Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

On February 21, 1803, Colonel Edward (Ned) Marcus Despard was publicly hanged and decapitated in London before a crowd of 20,000 for organizing a revolutionary conspiracy to overthrow King George III. His black Caribbean wife, Catherine (Kate), helped to write his gallows speech in which he proclaimed that he was a friend to the poor and oppressed. He expressed trust that "the principles of freedom, of humanity, and of justice will triumph over falsehood, tyranny, and delusion." And yet the world turned. From the connected events of the American, French, Haitian, and failed Irish Revolutions, to the Anthropocene's birth amidst enclosures, war-making global capitalism, slave labor plantations, and factory machine production, Red Round Globe Hot Burning throws readers into the pivotal moment of the last two millennia. This monumental history, packed with a wealth of detail, presents a comprehensive chronicle of the resistance to the demise of communal regimes. Peter Linebaugh's extraordinary narrative recovers the death-defying heroism of extended networks of underground resisters fighting against privatization of the commons accomplished by two new political entities, the U.S.A. and the U.K., that we now know would dispossess people around the world through today. Red Round Globe Hot Burning is the culmination of a lifetime of research-encapsulated through an epic tale of love.

Commons --- Public lands --- History --- Despard, Edward Marcus, --- Despard, Catherine. --- anthropocene. --- colonialism. --- global capitalism. --- globalism. --- industrialization. --- privatization. --- proletariat. --- resistance. --- revolution. --- slavery.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

What happens when we think of poetry as a global literary form, while also thinking the global in poetic terms? Forms of a World shows how the innovations of contemporary poetics have been forged through the transformations of globalization across five decades. Sensing the changes wrought by neoliberalism before they are made fully present, poets from around the world have creatively intervened in global processes by remaking poetry’s formal repertoire. In experimental reinventions of the ballad, the prospect poem, and the ode, Hunter excavates a new, globalized interpretation of the ethical and political relevance of forms. Forms of a World contends that poetry’s role is not only to make visible thematically the violence of global dispossessions, but to renew performatively the missing conditions for intervening within these processes. Poetic acts—the rhetoric of possessing, belonging, exhorting, and prospecting—address contemporary conditions that render social life ever more precarious. Examining an eclectic group of Anglophone poets, from Seamus Heaney and Claudia Rankine to Natasha Trethewey and Kofi Awoonor, Hunter elaborates the range of ways that contemporary poets exhort us to imagine forms of social life and enable political intervention unique to but beyond the horizon of the contemporary global situation.

Literature and globalization --- Globalization and literature --- Globalization --- Literature and globalization. --- Anglophone poetry. --- Anthropocene. --- citizenship. --- contemporary poetry. --- dispossession. --- finance. --- global capitalism. --- globalization. --- precarity. --- racial capitalism.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"In Malicious Deceivers, Ioana B. Jucan traces a genealogy of post-truth intimately tied to globalizing modernity and connects the production of repeatable fakeness with capitalism and Cartesian metaphysics. Through case studies that cross times and geographies, the book unpacks the notion of fakeness through the related logics of dissimulation (deception) and simulation (performativity) as seen with software/AI, television, plastics, and the internet. Specifically, Jucan shows how these (dis)simulation machines and performative objects construct impoverished pictures of the world, ensuring a repeatable sameness through processes of hollowing out embodied histories and lived experience. Through both its methodology and its subjects-objects of study, the book further seeks ways to counter the abstracting mode of thinking and the processes of voiding performed by the twinning of Cartesian metaphysics and global capitalism. Enacting a model of creative scholarship rooted in the tradition of writing as performance, Jucan, a multimedia performance-maker and theatre director, uses the embodied "I" as a framing and situating device for the book and its sites of investigation. In this way, she aims to counter the Cartesian voiding of the thinking "I" and to enact a different kind of relationship between self and world from the one posited by Descartes and replayed in much Western philosophical and - more broadly - academic writing: a relationship of separation that situates the "I" on a pedestal of abstraction that voids it of its embodied histories and fails to account for its positionality within a socio-historical context and the operations of power that define it"--

Truthfulness and falsehood. --- Performative (Philosophy) --- Capitalism --- Metaphysics. --- Philosophy. --- (dis)simulation. --- René Descartes. --- algorithm. --- global capitalism. --- internet. --- performance. --- performativity. --- plastics. --- post-truth. --- theatricality.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Volta Redonda is a Brazilian steel town founded in the 1940s by dictator Getúlio Vargas on an ex-coffee valley as a powerful symbol of Brazilian modernization. The city’s economy, and consequently its citizen’s lives, revolves around the Companha Siderurgica Nacional (CSN), the biggest industrial complex in Latin America. Although the glory days of the CSN have long passed, the company still controls life in Volta Redonda today, creating as much dispossession as wealth for the community. Brazilian Steel Town tells the story of the people tied to this ailing giant – of their fears, hopes, and everyday struggles.

Steel industry and trade --- History. --- Companhia Siderúrgica Nacional --- Volta Redonda (Brazil) --- Economic conditions. --- Financialization of Economics. --- Financialization of Politics. --- Financialization. --- Global Capitalism. --- Global Economic Re-structuring. --- Globalization. --- Heavy Industry. --- Labor. --- Volta Redonda. --- Working Class Livelihood.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

A generation of aspiring business managers has been taught to see a world of difference as a world of opportunity. In Making Global MBAs, Andrew Orta examines the culture of contemporary business education, and the ways MBA programs participate in the production of global capitalism through the education of the business subjects who will be managing it. Based on extensive field research in several leading US business schools, this groundbreaking ethnography exposes what the culture of MBA training says about contemporary understandings of capitalism in the context of globalization. Orta details the rituals of MBA life and the ways MBA curricula cultivate both habits of fast-paced technical competence and "softer" qualities and talents thought to be essential to unlocking the value of international cultural difference while managing its risks. Making Global MBAs provides an essential critique of neoliberal thinking for students and professionals in a wide variety of fields.

Business education --- Globalization. --- Business education. --- accounting. --- ambition. --- brazil. --- business education. --- business manager. --- business practices. --- business programs. --- business training. --- business. --- capitalism. --- china. --- cross cultural. --- cultural difference. --- curricula. --- education. --- ethnography. --- free markets. --- global capitalism. --- global economy. --- globalization. --- international business. --- late stage capitalism. --- market share. --- markets. --- mba. --- nonfiction. --- opportunity. --- sales. --- social entrepreneurship. --- success. --- trends. --- wall street.