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MAMBO MANIA. . . . . . . . . . . . . . . . . . . . . . 14 CUBOP. . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 60 ORIZA. . . . . . . . . . . . . . . . . . . . . . . . . . . . 82 VIVA SOUL . . . . . . . . . . . . . . . . . . . . . . . . . ÉCHALE SALSITA . . . . . . . . . . . . . . . . . . . . 112 Contents OYE COMO VA. . . . . . . . . . . . . . . . . . . . . . . 150 OH, MEU BRASIL. . . . . . . . . . . . . . . . . . . . 170 BARRIO NUEVO. . . . . . . . . . . . . . . . . . . . . 200 DISCOGRAPHY. . . . . . . . . . . . . . . . . . . . . . . 230 BIBLIOGRAPHY. . . . . . . . . . . . . . . . . . . . . . . 237 ACKNOWLEDGMENTS. . . . . . . . . . . . . . . . . . 238 CREDITS. . . . . . . . . . . . . . . . . . . . . . . . . . 239 commercial art created for Latin music is being docu- Foreword mented for its visual as well as sociological contribution to our music and culture. Pablo covers a lot of ground in IZZY SANABRIA this book both before and after my heyday, as well as the work of Brazilian artists. Just as the great works of One evening about a year ago I received a phone call art reflect social, religious, and political views at diff- from a young graphic designer and DJ named Pablo ent periods of history, these covers reflect fifty years of Yglesias, who told me he was working on a history of Latin cultural history through the lens of our music. The Latin music album covers and that I was to be a big covers created in New York during the 1960s and part of the book. I was flattered, but I’d heard it all 1970s, for example, helped define Nuyorican culture before. I thought to myself, “Just another well-meaning before it came to the attention of television, film, and fan with big ideas. ” But Pablo was so enthusiastic and print media. This book should not only be pleasing to persistent that I agreed to meet him in person.
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Fresh air, fresh fish, fresh brewed, fresh flowers, treated to a wonderful array of work, including fresh toast, freshly squeezed, and of course. . . the vibrant new Times Square identity, a Fresh Dialogue. AIGA/NY’s annual panel daringly sophisticated Whitney Biennial discussion with young, talented designers has catalogue, book jackets without words, and a introduced many stars to the design community, dynamic website for Fischerspooner. Kidd showcasing works by Jonathan Hoeffler,Tibor challenged the panel to reveal everything—from Kalman, Jennifer Morla, and Stefan Sagmeister, their secrets to staying fresh and their influences among many others. in design to some of the strangest projects they’ve This year we chose our participants from a ever worked on. This book is a documentation wide range of disciplines and experience, looking of an inspiring evening of design and discussion. for designers who, no matter how experienced Enjoy! Stay Fresh! they are or what they specialize in, are producing work that is current and powerful, are constantly chris dixon and john fulbrook iii engaged with the culture at large, and are always Fresh Dialogue Chairs searching for fresh solutions. 4 Board Members, AIGA/NY We ultimately chose five talented people from the disparate worlds of fashion, publishing, web, advertising, and art—Alice Chung, Rodrigo Corral, Alan Dye, Agnieszka Gasparska, and Karen Hsu, . With the help of the estimable Chip Kidd, who served as an energetic moderator, our group participated in a dialogue about their work and ideas.
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