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Though better known for his literary merits, Shakespeare made money, wrote about money and enabled money-making by countless others in his name. With chapters by leading scholars on the economic, financial and commercial ramifications of his work, this multifaceted volume connects the Bard to both early modern and contemporary economic conditions, revealing Shakespeare to have been a serious economist in his own right.
Money in literature. --- Shakespeare, William, --- Knowledge --- Economics. --- Criticism and interpretation. --- audiences. --- biographical. --- biography. --- capital. --- capitalism. --- commercial ramifications. --- contemporary economic conditions. --- economic conditions. --- economic enterprises. --- economic persona. --- engaging. --- entrepreneurship. --- financial history. --- financing performance. --- humor and drama. --- hybrid economy. --- literary criticism. --- live arts. --- making money. --- money. --- power and wealth. --- serious economist. --- shakespearean england. --- success. --- theatrical. --- wealth. --- william shakespeare.
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In a market long dominated by Hollywood, French films are consistently the most widely distributed non-English language works. French cinema, however, appears to undergo a transformation as it reaches Britain, becoming something quite different to that experienced by audiences at home. Drawing on extensive archival research the authors examine in detail the discourses, debates and decisions which have determined the place accorded to French cinema in British film culture. In so doing they provide a fascinating account of this particular instance of transnational cinematic traffic while simult
Motion pictures, French --- Motion pictures --- History --- archival research. --- art history. --- artistic. --- audiences. --- british film culture. --- british film. --- cinema. --- continental films. --- culture. --- detailed history. --- engaging. --- europe. --- european film industry. --- film distribution. --- film exhibition. --- film history. --- film markets. --- film society. --- foreign films. --- french cinema. --- french films. --- historical. --- history criticism. --- hollywood. --- humor and drama. --- page turner. --- performing arts. --- pop culture. --- retrospective. --- romance.
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What made the Romans laugh? Was ancient Rome a carnival, filled with practical jokes and hearty chuckles? Or was it a carefully regulated culture in which the uncontrollable excess of laughter was a force to fear-a world of wit, irony, and knowing smiles? How did Romans make sense of laughter? What role did it play in the world of the law courts, the imperial palace, or the spectacles of the arena? Laughter in Ancient Rome explores one of the most intriguing, but also trickiest, of historical subjects. Drawing on a wide range of Roman writing-from essays on rhetoric to a surviving Roman joke book-Mary Beard tracks down the giggles, smirks, and guffaws of the ancient Romans themselves. From ancient "monkey business" to the role of a chuckle in a culture of tyranny, she explores Roman humor from the hilarious, to the momentous, to the surprising. But she also reflects on even bigger historical questions. What kind of history of laughter can we possibly tell? Can we ever really "get" the Romans' jokes?
Laughter --- Latin wit and humor --- History --- History and criticism. --- Rome --- Social life and customs. --- ancient literary criticism. --- ancient rome. --- anthropology. --- approachable scholarship. --- classical literature. --- conversational. --- cultural studies. --- essays on rhetoric. --- funny. --- history of ancient rome. --- history of laughter. --- history. --- humor and drama. --- humor. --- inviting. --- jokes. --- laughter. --- literary analysis. --- monkey business. --- performing arts. --- purpose of laughter. --- roman culture. --- roman history. --- roman humor. --- roman joke book. --- roman writing. --- sather classical lectures. --- theories of humor.
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