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Where previous accounts of the Renaissance have not fully acknowledged the role that music played in this decisive period of cultural history, Laurenz Lütteken merges historical music analysis with the analysis of the other arts to provide a richer context for the emergence and evolution of creative cultures across civilizations. This fascinating panorama foregrounds music as a substantial component of the era and considers musical works and practices in a wider cultural-historical context. Among the topics surveyed are music's relationship to antiquity, the position of music within systems of the arts, the emergence of the concept of the musical work, as well as music's relationship to the theory and practice of painting, literature, and architecture. What becomes clear is that the Renaissance gave rise to many musical concepts and practices that persist to this day, whether the figure of the composer, musical institutions, and modes of musical writing and memory.
Arts, Renaissance. --- Music --- History and criticism. --- antiquity. --- architecture. --- arts and photography criticism. --- arts. --- civilizations. --- classical music. --- composers. --- creative cultures. --- cultural historical. --- cultural history. --- evolution. --- historical music analysis. --- literature. --- memory and music. --- music and history. --- music history and criticism. --- music. --- musical concept. --- musical institutions. --- musical theory. --- musical works. --- musical writing. --- painting. --- panorama. --- substantial components. --- systems of the arts.
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In this book, Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states-desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances, was part of this striving for heightened passions by performers and listeners. While she analyzes the social and historical reasons for the high value placed on expressive intensity in both secular and sacred music, and she also links desire and pleasure to the many technical innovations of the period. McClary shows how musicians-whether working within the contexts of the Reformation or Counter-Reformation, Absolutists courts or commercial enterprises in Venice-were able to manipulate known procedures to produce radically new ways of experiencing time and the Self.
Music --- History and criticism. --- Musical criticism. --- Hermeneutics (Music) --- Music criticism --- Journalism --- History and criticism --- Desire in music --- Pleasure in music --- Musique --- Désir dans la musique --- Plaisir dans la musique --- Histoire et critique --- 17th century musicians. --- amarilli. --- arias. --- bach. --- beethoven. --- beethovens fifth. --- classical composers. --- classical music history. --- clevelandclassical. --- enlightening insights on music. --- history of music composers. --- history of music. --- history of opera. --- how to write music. --- learning to play music. --- leisure reads. --- master piece music. --- musical history. --- musicians. --- musicology. --- ode to joy. --- opera and sex. --- religion. --- renaissance era. --- savant composers. --- sex and music. --- sex. --- social and historical music. --- timeless music. --- vacation reads.
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Queen Elizabeth I (1558-1603) had a strong reputation for musicality; her court musicians, Thomas Tallis and William Byrd, even suggested that music was indispensable to the state. But what roles did music play in Elizabethan court politics? How did a musical image assist the Queen in projecting her royal authority? What influence did her private performances have on her courtships, diplomatic affairs, and relationships with courtiers? To what extent did Elizabeth control court music, or could others appropriate performances to enhance their own status and achieve their ambitions? Could noblemen, civic leaders, or even musicians take advantage of Elizabeth's love of music to present their complaints and petitions in song?This book unravels the connotations surrounding Elizabeth's musical image and traces the political roles of music at the Elizabethan court. It scrutinizes the most intimate performances within the Privy Chamber, analyses the masques and plays performed in the palaces, and explores the grandest musical pageantry of tournaments, civic entries, and royal progresses. This reveals how music served as a valuable means for both the tactful influencing of policies and patronage, and the construction of political identities and relationships. In the late Tudor period music was simultaneously a tool of authority for the monarch and an instrument of persuasion for the nobility
Music --- Musique --- History and criticism. --- Political aspects --- History --- History and criticism --- Histoire et critique --- Aspect politique --- Histoire --- Music - Great Britain - 16th century - History and criticism --- Music - Political aspects - Great Britain - History - 16th century --- History and criticism . --- Elisabeth --- England. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Elizabeth --- Elizabetha --- Elizaveta Tiudor --- Eliesabeth --- Elyzabeth --- Elysabeth --- Elisabet --- Elisabetha --- Tudor, Elizabeth --- Elisabette --- Elizabeth Tudor --- Königin --- Adel --- Greenwich --- Richmond --- Heinrich --- Anna --- Maria --- Bale, John --- Margarete --- Walsingham, Francis --- 07.09.1533-24.03.1603 --- 1533-1603 --- Angleterre --- Kingdom of England --- Engeland --- Inghilterra --- Inglaterra --- Engländer --- Großbritannien --- -1707 --- Elizabethan court. --- Elizabethan politics. --- Elizabethan society. --- English monarchy. --- Music in Elizabethan Court Politics. --- Queen Elizabeth I. --- Renaissance music. --- civic leaders. --- court musicians. --- court politics. --- courtly culture. --- courtly entertainment. --- courtly music. --- courtly society. --- courtships. --- cultural identity. --- cultural influence. --- diplomacy. --- historical music. --- music. --- musical entertainments. --- musical image. --- musical pageantry. --- musical performances. --- musicians. --- noblemen. --- political influence. --- political roles. --- relationships. --- royal authority.
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