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Levine, Les --- 753 --- affiches --- grafische vormgeving --- reclame --- grafische vormgeving , geschiedenis, grafische vormgevers afzonderlijk
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Cet ouvrage présente le travail graphique de l'agence de graphisme berlinoise "Designagent Km7".
Graphisme --- Illustration --- Publicité --- 753 --- Mai, Klaus --- grafische vormgeving --- typografie --- grafische vormgeving , geschiedenis, grafische vormgevers afzonderlijk --- design [discipline] --- graphic design --- ontwerpen
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Paul Rand (1914-1996) est l'une des figures pionnières dans le domaine des arts graphiques américain. Son travail se rapproche des idées d'avant-garde européennes comme le cubisme, le constructivisme et le mouvement De Stijl tout en produisant une démarche qui lui est très personnelle.
753 --- Rand, Paul --- boekillustraties --- grafische vormgeving --- huisstijl --- kinderboeken --- reclame --- grafische vormgeving , geschiedenis, grafische vormgevers afzonderlijk --- Art graphique --- Graphisme
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Marcel Duchamp used the phrase 'Beware Wet Paint' to remind us that it takes time to judge the worth of work. This book looks at thirty-five years of Alan Fletcher's work; some of the most recent may not yet be dry. This is also a book about the design process, the thinking behind the solutions and the methods used to resolve them. To show this more clearly the examples illustrated are, in the main, not displayed in their original context but as images in their own right. Each example is accompanied by a full commentary by Jeremy Myerson. Four essays give further critical and biographical insight to the work, and the man.
Graphic artists --- Graphistes --- Fletcher, Alan --- Criticism and interpretation. --- 753 --- affiches --- grafische vormgeving --- ontwerpproces --- grafische vormgeving , geschiedenis, grafische vormgevers afzonderlijk --- Themes, motives.
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8-3995-7
Computergrafiek --- 3D --- 753 --- 772.81 --- Rashid, Karim --- behangpapier --- decoratie --- grafische vormgeving --- grafische vormgeving , geschiedenis, grafische vormgevers afzonderlijk --- productdesign, historisch, 1945-, ontwerpers afzonderlijk
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"Abbott Miller: Design and Content is the first monograph of the works of Abbott Miller--graphic designer, writer, editor, and the youngest partner to join Pentagram. This comprehensive survey of Miller's career acts as a catalogue of design strategies emerging from the unique circumstances of form and content, which he develops in symbiosis. To this end, his theoretical writings and design projects are presented in Abbott Miller: Design and Content as parallel arguments for his ideologies, representing various platforms of production, primarily through publications, and exhibitions. Working with performers, curators, artists, photographers, writers, publishers, corporations, and institutions, Miller has created a unique practice that traverses between the printed page and the physical space of exhibitions. He has focused on the relationship of culture and public forums in design and writing, and has subsequently pioneered the notion of designer as author"-- "Open Book is the first monograph on the preeminent graphic designer Abbott Miller. Recipient of numerous design honors including the Chrysler Award for Innovation in Design, Miller is known for his pioneering graphic work as a partner at Pentagram, where he leads a team designing books, magazines, catalogs, identities, exhibitions, and creating editorial projects. His work is often concerned with the cultural role of design and the public life of the written word. Collaborating with performers, curators, artists, photographers, writers, publishers, corporations, and institutions, he has created a unique practice that crosses back and forth between the printed page and the physical space of exhibitions. In his work as a designer, editor, and writer he has pioneered the concept of the designer as author, and he has collaborated with artists such as Matthew Barney, Yoko Ono, Geoffrey Beene, Philip Glass, Twyla Tharp, and Nam June Paik, among many others. His clients include Vitra, Knoll, Harley-Davidson, and Steuben, as well as many museums and publishers. Miller presents his work as a catalog of design strategies, emerging from the unique circumstances of form and content. In four chapters "Books," "Exhibitions," "Magazines," and "Identity" Open Book provides insight into Miller's working process and showcases all of his best designs. Miller talks freely about influences on his practice, his ideas, his experiences working with curators, artists, and clients, as well as the lessons he's learned. A foreword by Ellen Lupton situates his work in the context of contemporary design. Open Book, beautifully produced and illustrated with more than four hundred images, is a must-have for anyone interested in design and the visual arts"--
Miller, J. Abbott --- Abbott, Miller --- Miller, Abbott --- ontwerpers --- designers --- 753 --- 772.81 --- ontwerpmethodiek --- Pentagram --- grafische vormgeving , geschiedenis, grafische vormgevers afzonderlijk --- productdesign, historisch, 1945-, ontwerpers afzonderlijk --- Themes, motives.
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Aspecten van het beroep van grafisch ontwerper.
Drukwerk --- grafische vormgeving. --- Marketing --- Bos, Ben --- grafische vormgevers --- huisstijl --- 753 --- Total Design --- Total identity --- grafische vormgeving , geschiedenis, grafische vormgevers afzonderlijk --- Financiewezen --- designers
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684.94 --- 753 --- boekillustraties --- grafische vormgeving --- illustraties --- McKean, Dave --- stripverhalen --- het boek, boekillustratie --- grafische vormgeving , geschiedenis, grafische vormgevers afzonderlijk --- English literature --- comics [documents]
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graphic design --- grafische vormgeving --- Victore, James --- 753 --- affiches --- ecologie --- politiek --- propaganda --- welzijn --- grafische vormgeving , geschiedenis, grafische vormgevers afzonderlijk --- Victore, James, --- Themes, motives.
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Poster N° 524 presenteert het visuele onderzoek naar het medium van de poster van grafisch ontwerpers René Put en Rianne Petter. Drie maanden verzamelde Petter en Put posters uit de hele stad Amsterdam, een totaal van 523 verschillende posters. Ze hebben zorgvuldig deze collectie bestudeerd en gedeconstrueerd, bepaalde elementen onderzocht, geïsoleerd , en daarna gereconstrueerd.Poster N° 524 maakt duidelijk hoe het creatieve onderzoeksproces werkt, en is ontworpen zodat meer gegeneraliseerde betekenissen over posters en visuele cultuur zichtbaar worden gemaakt. Jeroen Boomgaard en Jouke Kleerebezems tekst verdiepen en contextualizeren Petter en Puts individualistische benadering, terwijl ze gelijktijdig de historische betekenis van posters in de publieke ruimte onderzoeken.
Affiches --- Vormgeving --- grafische vormgeving --- grafisch design --- grafisch ontwerp --- posters --- affiches --- Amsterdam --- Nederland --- eenentwintigste eeuw --- 766.046 --- 754.31 --- 753 --- grafische vormgeving, volgens vorm, affiches --- grafische vormgeving , geschiedenis, grafische vormgevers afzonderlijk --- Affiche --- China
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