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Book
Composing for Japanese instruments
Authors: ---
ISBN: 1282894978 9786612894978 1580467199 1580462731 Year: 2008 Publisher: Rochester, NY : University of Rochester Press,

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Abstract

The unique sounds of the biwa, shamisen, and other traditional instruments from Japan are heard more and more often in works for the concert hall and opera house. Composing for Japanese Instruments is a practical orchestration/instrumentation manual with contextual and relevant historical information for composers who wish to learn how to compose for traditional Japanese instruments. Widelyregarded as the authoritative text on the subject in Japan and China, it contains hundreds of musical examples, diagrams, photographs, and fingering charts, and comes complete with two accompanying compact discs of musical examples. Its author, Minoru Miki, is a composer of international renown and is recognized in Japan as a pioneer in writing for Japanese traditional instruments. The book contains valuable appendices, one of works Miki himself has composed using Japanese traditional instruments, and one of works by other composers -- including Toru Takemitsu and Henry Cowell -- using Japanese traditional instruments.

Marty Regan is Assistant Professor of Music at Texas A&M University; Philip Flavin is a Research Fellow in the School of Languages, Cultures and Linguistics at Monash University, Australia.


Book
Taiko boom
Author:
ISBN: 1280781378 9786613691767 0520951433 9780520951433 9780520272422 0520272420 9780520272415 0520272412 9781280781377 6613691763 Year: 2012 Publisher: Berkeley

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Abstract

With its thunderous sounds and dazzling choreography, Japanese taiko drumming has captivated audiences in Japan and across the world, making it one of the most successful performing arts to emerge from Japan in the past century. Based on ethnographic fieldwork conducted among taiko groups in Japan, Taiko Boom explores the origins of taiko in the early postwar period and its popularization over the following decades of rapid economic growth in Japan's cities and countryside. Building on the insights of globalization studies, the book argues that taiko developed within and has come to express new forms of communal association in a Japan increasingly engaged with global cultural flows. While its popularity has created new opportunities for Japanese to participate in community life, this study also reveals how the discourses and practices of taiko drummers dramatize tensions inherent in Japanese conceptions of race, the body, gender, authenticity, and locality.

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