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Twenty-first-century views of historical violence have been immeasurably influenced by cultural representations of the Second World War. Within Europe, one of the key sites for such representation has been the vast array of museums and memorials that reflect contemporary ideas of war, the roles of soldiers and civilians, and the self-perception of those who remember. This volume takes a historical perspective on museums covering the Second World War and explores how these institutions came to define political contexts and cultures of public memory in Germany, across Europe, and throughout the world.
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An important text from the 'twelfth-century Renaissance' of history writing re-evaluated, drawing out its complex representations of monarchs from Cnut to William Rufus.
Great Britain --- History --- Gaimar, Geffrei, --- Criticism and interpretation. --- LITERARY CRITICISM / Medieval. --- Anglo-Saxon Chronicle. --- Cnut. --- Kingship. --- William Rufus. --- historical representation. --- history writing. --- history. --- medieval history. --- monarchs. --- power.
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The concept of medieval historiography as "usable past" is here challenged and reassessed. The contributors' shared claim is that the value of medieval historiographical texts lies not only in the factual information the texts contain but also in the methods and styles they use to represent and interpret the past and make it ideologically productive. Violence is used as the key term that best demonstrates the making of historical meaning in the Middle Ages, through the transformation of acts of physical aggression and destruction into a memorable and usable past. The twelve chapters assembled here explore a wide range of texts emanating from throughout the francophone world. They cover a range of genres (chansons de geste, histories, chronicles, travel writing, and lyric poetry), and range from the late eleventh to the fifteenth century. Through examination of topics as varied as rhetoric, imagery, humor, gender, sexuality, trauma, subversion, and community formation, each chapter strives to demonstrate how knowledge of the medieval past can be enhanced by approaching medieval modes of historical representation and consciousness on their own terms, and by acknowledging - and resisting - the desire to subject them to modern conceptions of historical intelligibility.
Historiography --- Violence --- Historiographie --- History --- Histoire --- France --- Historiography. --- History. --- Violent behavior --- Social psychology --- Culture. --- Francophone World. --- Gender. --- Historical Representation. --- Literature. --- Medieval Historiography. --- Middle Ages. --- Rhetoric. --- Texts. --- Violence. --- Writing. --- Reciprocity (Psychology)
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This volume brings together scholars from various areas (history, philology, linguistics, history of political ideas) and attempts a fresh survey of current trends in the analysis of Thucydides' historical narrative. Individual contributions range from a general outlook of Thucydides' historical and historiographical concepts to detailed analysis of narrative strategies, linguistic features and stylistic devices. Special attention is given to questions such as the representation of character, the role of individuals, the interaction between leaders and masses in Athenian democracy, the construction of speeches in Thucydides' work, etc. The analysis of language, style and narrative properties is related to the construction of meaning according to current standards of textual analysis and interpreation.
Greece -- Historiography. --- Historiography. --- Thucydides -- Criticism and interpretation. --- Thucydides. --- Regions & Countries - Europe --- History & Archaeology --- Greece --- Thucydides --- Criticism and interpretation. --- Thucydide --- Thukydides --- Thoukudides --- Historical Representation. --- Interpretation. --- Narrative. --- Thukydides. --- LITERARY CRITICISM / Ancient & Classical. --- Tucidide --- Fukidid --- Tucídides --- Thoukydidēs --- תוקידידיס --- Θουκυδίδης
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