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L’unité de ce Cahier tient au lieu : les hauts plateaux ou Altiplano des Andes péruviennes et boliviennes et, plus particulièrement la zone occupée par des populations de langue aymara. Quant à la problématique, elle est balisée par cette double évocation : celle de l’empreinte, celle de l’emprise. La première renvoie à l’ensemble des traits culturels et des pratiques sociales qui marquent la culture indienne. La seconde fait référence au double phénomène qui constitue l’enjeu du débat : l’emprise qu’exercent sur les populations andines les multiples formes de la domination contemporaine, qui vont de la dépossession d’une langue à l’insertion dans les structures marchandes, de l’expropriation de la terre aux contraintes de l’Etat-nation...

Humanities, Multidisciplinary --- Cultural studies --- agriculture --- culture religion et identité --- identité --- décolonisation --- développement --- ethnographie --- indigénisme --- politiques et pratiques du développement --- Etat | nation --- paysan

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Indians --- Indiens d'Amérique --- Indiens --- Cultural assimilation --- Ethnic identity --- Government relations --- Acculturation --- Identité ethnique --- Relations avec l'Etat --- Indiens d'Amérique --- Identité ethnique --- Cultural assimilation. --- INDIANISME --- INDIGENISME --- ETHNOGRAPHIE --- AMERIQUE LATINE

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"Un ouvrage monumental sur les avant-gardes dans les arts et la littérature." Maurice Nadeau Rejetant la tradition esthétique et exaltant le monde moderne, les avant-gardes du XXe siècle ont regroupé tous les courants fondateurs de l'histoire de l'art contemporain et certains de ses plus grands artistes: l'expressionnisme, le cubisme, le futurisme, l'imaginisme russe.... Mêlant les genres: littérature, musique et arts plastiques, Serge Fauchereau étudie les influences et les affinités qui alimentent les différents courants, et revient sur des mouvements rarement abordés en histoire de l'art tels que le Vorticisme, l'Imagisme anglo-américain, le Brésil afro-indien, l'Ultraïsme... Avec un regard personnel, et en s'appuyant sur plus de 350 images en couleurs, il développe une critique érudite des avant-gardes du XXe siècle.

Art styles --- Literature --- anno 1910-1919 --- anno 1900-1909 --- anno 1930-1939 --- anno 1920-1929 --- avant-garde --- expressionisme --- kubisme --- futurisme --- vorticisme --- dadaïsme --- surrealisme --- ultraïsme --- indigenisme --- suprematisme --- constructivisme --- stridentisme --- akmeïsme --- imagisme --- imaginisme --- anthropophagisme --- muralisme --- 1905 - 1930 --- 20ste eeuw --- Avant-garde (Aesthetics) --- Arts, Modern --- History --- Aesthetics --- Modernism (Art) --- Avant-garde (Aesthetics) - History - 20th century --- Arts, Modern - 20th century --- Avant-garde (esthétique) --- Art --- Littérature --- 1900-1945 --- Histoire et critique --- avant-garde. --- expressionisme. --- kubisme. --- futurisme. --- vorticisme. --- dadaïsme. --- surrealisme. --- ultraïsme. --- indigenisme. --- suprematisme. --- constructivisme. --- stridentisme. --- akmeïsme. --- imagisme. --- imaginisme. --- anthropophagisme. --- muralisme. --- 1905 - 1930. --- 20ste eeuw.

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Mexican fiction --- -Indians in literature --- Literature and society --- -Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Indians of Central America in literature --- Indians of Mexico in literature --- Indians of North America in literature --- Indians of South America in literature --- Indians of the West Indies in literature --- Mexican literature --- History and criticism --- Social aspects --- -Indians of Central America in literature --- Literature --- Indians in literature --- Littérature mexicaine --- Littérature mexicaine-américaine --- Indiens d'Amérique --- Roman mexicain --- Indigénisme --- Histoire et critique --- Dans la littérature --- Thèmes, motifs --- Dans la littérature. --- Histoire et critique. --- Thèmes, motifs.

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Turns to the written record to re-examine the building blocks of a nationPicking up where most historians conclude, Chelsea Stieber explores the critical internal challenge to Haiti's post-independence sovereignty: a civil war between monarchy and republic. What transpired was a war of swords and of pens, waged in newspapers and periodicals, in literature, broadsheets, and fliers. In her analysis of Haitian writing that followed independence, Stieber composes a new literary history of Haiti, that challenges our interpretations of both freedom struggles and the postcolonial. By examining internal dissent during the revolution, Stieber reveals that the very concept of freedom was itself hotly contested in the public sphere, and it was this inherent tension that became the central battleground for the guerre de plume-the paper war-that vied to shape public sentiment and the very idea of Haiti.Stieber's reading of post-independence Haitian writing reveals key insights into the nature of literature, its relation to freedom and politics, and how fraught and politically loaded the concepts of "literature" and "civilization" really are. The competing ideas of liberté, writing, and civilization at work within postcolonial Haiti have consequences for the way we think about Haiti's role-as an idea and a discursive interlocutor-in the elaboration of black radicalism and black Atlantic, anticolonial, and decolonial thought. In so doing, Stieber reorders our previously homogeneous view of Haiti, teasing out warring conceptions of the new nation that continued to play out deep into the twentieth century.

revue. --- revolution. --- republicanism. --- refutation. --- print culture. --- postcolonial. --- post-independence. --- post-independence Haiti. --- performativity. --- peasant novel. --- paper war. --- pamphlet. --- literature. --- liberty. --- liberalism. --- liberal Enlightenment. --- indigénisme. --- imperialism. --- Western modernity. --- Western episteme. --- US occupation. --- National party. --- Maurrassisme. --- Louis Joseph Janvier. --- Literary magazine. --- Liberal party. --- Jean-Pierre Boyer. --- Jean-Jacques Dessalines. --- Henry Christophe. --- 1789;Alexandre Pétion;allegory;authoritarianism;black radicalism;Caribbean intellectuals;caricature;centennial;civil war;civilization;criticism;cultural nationalism;Dessalinean critique;Dominican Republic;Empire;fascism;Faustin Soulouque;François Duvalier;Francophone literature;Haitian independence;Haitian unification. --- 1789. --- Alexandre Pétion. --- Caribbean intellectuals. --- Dessalinean critique. --- Dominican Republic. --- Empire. --- Faustin Soulouque. --- Francophone literature. --- François Duvalier. --- Haitian independence. --- Haitian unification. --- allegory. --- authoritarianism. --- black radicalism. --- caricature. --- centennial. --- civil war. --- civilization. --- criticism. --- cultural nationalism. --- fascism. --- indigénisme.