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This volume is the first comprehensive study of one of the most important collections of oriental manuscripts in early modern Europe which belonged to Thomas Erpenius (d. 1624), the renowned Dutch Arabist, orientalist and the first Chair of Arabic Studies at Leiden University. It reconstructs his personal library which was the center of scholarly debates for centuries, full of rare and sometimes unique materials. Widely known as a rich source of Muslim literature and Asian languages, the collection was purchased by George Villiers, the 1st Duke of Buckingham (d. 1628) and ultimately donated by his widow, Katherine Villiers, to Cambridge University Library in June 1632. This volume provides detail on Erpenius’ life and career, his manuscript collections and their reception and preservation in Cambridge. Furthermore, the author challenges the idea of European orientalism by redefining the role of Erpenius in in shaping academic study of the Orient and ‘organic’ orientalism in the West.
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Grundlegende Kenntnisse der Buchgeschichte sind auch im heutigen Berufsalltag immer wieder von Nutzen. So setzt beispielsweise die Vorbereitung von Ausstellungen oder die Präsentation historischer Bestände einschlägiges Wissen voraus. Dieses Buch wendet sich an alle, die sich das dafür notwendige buchhistorische Hintergrundwissen aneignen wollen. Diese Einführung vermittelt einen allgemeinen Überblick zur Geschichte des Buches von seinen Anfängen bis zur Gegenwart. Die Entwicklung von Zeitungen, Zeitschriften, Karten und Atlanten, Noten und Musikdrucken wie auch orientalischen und ostasiatischen Büchern ist ebenfalls Teil des Inhalts. This introduction to the history of the book focuses on 19th and 20th century Europe. It primarily covers materials most often dealt with by library staff. The discussion is couched in general history, especially cultural history. It covers in detail issues related to older books, such as the preservation of collections.
Books --- History. --- History of the book. --- library history. --- History --- E-books
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"Approaches to the History of Written Culture is a volume of breadth and ambition. It covers all periods from the second millennium BC to the late twentieth-century, a wide range of geographies, and deploys a challenging body of theoretical and methodological approaches to the topic of scribal cultures and practices." — David Vincent, Emeritus Professor of Social History, The Open University, UK This book investigates the history of writing as a cultural practice in a variety of contexts and periods. It analyses the rituals and practices determining intimate or ‘ordinary’ writing as well as bureaucratic and religious writing. From the inscribed images of ‘pre-literate’ societies, to the democratization of writing in the modern era, access to writing technology and its public and private uses are examined. In ten studies, presented by leading historians of scribal culture from seven countries, the book investigates the uses of writing in non-alphabetical as well as alphabetical script, in societies ranging from Native America and ancient Korea to modern Europe. The authors emphasise the material characteristics of writing, and in so doing they pose questions about the definition of writing itself. Drawing on expertise in various disciplines, they give an up-to-date account of the current state of knowledge in a field at the forefront of ‘Book History’.
Writing --- Civilization --- History. --- Cultural history --- Hieroglyphics --- Books-History. --- Civilization-History. --- History of the Book. --- Cultural History. --- Books—History. --- Civilization—History.
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‘This volume is both original and useful. Whilst each of the essays in and of itself offers new research, the volume taken as a whole is a substantial contribution to book, image, and media history. It deliberately disrupts the idea of a unified field, demonstrating how both books and prints (sometimes combined within the same volume) act as agents between cultures.‘ — Kate Flint, Provost Professor of Art History and English, University of Southern California, USA ‘Rather than ask the old questions, ‘what is a book’ or ‘what is a print’, Stead and her collaborators want to know: what has been the use of this text-bearing object? What does it do? Applying those queries to all manner of media – made, found, used, and re-purposed – this new approach dissolves (and complicates) the distinction between the material and textual aspects of what we read, and encourages methodologies that cross the boundaries of discipline.’ — Leslie Howsam, Emerita Distinguished University Professor, University of Windsor, Canada This book contributes significantly to book, image and media studies from an interdisciplinary, comparative point of view. Its broad perspective spans medieval manuscripts to e-readers. Inventive methodology offers numerous insights into visual, manuscript and print culture: material objects relate to meaning and reading processes; images and texts are examined in varied associations; the symbolic, representational and cultural agency of books and prints is brought forward. An introduction substantiates methods and approaches, ten chapters follow along media lines: from manuscripts to prints, printed books, and e-readers. Eleven contributors from six countries challenge the idea of a unified field, revealing the role of books and prints in transformation and circulation between varying cultural trends, ‘high’ and ‘low’. Mostly Europe-based, the collection offers book and print professionals, academics and graduates, models for future research, imaginatively combining material culture with archival data, cultural and reading theories with historical patterns.
Illustrated books --- History --- Books --- Books-History. --- Civilization-History. --- History of the Book. --- Cultural History. --- Books—History. --- Civilization—History.
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This original and authoritative book offers a first-ever attempt to define a poetics of the editing arts. It proposes a new field of editing studies, in which the ‘ideal editor’ can be understood in relation to the long-theorised author and reader. The book’s premise is that editing, like other forms of ‘making’, is mostly invisible and can only be brought into full view through a comparative analysis that includes the insights of practitioners. The argument, laid down in careful layers, is supported by a panoramic historical narrative that tracks the shifts in textual authority from religious and secular institutions to the romanticised self of the digital present. The dangers posed by the anti-editing rhetoric of this hybrid romanticism are confronted head-on. To the traditional perception of editing as the imposition of closure, A Poetics of Editing adds a perspective on a dynamic process with a sense of the possible.
Editing --- Authorship --- Philosophy. --- Literature-Philosophy. --- Books-History. --- Literary Theory. --- History of the Book. --- Literature—Philosophy. --- Books—History.
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Reading Proclus and the Book of Causes, published in three volumes, is a fresh, comprehensive understanding of Proclus' legacy in the Hellenic, Byzantine, Islamic, Latin and Hebrew traditions. The history of the Book of Causes, an Islamic adaptation of mainly Proclus' Elements of Theology and Plotinus' Enneads, is reconsidered on the basis of newly discovered manuscripts. This first volume enriches our understanding of the diverse reception of Proclus' Elements of Theology and of the Book of Causes in the Western tradition where universities and religious schools offered unparalleled conditions of diffusion. The volume sheds light on overlooked authors, texts, literary genres and libraries from all major European universities from the 12th to the 16th centuries.
Neoplatonism. --- Proclus, --- Liber de causis. --- Appreciation --- Translations --- Appreciation. --- Translations. --- Causation --- Book History and Cartography --- History of the Book
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The emergence of digital technologies in the realm of archives has enlivened our understandings of archival materialities and lent a new intensity to our engagements with the archived page by prompting us to consider the potential of paper and the page in ways that we have hitherto largely ignored. Paper, Materiality and Archived Page responds to this provocation by setting out an approach or an orientation to ‘thinking through paper’. Critically, it questions what work the archived page does if it is more than an invisible or transparent support to text. Three exemplary case studies are offered on the letters of Greta Garbo, the messy archival remains of Australian writer Eve Langley and the letters and manuscripts of English poet Valentine Ackland. Together they demonstrate how approaches grounded in concerns with materiality and matter can shift how we understand archival research and what we accept as archival ‘evidence’. They also reveal the emergent capacities of the paper page.
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History, Ancient. --- History of Religion --- Papyrology --- Hermetism --- Classical Studies --- History of Literature --- Egyptology --- History of the Book --- Late Antiquity
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history of libraries --- history of the book --- library studies --- archival studies --- history of reading --- library and information science
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This book presents a study of the history of ancient Chinese books, not only highlighting specific aspects of the ontology of book history, such as printing and publishing, but also analyzing the internal and external causes of the development of book undertakings from a macro-perspective. Placing the development of and changes in the history of books in the context of social development, it investigates its interaction with politics, economy, society, education, and religion, especially with the big culture, and constructs a book-centered history of ancient Chinese culture.
Books --- History. --- Library science. --- Civilization --- Culture --- History of the Book. --- Library Science. --- Cultural History. --- Cultural Studies. --- Study and teaching.
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