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alternative geneeswijzen --- het paranormale --- het occulte --- mantiek --- magie --- demonen --- de moderne occulte beweging
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The first major survey of the occult collection of artworks, letters, objects and ephemera in the Tate Archive. Revealing over 150 unseen esoteric and mystical pieces, never before seen by the public and giving a new understanding to the artists in the Tate collection and the history and practice of the occult. Offers in-depth exploration of the occult and it's relationship to art and culture including witchcraft, alchemy, secret societies, folklore and pagan rituals, demonology, spells and magic, para-sciences, astrology and tarot.00This lavishly illustrated magical volume acts a potent talisman connecting the two worlds of Tate - the seen public collection and the unseen secrets lurking in the archive. The pages of this book explore the hidden artworks and ephemera left behind by artists for the first time idea and will shed new light on our understanding of the art historical canon. Expect to find the unexpected with artists such as Ithell Colquhoun, John Nash, Barbara Hepworth, David Mayor, Max Armfield, Cecil Collins, Jill and Bruce Lacey, Francis Bacon, Alan Davie, Joe Tilson, Henry Moore, William Blake, Leonora Carrington and Hamish Fulton. For the first time, the clandestine, magical works of the Tate archive are revealed with archivist Victoria Jenkins acting as the depository of it's secrets. This book explores the symbiotic relationship between art and the occult and how both can act as a form of resistance to challenging environments. This book will change perceptions forever and illuminate the surprising breadth and extraordinary ways in which artists interpret not just the physical world around them but also the supernatural, and in doing so make the unseen, seen. If you think you know Tate artists, it's time to think again.
Thema's in de kunst ; mythen ; legenden ; magie --- Kunst; themata; astrologie --- Alchemie en mystiek --- Thema's in de kunst ; het occulte --- Kunst en esoterie ; het occulte --- Occultisme ; het occulte ; mystiek --- Kunst en mystiek ; occult georiënteerde kunst --- 7.049 --- Iconografie ; verschillende onderwerpen --- Esoteric sciences --- Art --- Archivistics --- fine arts [discipline] --- magic --- occultism --- fonds [collections] --- Tate Gallery [London] --- Great Britain --- magic [occult science]
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When Charles-Édouard Jeanneret reinvented himself as Le Corbusier in Paris, he also carefully reinvented the first thirty years of his life by highlighting some events and hiding others. As he explained in a letter: "Le Corbusier is a pseudonym. Le Corbusier creates architecture recklessly. He pursues disinterested ideas; he does not wish to compromise himself... He is an entity free of the burdens of carnality." Le Corbusier grew up in La Chaux-de-Fonds in Switzerland, a city described by Karl Marx as "one unified watchmaking industry." Among the unifying social structures of La Chaux-de-Fonds was the Loge L'Amitié, the Masonic lodge with its francophone moral, social, and philosophical ideas, including the symbolic iconography of the right angle (rectitude) and the compass (exactitude). Le Corbusier would later describe these as "my guide, my choice" and as his "time-honored ideas, ingrained and deep-rooted in the intellect, like entries from a catechism." Through exhaustive research that challenges long-held beliefs, J. K. Birksted's Le Corbusier and the Occult traces the structure of Le Corbusier's brand of modernist spatial and architectural ideas based on startling new documents in hitherto undiscovered family and local archives. Le Corbusier and the Occult thus answers the conundrum set by Reyner Banham (Birksted's predecessor at the Bartlett School of Architecture) who, fifty years ago, wrote that Le Corbusier's book Towards a New Architecture "was to prove to be one of the most influential, widely read and least understood of all the architectural writings of the twentieth century."
Compagnonnages. --- Freemasonry and the arts. --- Modern movement (Architecture). --- Occultism. --- Symbolism in architecture. --- Le Corbusier, --- Criticism and interpretation. --- 72.07 --- Architectuur ; 20ste eeuw ; Le Corbusier --- Le Corbusier (pseudoniem van Charles-Edouard Jeanneret 1887-1965 (°La Chaux-de-Fonds, Neuchâtel, Zwitserland) --- Jeanneret, Charles-Edouard --- Moderne Beweging --- Symbolisme in de architectuur --- Architectuur ; beeldende kunst ; vrijmetselarij --- Occultisme ; het occulte ; mystiek --- Compagnonnages --- Architecten. Stedenbouwkundigen A - Z
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The Bauhaus (1919-1933) is widely regarded as the twentieth century's most influential art, architecture, and design school, celebrated as the archetypal movement of rational modernism and famous for bringing functional and elegant design to the masses. In 'Haunted Bauhaus', art historian Elizabeth Otto liberates Bauhaus history, uncovering a movement that is vastly more diverse and paradoxical than previously assumed. Otto traces the surprising trajectories of the school's engagement with occult spirituality, gender fluidity, queer identities, and radical politics. The Bauhaus, she shows us, is haunted by these untold stories. With 'Haunted Bauhaus', Otto not only expands our knowledge of a foundational movement of modern art, architecture, and design, she also provides the first sustained investigation of the irrational and the unconventional currents swirling behind the Bauhaus's signature sleek surfaces and austere structures. This is a fresh, wild ride through the Bauhaus you thought you knew.
Lifestyles --- Style de vie --- History --- Histoire --- Bauhaus --- Faculty --- Psychology --- Students --- Corps enseignant --- Psychologie --- Étudiants --- 7.037 --- Queer people --- Kunst en spiritualiteit --- Kunst en esoterie ; het occulte --- Gender en diversiteit --- Life style --- Life styles --- Styles, Life --- Human behavior --- Manners and customs --- Kunstgeschiedenis ; 1900 - 1950 --- Staatliches Bauhaus --- Baohaosi --- Bauhaus Dessau --- Psychology. --- Lifestyles - Germany - History - 20th century --- Style de vie - Allemagne - Histoire - 20e siècle
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In this thorough critical appraisal, 16 specialists on modern art, art history, philosophy and religious studies examine the unique art, the cultural circumstances and art-historical positioning of Swedish abstractionist Hilma af Klint. Topics explored here range from early abstract art and the impact of Darwinism to Goethe's color theory, as well as the importance of occult religious movements such as theosophy and anthroposophy that influenced the early modernists, and discussions of af Klint's own personal diary notes and research. The book is based on the seminars that were held in conjunction with the exhibition "Hilma af Klint: A Pioneer of Abstraction" in 2013. This extremely successful exhibition attracted a record number of visitors to the Moderna Museet in Stockholm, after which it continued to the Hamburger Bahnhof Museum in Berlin and the Louisiana Museum of Modern Art in Denmark.
Art, Swedish --- Swedish art --- Klint, Hilma af, --- Af Klint, Hilma, --- Influence --- Criticism and interpretation. --- Art --- Abstract [fine arts style] --- abstracte kunst --- Klint, Hilma A.F. --- #breakthecanon --- 75.07 --- Klint, Hilma af 1862-1944 (°Solna, Zweden) --- Vrouwelijke kunstenaars --- Abstracte schilderkunst ; biomorfisme --- Thema's in de kunst : mystiek en spiritualiteit --- Kunst en esoterie ; het occulte --- Antroposofie --- Theosofie --- Schilderkunst ; schilders A-Z --- af Klint, Hilma --- Abstract [modern European style]
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"At the turn of the century, Swedish artist Hilma af Klint (1862-1944) created a body of work that left visible reality behind, exploring the radical possibilities of abstraction years before Vasily Kandinsky, Kazimir Malevich, or Piet Mondrian, acknowledged fathers of twentieth-century abstraction. Like many of her contemporaries, af Klint was interested in the invisible relationships that scientists at the turn of the century were discovering shape the world. She strongly believed in a spiritual dimension to the universe and devoted her life to an exploration of this realm. Hilma af Klint's process of investigation took many forms and drew on systems and symbols outside the traditional language of art. Notes and Methods traces the origins of her powerful abstract work. Included are the mediumistic drawings she created with the group of women who called themselves The Five; Flowers, Mosses, and Lichens, a spiritual explication of the plant world; and the Blue Books, in which af Klint catalogued her most important body of work, The Paintings for the Temple. Notes and Methods is the first extensive English translation of the writings of Hilma af Klint. In addition to translations of all notebooks reproduced, Notes and Methods also includes Letters and Words Pertaining to Works by Hilma af Klint, an invaluable guide to the meaning behind the work, compiled by Hilma af Klint herself"
Kunst --- spiritualisme --- Abstract [kunststijl] --- Klint, Hilma A.F. --- Hilma af Klint --- Art --- spiritualism --- Abstract [fine arts style] --- Painting, Abstract --- Spirit art --- Spirituality in art --- 741.07 --- Klint, Hilma af 1862-1944 (°Solna, Zweden) --- Abstracte schilderkunst ; biomorfisme --- Thema's in de kunst : mystiek en spiritualiteit --- Kunst en esoterie ; het occulte --- Theosofie --- Antroposofie --- Abstract painting --- Non-objective painting --- Painting, Non-objective --- Painting, Modern --- Psychic art --- Spiritualism --- Tekenkunst ; tekenkunstenaars A - Z --- Klint, Hilma af, --- Af Klint, Hilma, --- Aesthetics. --- af Klint, Hilma --- Abstract [modern European style] --- Peinture abstraite --- Ouvrages illustrés --- Klint, Hilma af
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Introduction / Joëlle Pijaudier-Cabot -- Les sentiers infinis de l'imaginal / Daniel Bornemann -- L'invisible hanté, Baldung Grien -- Cranach l'Ancien / Anny-Claire Haus -- Souvent dans l'être obscur... / Daniel Payot -- ## ##Pt. 1. Les Romantiques & l'occulte --#L'Europe de l'obscur / Serge Fauchereau -- La grande lumière du monde se diffracte en mille couleurs. Sciences, croyances et peinture dans l'Allemagne romantique / Roland Recht -- Goya et la tradition noire dans la peinture espagnole / Antonio Bonet Correa -- ## ##Pt. 2. Symbolismes ##L'intervention des esprits / Serge Fauchereau -- Édouard Schuré et les Grands Initiés / Laurence Perry -- Carl Frederik Hill et Ernst Josephson / One Granath -- Mikalojus Konstantinas Ciurlionis, le peintre musicien / Osvaldas Daugelis -- "En tout homme vit un danseur" / Joëlle Pijaudier-Cabot -- ## ##Pt. 3. Abstractions et antres expressions d'avant-garde -- ##La magie moderne / Serge Fauchereau -- Les avant-gardes et les dispositifs de l'ésotérisme / Christoph Wagner -- Arp et la naturosophie / Estelle Pietrzyk -- La métamorphose médiumnique chez Paul Klee / Osamu Okuda -- ## ##Pt. 4. Constellations surréalistes -- ##La magie retrouvée : le surréalisme / Serge Fauchereau -- Cette échelle qui s'appuie au mur de l'inconnu / Annie Le Brun -- Entrée des médiums, art brut et spiritisme / Joele Pijaudier-Cabot -- Le laboratoire de Jeanne Tripier / Lucienne Peiry -- "Dé véchi ké ti éfi mervé éni". La vie superbe d'Élise Müller / Savine Faupin -- ## ##Pt. 5. Quand la science mesurait les esprits -- ##Quand la science mesurait les esprits / Sébastien Soubiran & Marie-Dominique Wandhammer -- William Crookes, un scientifique amoureux d'un fantôme ? / Anne Lagaisse -- Pierre et Marie Curie, rencontre entre un couple de savants et un médium / Anne Lagaisse -- Camille Flammarion, à la recherche des forces inconnues / Anne Lagaisse -- Photographie, sciences et occultisme.
Esoteric sciences --- Iconography --- History of civilization --- Art --- anno 1700-1799 --- anno 1800-1999 --- Europe --- Occultism in art --- Occultism in literature --- Occultism and science --- Arts --- Occultisme dans l'art --- Occultisme dans la littérature --- Occultisme et sciences --- Exhibitions --- Expositions --- occultisme --- romantiek --- abstracte kunst --- avant-garde --- surrealisme --- art brut --- spiritisme --- esoterie --- fantastische kunst --- symbolisme --- Baldung Grien, Hans --- Cranach, Lucas (I) --- Arp, Hans --- Klee, Paul --- Tripier, Jeanne --- Müller, Élise --- Crookes, William --- Curie, Pierre --- Curie, Marie --- Flammarion, Camille --- Goya y Lucientes, Francisco José de --- Schuré, Edouard --- Hill, Carl Fredrik --- Josephson, Ernst --- Ciurlionis, Mikalojus Konstantinas --- 1750 - 1950 --- 18de eeuw --- 19de eeuw --- 20ste eeuw --- Europa --- 7.046 --- Thema's in de kunst ; het occulte ; 18de tot 20ste eeuw --- Tentoonstellingscatalogi ; Straatsburg ; Musée d'Art moderne et contemporain de la Ville de Strasbourg --- Romantiek --- Art Brut --- Symbolisme --- Surrealisme --- Kunst en wetenschap --- Spiritisme --- Theosofie --- Antroposofie --- Iconografie ; epische, mythologische, religieuze voorstellingen --- müller, élise --- Occultisme dans la littérature --- Arts, Modern --- Science and occultism --- Modern arts --- abstracte, niet-figuratieve kunst --- Science --- Exhibitions. --- occultisme. --- romantiek. --- abstracte kunst. --- avant-garde. --- surrealisme. --- art brut. --- spiritisme. --- esoterie. --- fantastische kunst. --- symbolisme. --- Baldung Grien, Hans. --- Cranach, Lucas (I). --- Arp, Hans. --- Klee, Paul. --- Tripier, Jeanne. --- müller, élise. --- Crookes, William. --- Curie, Pierre. --- Curie, Marie. --- Flammarion, Camille. --- Goya y Lucientes, Francisco José de. --- Schuré, Edouard. --- Hill, Carl Fredrik. --- Josephson, Ernst. --- Ciurlionis, Mikalojus Konstantinas. --- 1750 - 1950. --- 18de eeuw. --- 19de eeuw. --- 20ste eeuw. --- Europa.
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