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Souls on fire
Year: 1998

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Harlem Renaissance
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Year: 1973 Publisher: Oxford [etc.] : Oxford University Press,

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Pride and promise : the Harlem Renaissance
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ISBN: 1878668307 Year: 1993 Publisher: Lowell, MA : Discovery Enterprises,

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My soul's high song : the collected writings of Countee Cullen, voice of the Harlem Renaissance
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ISBN: 0385412959 Year: 1991 Publisher: New York (N.Y.): Doubleday

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Rhapsodies in black : art of the Harlem renaissance
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ISBN: 0520212681 Year: 1997 Publisher: Berkeley (Calif.) : University of California press,

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The Harlem Renaissance remembered. : Essays edited with a memoir
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Year: 1972 Publisher: New York : Dodd, Mead

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Bonhoeffer's Black Jesus : Harlem Renaissance theology and an ethic of resistance
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ISBN: 9781481315852 1481315854 Year: 2021 Publisher: Waco Baylor University Press

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"Dietrich Bonhoeffer publicly confronted Nazism and anti-Semitic racism in Hitler's Germany. The Reich's political ideology, when mixed with theology of the German Christian movement, turned Jesus into a divine representation of the ideal, racially pure Aryan and allowed race-hate to become part of Germany's religious life. Bonhoeffer provided a Christian response to Nazi atrocities. In this book author Reggie L. Williams follows Dietrich Bonhoeffer as he encounters Harlem's black Jesus. The Christology Bonhoeffer learned in Harlem's churches featured a black Christ who suffered with African Americans in their struggle against systemic injustice and racial violence--and then resisted. In the pews of the Abyssinian Baptist Church, under the leadership of Adam Clayton Powell Sr., Bonhoeffer was captivated by Christianity in the Harlem Renaissance. This Christianity included a Jesus who stands with the oppressed, against oppressors, and a theology that challenges the way God is often used to underwrite harmful unions of race and religion. Now featuring a foreword from world-renowned Bonhoeffer scholar Ferdinand Schlingensiepen as well as multiple updates and additions, Bonhoeffer's Black Jesus argues that Dietrich Bonhoeffer's immersion within the black American narrative was a turning point for him, causing him to see anew the meaning of his claim that obedience to Jesus requires concrete historical action. This ethic of resistance not only indicted the church of the German Volk, but also continues to shape the nature of Christian discipleship today--

Wallace Thurman's Harlem Renaissance
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ISBN: 9789004483750 9789051836929 Year: 1994 Publisher: Leiden;Boston BRILL

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Wallace Thurman (1902-1934) played a pivotal role in creating and defining the Harlem Renaissance. Thurman's complicated life as a black writer is described here for the first time: from his birth in Salt Lake City, Utah; through his quixotic and spotty education; to his arrival and residence in New York City at the height of the New Negro Movement in Harlem. Seen as it often is through the life of Langston Hughes, the Harlem Renaissance is celebrated as a highly successful Afro-centrist achievement. Seen from Thurman's perspective, as set against the historical and cultural background of the Jazz Age, the accomplishments of the Harlem Renaissance appear more qualified and more equivocal. In Thurman's view the Harlem Renaissance's failure to live up to its initial promise resulted from an ideological underpinning which was overwhelmingly concerned with race. He felt that the movement's self-consciousness and faddism compromised the aesthetic standards of many of its writers and artists, including his own.


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You don't know us negroes : and other essays
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ISBN: 9780063043855 Year: 2022 Publisher: New York, NY : HarperCollins Publishers,

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You don't know us negroes : and other essays
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ISBN: 0063043858 0063043866 0063043874 Year: 2022 Publisher: New York : HarperCollins Publishers,

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"One of the most acclaimed artists of the Harlem Renaissance, Zora Neale Hurston was a gifted novelist, playwright, and essayist. Drawn from three decades of her work, this anthology showcases her development as a writer, from her early pieces expounding on the beauty and precision of African American art to some of her final published works, covering the sensational trial of Ruby McCollum, a wealthy Black woman convicted in 1952 for killing a white doctor. Among the selections are Hurston's well-known works such as "How It Feels to be Colored Me" and "My Most Humiliating Jim Crow Experience." The essays in this essential collection are grouped thematically and cover a panoply of topics, including politics, race and gender, and folkloric study from the height of the Harlem Renaissance to the early years of the Civil Rights movement. Demonstrating the breadth of this revered and influential writer's work, You Don't Know Us Negroes and Other Essays is an invaluable chronicle of a writer's development and a window into her world and time"--

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