Listing 1 - 5 of 5 |
Sort by
|
Choose an application
L. Ron Hubbard --- drugs --- the late 20th century --- clear --- New York notes, 1946 --- the Purification Program --- Niacin --- vitamins --- Narconon --- the mind --- the human spirit --- drug addiction --- drug problems
Choose an application
In this classic tale, Richard E. Kim paints seven vivid scenes from a boyhood and early adolescence in Korea at the height of the Japanese occupation, 1932 to 1945. Taking its title from the grim fact that the occupiers forced the Koreans to renounce their own names and adopt Japanese names instead, the book follows one Korean family through the Japanese occupation to the surrender of the Japanese empire. Lost Names is at once a loving memory of family and a vivid portrayal of life in a time of anguish.
Authors, American --- American authors --- Kim, Richard E., --- Kim, Ŭn-guk, --- 金恩國, --- 김 은국, --- 김은국, --- Childhood and youth. --- 1930s japan. --- asian history. --- autobiography. --- autoethnography. --- biography. --- ethnography. --- human spirit. --- japanese empire. --- japanese history. --- japanese names. --- japanese occupation. --- korea japan relations. --- korean history. --- loving memory. --- memoir. --- north korea. --- south korea. --- suffering. --- surrender of japan. --- survival. --- ww ii. --- zainichi korean. --- Infancia y juventud
Choose an application
Artists today are at a crossroads. With funding for the arts and humanities endowments perpetually under attack, and school districts all over the United States scrapping their art curricula altogether, the place of the arts in our civic future is uncertain to say the least. At the same time, faced with the problems of the modern world-from water shortages and grave health concerns to global climate change and the now constant threat of terrorism-one might question the urgency of this waning support for the arts. In the politically fraught world we live in, is the "felt" experience even something worth fighting for? In this soul-searching collection of vignettes, Patrick Summers gives us an adamant, impassioned affirmative. Art, he argues, nurtures freedom of thought, and is more necessary now than ever before. As artistic director of the Houston Grand Opera, Summers is well positioned to take stock of the limitations of the professional arts world-a world where the conversation revolves almost entirely around financial questions and whose reputation tends toward elitism-and to remind us of art's fundamental relationship to joy and meaning. Offering a vehement defense of long-form arts in a world with a short attention span, Summers argues that art is spiritual, and that music in particular has the ability to ask spiritual questions, to inspire cathartic pathos, and to express spiritual truths. Summers guides us through his personal encounters with art and music in disparate places, from Houston's Rothko Chapel to a music classroom in rural China, and reflects on musical works he has conducted all over the world. Assessing the growing canon of new operas performed in American opera houses today, he calls for musical artists to be innovative and brave as opera continues to reinvent itself. This book is a moving credo elucidating Summers's belief that the arts, especially music, help us to understand our own humanity as intellectual, aesthetic, and ultimately spiritual.
Spirituality in music. --- Music --- Music --- Moral and ethical aspects. --- Religious ethical aspects. --- music, art, houston grand opera, artistic director, humanities, affect theory, emotions, human spirit, joy, meaning, spirituality, catharsis, pathos, rothko chapel, classroom, china, curriculum, endowments, canon, education, nonfiction, funding, business, culture, fine arts, entertainment, creativity, technology, open access, conducting, wagner, mozart, handel, bach, classical.
Choose an application
Nose reconstructions have been common in India for centuries. South Korea, Brazil, and Israel have become international centers for procedures ranging from eyelid restructuring to buttock lifts and tummy tucks. Argentina has the highest rate of silicone implants in the world. Around the globe, aesthetic surgery has become a cultural and medical fixture. Sander Gilman seeks to explain why by presenting the first systematic world history and cultural theory of aesthetic surgery. Touching on subjects as diverse as getting a "nose job" as a sweet-sixteen birthday present and the removal of male breasts in seventh-century Alexandria, Gilman argues that aesthetic surgery has such universal appeal because it helps people to "pass," to be seen as a member of a group with which they want to or need to identify. Gilman begins by addressing basic questions about the history of aesthetic surgery. What surgical procedures have been performed? Which are considered aesthetic and why? Who are the patients? What is the place of aesthetic surgery in modern culture? He then turns his attention to that focus of countless human anxieties: the nose. Gilman discusses how people have reshaped their noses to repair the ravages of war and disease (principally syphilis), to match prevailing ideas of beauty, and to avoid association with negative images of the "Jew," the "Irish," the "Oriental," or the "Black." He examines how we have used aesthetic surgery on almost every conceivable part of the body to try to pass as younger, stronger, thinner, and more erotic. Gilman also explores some of the extremes of surgery as personal transformation, discussing transgender surgery, adult circumcision and foreskin restoration, the enhancement of dueling scars, and even a performance artist who had herself altered to resemble the Mona Lisa. The book draws on an extraordinary range of sources. Gilman is as comfortable discussing Nietzsche, Yeats, and Darwin as he is grisly medical details, Michael Jackson, and Barbra Streisand's decision to keep her own nose. The book contains dozens of arresting images of people before, during, and after surgery. This is a profound, provocative, and engaging study of how humans have sought to change their lives by transforming their bodies.
Body image --- Surgery, Plastic --- Social aspects. --- Complications. --- Complications and sequelae --- Admiration. --- Aesthetics. --- African Americans. --- Analogy. --- Anecdote. --- Anesthesia. --- Antiseptic. --- Attractiveness. --- Ayurveda. --- Beauty. --- Body image. --- Bra size. --- Brachioplasty. --- Breast. --- Buttock augmentation. --- Buttocks. --- Caricature. --- Cartilage. --- Centrality. --- Cheek. --- Chin augmentation. --- Cleanliness. --- Clothespin. --- Clothing. --- Cosmetics. --- Credential. --- Credentialing. --- Cultural capital. --- Culture of India. --- Direct experience. --- Disease. --- Earlobe. --- Efficacy. --- Eloquence. --- Enthusiasm. --- Evocation. --- Excess skin. --- Face powder. --- Face. --- Family income. --- Female. --- Foreskin restoration. --- Foreskin. --- Granulation tissue. --- Greatness. --- Hair transplantation. --- Hairstyle. --- Health professional. --- High Art. --- High Renaissance. --- Human nose. --- Human physical appearance. --- Human skin color. --- Human spirit. --- Human tooth. --- Humanism. --- Humorism. --- Humour. --- Hygiene. --- I Wish (manhwa). --- Idealization. --- Invention. --- Keloid. --- Kiss. --- Lighting. --- Local anesthesia. --- Lorenz Oken. --- Middle class. --- Modernity. --- Moral imperative. --- Narrative. --- Parody. --- Peaceful coexistence. --- Penis. --- Physical attractiveness. --- Physician. --- Plastic surgery. --- Popularity. --- Positive liberty. --- Projective identification. --- Real Body. --- Recreation. --- Scalp. --- Scholasticism. --- Self-consciousness. --- Sensibility. --- Seriousness. --- Sincerity. --- Social order. --- Social reality. --- Social status. --- Sophistication. --- Superficiality. --- Swaddling. --- Syphilis. --- The Human Face. --- The Mask. --- Theory of justification. --- Thigh. --- Understanding.
Choose an application
Humanity's creative capacity has never been more unsettling than it is at our current moment, when it has ushered us into new technological worlds that challenge the very definition of "the human." Those anxious to safeguard the human against techno-scientific threats often appeal to religious traditions to protect the place and dignity of the human. But how well do we understand both theological tradition and today's technological culture? In The Indiscrete Image, Thomas A. Carlson challenges our common ideas about both, arguing instead that it may be humanity's final lack of definition that first enables, and calls for, human creativity and its correlates-including technology, tradition, and their inextricable interplay within religious existence. Framed in response to Martin Heidegger's influential account of the relation between technological modernity and theological tradition, The Indiscrete Image builds an understanding of creativity as conditioned by insurmountable unknowing and incalculable possibility through alternative readings of Christian theological tradition and technological culture-and the surprising resonance between these two. Carlson concludes that the always ongoing work of world creation, tied essentially to human self-creation, implies neither an idol's closure nor an icon's transcendence, but the "indiscrete image" whose love makes possible-by keeping open-both the human and its world.
Theological anthropology --- Philosophical anthropology. --- Negative theology. --- Postmodernism --- Technology --- Man (Christian theology) --- Anthropology, Philosophical --- Man (Philosophy) --- Civilization --- Life --- Ontology --- Humanism --- Persons --- Philosophy of mind --- Christianity. --- Religious aspects --- Philosophy --- Heidegger, Martin, --- Khaĭdegger, Martin, --- Haĭdegger, Martin, --- Hīdajar, Mārtin, --- Hai-te-ko, --- Haidegŏ, --- Chaitenger, Martinos, --- Chaitenker, Martinos, --- Chaintenger, Martin, --- Khaĭdeger, Martin, --- Hai-te-ko-erh, --- Haideger, Marṭinn, --- Heidegger, M. --- Haideger, Martin, --- Hajdeger, Martin, --- הייגדר, מרתין --- היידגר, מרטין --- היידגר, מרטין, --- 海德格尔, --- Chaintenker, Martin, --- Hāydigir, Mārtīn, --- Hīdigir, Mārtīn, --- هاىدگر, مارتين, --- هىدگر, مارتين, --- Negative theology --- Philosophical anthropology --- 230*705 --- 233 --- 230*705 Post-moderne theologie. Postmoderne theologie --- Post-moderne theologie. Postmoderne theologie --- Applied science --- Arts, Useful --- Science, Applied --- Useful arts --- Science --- Industrial arts --- Material culture --- Post-modernism --- Postmodernism (Philosophy) --- Arts, Modern --- Avant-garde (Aesthetics) --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism --- Religious aspects&delete& --- Christianity --- De mens. Theologische antropologie --- Heidegger, Martin --- creativity, humanity, technology, religion, tradition, heidegger, modernity, theology, creation, transcendance, love, theological anthropology, postmodernism, christianity, technopoetics, mysticism, spirituality, faith, belief, inspiration, hope, futures, possible worlds, nonfiction, history, infinite, human spirit, possibility, potential.
Listing 1 - 5 of 5 |
Sort by
|