant contribution to the art of jazz. Decker examines the full range of Astaire's work in filmed and recorded media, from a 1926 recording with George Gershwin to his 1970 blues stylings on television, and analyzes Astaire's creative relationships with the greats, including George and Ira Gershwin, Irving Berlin, Jerome Kern, and Johnny Mercer. He also highlights Astaire's collaborations with African American musicians and his work with lesser known professionals-arrangers, musicians, dance directors, and performers.
Jazz musicians --- Dancers --- Motion picture actors and actresses --- Astaire, Fred. --- 1930s movie musicals. --- 20th century dance. --- 20th century film. --- 20th century jazz. --- 20th century musicals. --- 20th century. --- african american musicians. --- american choreographers. --- american film. --- american jazz. --- american music culture. --- american musicians. --- dance. --- easter parade. --- funny face. --- george gershwin. --- history of film. --- history of jazz. --- history of music. --- irving berlin. --- jazz and blues. --- jazz icons. --- jazz musician biographies. --- jerome kern. --- johnny mercer. --- music and dance. --- music and race. --- music legends. --- musicians. --- performing arts. --- top hat.
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