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Digital media is changing the ways in which religion is practiced, understood, proselytised and countered. Religious institutions and leaders use digital media to engage with their congregations who now are not confined to single locations and physical structures. The faithful are part of online communities which allow them a space to worship and to find fellowship. Migrant and mobile subjects thus are able to be connected to their faith -- whether home grown or emerging -- wherever they may be, providing them with an anchor in unfamiliar physical and cultural surroundings. As Asia rises, mobilities associated with Asian populations have escalated. The notion of 'Global Asia' is a reflection of this increased mobility, where Asia includes not only Asian countries as sites of political independence, but also the transnational networks of Asian trans/migrants, and the diasporic settlements of Asian peoples all over the world. This collection features cutting edge research by scholars across disciplines seeking to understand the role and significance of religion among transnational mobile subjects in this age of digital media, and in particular, as experienced in Global Asia. Bron: Flaptekst, uitgeversinformatie.

Digital media --- Religious aspects. --- Religion, Digital Media, Global Asia, Hyper Mobility.

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Published on the occasion of the 2019 exhibition "Changing and Unchanging Things: Noguchi and Hasegawa in Postwar Japan," The Saburo Hasegawa Reader encompasses a selection of writings by the Japanese artist, theorist, essayist, teacher, and curator Saburo Hasegawa (1908-1957), translated into English for the first time. Credited with introducing abstract art to Japan in the 1930s, Hasegawa also became influential as a lecturer on Japan and its aesthetic and philosophical traditions in New York and San Francisco before his premature death in 1957. A memorial volume, initiated by the Oakland Art Museum but left unpublished since the 1950s, as well as interviews from students at California College of Arts and Crafts, helps to establish Hasegawa as a thoughtful bridge between East and West and an engaging and thoughtful interpreter of classical and contemporary sources.

Hasegawa, Saburō, --- Noguchi, Isamu, --- Criticism and interpretation. --- Friends and associates. --- Isamu Noguchi Garden Museum. --- ノグチイサム, --- 野口イサム, --- 野口勇, --- 長谷川三郎, --- Noguchi Garden Museum --- Noguchi Museum --- Isamu Noguchi Foundation --- Isamu Noguchi Foundation and Garden Museum --- Art, Japanese --- ART / History / Contemporary (1945-). --- Monoha (Group of artists) --- 20th century. --- american art. --- american sculptor. --- artists. --- bilingual. --- catalogue. --- curator. --- diverse media. --- east asian art. --- essayist. --- friends. --- global asia. --- international touring exhibition. --- introducing abstraction. --- isamu noguchi. --- japan. --- manuscript. --- most literate artist in japan. --- multilingual conversationalist. --- oil and ink painting. --- photography. --- postwar japan. --- printmaking. --- saber hasegawa. --- teacher. --- the noguchi museum. --- transnationalism. --- Arts --- Art --- History / Asia