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These reflections reanimate the original private contexts of the home movies before they were recast as objects of study and artifacts of public history.

Amateur films --- Cinematography --- Photography --- Chronophotography --- Amateur moving-pictures --- Home movies --- Personal films --- Motion pictures --- History --- Animated pictures --- Films d'amateurs --- Histoire

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The first international anthology to explore the historical significance of amateur film, Mining the Home Movie makes visible, through image and analysis, the hidden yet ubiquitous world of home moviemaking. These essays boldly combine primary research, archival collections, critical analyses, filmmakers' own stories, and new theoretical approaches regarding the meaning and value of amateur and archival films. Editors Karen L. Ishizuka and Patricia R. Zimmermann have fashioned a groundbreaking volume that identifies home movies as vital methods of visually preserving history. The essays cover an enormous range of subject matter, defining an important genre of film studies and establishing the home movie as an invaluable tool for extracting historical and social insights.

Film archives. --- Amateur films --- Archives, Motion picture --- Motion picture archives --- Archives --- Motion picture film collections --- Amateur moving-pictures --- Home movies --- Personal films --- Motion pictures --- History and criticism. --- Cinéma d'amateurs --- Archives cinématographiques --- Histoire et critique --- Film --- film --- homemovie --- amateur film. --- anthology. --- archival films. --- archives. --- critical analysis. --- essay collection. --- family memories. --- film analysis. --- film scholars. --- film students. --- film studies. --- film theory. --- filmmakers. --- firsthand accounts. --- historical significance. --- home movies. --- international perspective. --- moviemaking. --- nonfiction essays. --- personal documentaries. --- personal histories. --- personal memories. --- social insights. --- theoretical approach. --- visual essays. --- visual history.

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Avant-garde films --- Cinematografie --- Cinematography --- Cinéma expérimental --- Cinématographie --- Experimental films --- Experimentele films --- Home movies --- Personal films --- Photography--Animated pictures --- Photography--Motion pictures --- Underground films --- Gene Youngblood ; introd. by R. Buckminster Fuller --- film --- nieuwe media --- computers --- synesthetiche film --- Belson Jordan --- cybernetica --- televisie --- holografie --- 791.41

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Introduction aux problématiques fondamentales de l'esthétique du film : la production, les genres, les problèmes de forme et de narration, la mise en scène, la prise de vue, le montage, le son, le style, l'analyse critique, l'histoire du cinéma, etc. Le propos s'appuie sur des analyses précises de séquences et les articule avec des synthèses sur les théories existantes. ©Electre 2015 Systématique, l'ouvrage donne au lecteur les bases théoriques, techniques et historiques en suivant six grands axes. Comment crée-t-on un film ? Comment fonctionne un film et qu'est-ce que la forme filmique ? Quelles sont les possibilités offertes par la mise en scène, la prise de vue, le montage et le son et comment ces techniques contribuent- elles à la forme filmique ? Quels sont les principaux types et genres cinématographiques ? Comment faire l'analyse critique d'un film ? Quelles sont les grandes étapes de l'histoire du cinéma ? Le propos s'appuie sur des analyses précises de séquences empruntées à toute l'histoire du cinéma, illustrées par plus de 1200 photogrammes directement tirés des films. Un glossaire, un triple index (notions, noms, titres) et une vaste bibliographie complètent cet ensemble. David Bordwell et Kristin Thompson, par ailleurs auteurs - et autorités - reconnus de nombreux travaux de recherches dans le champ des études cinématographiques, signent ici la 10e édition de ce livre de référence.

Cinematografie --- Cinematography --- Cinématographie --- Filmindustrie --- Home movies --- Industrie du cinéma --- Motion picture industry --- Moving-picture industry --- Photography--Animated pictures --- Photography--Motion pictures --- Motion pictures --- Film criticism --- Cinéma --- Critique cinématographique --- Aesthetics --- Esthétique --- Analyse filmique --- Théorie du cinéma --- Cinéma --- Critique cinématographique --- Esthétique --- Technique --- Handbooks, manuals, etc. --- History --- Analyse filmique. --- Théorie du cinéma. --- Esthétique. --- Motion pictures - Aesthetics

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Documentary films --- Subjectivity in motion pictures. --- Authorship. --- History and criticism. --- Subjectivity in motion pictures --- 791.41 --- 791.43 --- Aljafari Kamal --- Alvarez Mercedes --- Antonioni Michelangelo --- autobiografie --- autobiografische film --- Citron Michelle --- Di Tella Andres --- documentaire film --- documentaires --- film --- home movies --- identiteit --- India --- Israel --- migratie --- Rocha Glauber --- subjectiviteit --- Point of view in motion pictures --- Subjective camera --- Motion pictures --- Authorship --- History and criticism